Mallory: Has Crash suffered enough? Sure, it won homecoming queen at the Oscars, but then no one would let Crash sit with them at lunch for the next eight years. Ta-Nehisi Coates named it the worst movie of the decade; Natasha Vargas-Cooper referred to it as a "white guilt manipulation-a-thon." Even Slate wouldn't throw it a contrarian bone. It's The Most Popular Girl That Nobody Liked.
Anne Helen: No, it has not. This movie needs to keep suffering, because it will not stop hurting us. When it came up on Twitter the other night, someone suggested it's a PowerPoint presentation posturing as insight—and that feels true. [...]
As predicted in the previous installment of Mr. Wrong, here are my Oscar® picks. I am showing clips of my picks on the New York Times thing they have for Oscar® Picks, and I am not Plagiarizing the New York Times, OK? If you do the thing on the New York Times you could win an iPad, so go do that, and that explains why I have pictures of my picks from the New York Times here, it's "Fair Use," and I'm a Journalist, HAR.
I feel pretty good about my picks and I'm putting five bucks into my regular Oscar® pool, where everybody picks all the Oscar®s, [...]

In early 2003, when evidence emerged that plans for war against Iraq were not merely afoot, but were looking more and more like a fait accompli, the French advised the luridly stupid and prevaricating administration of Bush II against an invasion. This sound suggestion was roundly condemned by nearly every Republican who could get in front of a microphone, culminating in possibly the dumbest episode of the run-up to the war: the announcement of Representatives Robert W. Ney and Walter B. Jones, Jr. that thenceforth the various House restaurants would be serving "freedom fries," rather than French fries. "This action today is a small but symbolic effort to show [...]
I'm actually scared about tonight! There are Strong Feelings about the films in contention and but also? Concerns about the hosting! Which may be magical. Or may be horrifi—oh my God, look at Andrew Garfield's hair.
What was I saying? The real fun will be in the comments here, I imagine. HAVE AT IT. Heart you all.

There was a moment, early on filming day for the pivotal scene in Barney's Version, when Paul Giamatti looked to me like an athlete preparing for a big game. As nattily dressed extras milled around the ballroom of Montreal’s Ritz-Carlton hotel, Giamatti, freshly planted in your father’s powder-blue tux, stood by the breakfast table around the corner. The producer, Robert Lantos, greeted him, and the two chatted a bit about the day ahead. Then Lantos, an imposing Hungarian-Canadian, abruptly gripped Giamatti’s shoulders, straightened him up, and gave him what looked like a Knute Rockne–style pep talk. Win one for the Richler, kid.
With that, Giamatti strode to the ballroom, [...]
There was a lot of trashing of Elinor Burkett last night on the Internets, and Eli did go a little crazy by seizing the microphone for best documentary short, especially because she was not technically the winner, according to the director, as she and the director of the winning film have been suing each other for a while, although The Academy™ does recognize her as producer. But Burkett was the most fascinating person to hit that stage last night, and trashing her is a mistake for those who might be 1. pleased about big wins for "The Hurt Locker" and also 2. interested in authenticity and nonfiction. While [...]

Welcome to The Awl's liveblogging of The Oscars! Can you feel the magic in the air? I can't emphasize how happy I am that we're doing this, doesn't it seem like there's not nearly enough coverage online of this wonderful celebration of cinema?