Stephen Rodrick, a contributing writer to the New York Times Magazine, of late best known for the single best story on Lindsay Lohan ever, has a new book out today called The Magical Stranger: A Son’s Journey Into His Father’s Life. His father, Commander Peter Rodrick, died in 1979 when his Prowler crashed into the ocean. The book traces the aftermath of his father’s death for his young family, and its ripple effects in Rodrick’s adult life—but is also a book documenting military life today. It's also really good, particularly in the way it calibrates the telling of such an openly emotional story. It’s not easy [...]

Michelle Dean: We have gathered here today because, and I think this is not an exaggerated term, we are devoted to "Enlightened," the struggling HBO show from Mike White that stars Laura Dern as Amy Jellicoe, a woman who… is struggling to figure out life. That sounds kind of patronizing, but it's the only way to put it.

Recently I found myself actively worrying about the show's potential cancellation as I went about my day. And I keep tossing around different reasons of articulating why. One is of course that like David Haglund at Slate, I think it's the most interesting show on television right now, as well as [...]

There was, you know, a time when arguing about arguing actually felt vital. Really! To wit: In 1975, Susan Sontag wrote an essay on Leni Riefenstahl for The New York Review of Books. It was not her first comment on the director of the Triumph of the Will. She had, earlier, written of Riefenstahl's work in more admiring terms in Against Interpretation: "The Nazi propaganda is there. But something else is there, too, which we reject at our loss." But this time she'd been asked to review a book of Riefenstahl's photography of the Nuba tribes in Sudan, and the bland indifference of the jacket copy provoked her.

It [...]

“Critics are men who watch a battle from a high place then come down and shoot the survivors,” Ernest Hemingway once wrote, with typical pugnacity. But are the critics sometimes right? In this occasional series we'll examine the early careers of now-beloved authors to see what the critics first made of them.

Every profile of Joan Didion begins the same way: some quasi-poetic observation of the slight figure she cuts out there in the world, seguing to a contrast with what has often been called the "steely" quality of her prose. (Most hilariously awkward of these: a 1970 Los Angeles Times profile that tries to sustain an extended metaphor [...]

Mention Lindsay Lohan to me and you’ll be treated to an excoriation of the joy with which this culture greets your average female public breakdown. As such, I've surprised myself this fall with my absorption in the personal and professional unravellings of two female television characters: Carrie Mathison of "Homeland" (Claire Danes) and Amy Jellicoe of "Enlightened" (Laura Dern). If you've also been watching those shows, you might question my yoking them together. Carrie and Amy could not occupy (heh) two more different dramatic universes. “Homeland” is a taut, quickly paced thriller about terrorism whose signature gesture is to end each episode on the edge of a cliff; while “Enlightened” [...]

At the beginning of this month I spent about a week and a half of improbably beautiful, sunny, breezy, vacationing-in-New-York days huddled over my laptop in a borrowed apartment, hitting “refresh” over and over again. I would wake up in the mornings and instinctively reach for the phone (kept next to my pillow) and check my email to see whether anything had changed. I often didn’t shower until 3 or 4 p.m. I survived, largely, on coffee, and I slept at most a few hours a night. I didn’t read the news or even watch television except for that one night the stupor was so thick that I managed [...]

1. First things first: In the '90s, one of the best things to watch on Canadian television (faint praise, that) was This Hour Has 22 Minutes. One of its most popular segments was "Talking To Americans," which was, more or less, just what it sounds like. Posing as a journalist, comedian Rick Mercer would get Americans to do things like congratulate Canada on its recent legalization of the stapler. Most of the interviews were conducted in the street-ambush style that makes you feel sorry for the targets, because God, some people were just out shopping and I wouldn’t know the first thing about Mexican politics if you asked [...]

Jane: Wow, so the third episode of Jane Campion's seven-part series, "Top of the Lake," aired last night and it wasn't until I started reading reviews that I realized how divisive Campion can be. Granted, this is her first television venture to be released in the U.S., and perhaps viewers are more used to Campion's lush aesthetic on big screen, but it's not like exaggerated dramatics are unknown quantities in TV-land either.

So I know we're both Campion enthusiasts (Bright Star, would other films be steadfast as thou art?!), and while I'm absolutely loving "Top of the Lake," there are definitely moments that leave me [...]

Jami Attenberg's The Middlesteins, which hits bookstores today, tells the story of a Midwestern family whose matriarch is binge-eating herself to death. There's a lot of talk about the obesity crisis in the country, but it tends to happen along one of two set tracks: either accompanying stock footage of headless fat people, or else coming from sinewy trainers barking at the imagined laziness of their frightened charges. It's fair to say that people are ready for another kind of story, and The Middlesteins has the potential to fill that gap. It isn't a polemic about the sagacity of good nutrition, or about personal foolishness. It's about how and [...]

“Critics are men who watch a battle from a high place then come down and shoot the survivors,” Ernest Hemingway once wrote, with typical pugnacity. But are the critics sometimes right? In this occasional series we'll examine the early careers of now-beloved authors to see what the critics first made of them.

Carrie, the high-school revenge fantasy that launched a thousand tampons, started out in Stephen King’s mind as a short story. He intended to place it, according to his memoir On Writing, with the magazine Cavalier. (Cavalier was a Playboy/GQ precursor that is still published today in a slightly less exalted form.) He’d been writing a lot [...]

Heather Donahue, best known as the actress from The Blair Witch Project, has written a book. Now this happens all the time, the once-famous-people-writing-books thing. And often the result is some cookie-cutter “memoir” of which the kindest remark you might make is that it has paid some deserving freelancer’s rent for six months. But Heather Donahue’s story caught my eye, regardless, because her book, Growgirl, was said to be about her quitting acting to grow pot. Medical marijuana, of course, all sanctioned by California law, but pot nonetheless, and, being self-interestedly attracted to stories of people who do about-faces in their careers in their early 30s, I was intrigued. [...]