
The concept of people typing Dadaist humor on Twitter has existed since Twitter got its first big batch of smart-ass users in 2007, at that year's SxSW. Twitter was suddenly the place to get breaking news on inconsequential online-media events. Also, it was full of banter and inside jokes and drunken jabbering. It became fun, because a lot of bored funny people now had a way to narrowcast every oddball thought to people who might appreciate that kind of nonsense.
Only last year did anyone refer to this as a certain thing, Weird Twitter. My own Twitter feed has always been weird, because I follow a lot of [...]
We don't make fun of children, so we won't, because it's all their parents' doing. (And also, these kids are totally adorable and funny.) But everything else aside in this hot mess… who taught pre-tweens about non-disclosure agreements? That is not right. I thank the universe every day that I'll be dead when you kids are running the world. [via]
Potential American president Rick Santorum isn't even pretending to make sense anymore: "When you marginalize faith in America, when you remove the pillar of God-given rights, then what’s left is the French Revolution. What’s left is the government that gives you right, what’s left are no unalienable rights, what’s left is a government that will tell you who you are, what you’ll do and when you’ll do it. What’s left in France became the guillotine."

"So Ms. Abramson's 20-25 Hz phrase-final amplitude modulation of her 140-145 Hz fundamental frequency is heard as a sort of superimposed infrasound. (Technically "infrasound" should be below 20 Hz, but this is close.) 140 Hz is not unusually low for the bottom of an adult woman's pitch range — but 20-25 Hz is low for humans of any kind…. [T]his is first time that I've ever seen such a large-factor amplitude modulation so stably superimposed on a speaker's sequence of pitch pulses." —So Times executive editor Jill Abramson is apparently a freak of nature.
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Well, this happened.

I have a new title suggestion for the 1. new Lars von Trier movie that 2. stars Kirsten Dunst that is about 3. OUTER SPACE: let us just call it WTF. (Also, I guess this marks a final break with Dogme 95, ya know?)
"Ever wonder why White people can date the friends of exes and so on? It's because they don't let the past hinder the present." -8 Reasons To Date A White Man. (Also known as "8 Reasons to–WHAT? NO SHE DID NOT.") (via)