
If you enjoy reading Kindle-brand electronic books on your iPhone or iPad, you've surely had moments when the best idea seems to be just erasing all your ebooks. There's something about the shoddy copy-editing and optical-character-recognition errors and lame single jpeg of cover art and terribly rendered illustrations that really puts a spotlight on the bad corporate non-fiction titles you've somehow spent $13 a piece to accumulate "in the cloud." Wouldn't it just be better if Kindle developed a "killer app" that would erase all of this garbage?
"In shipping the latest version, apparently the company's QA testers somehow missed a bug that can delete your entire book collection from [...]
Mike Shatzkin, a "widely-acknowledged thought leader about digital change in the book publishing industry" (his bio), counsels that Brightline, Barry Diller and Scott Rudin's new ebook publishing company with the fun and talented Frances Coady, "would appear to be poised to compete with major publishers for major books." And: "Diller and Rudin, with their Hollywood roots, certainly have access to many of the great story-creators and storytellers." True, but they have two bad choices there in order to compete: explain the finances behind ebooks to authors who are used to being overpaid—"Hey, you get 50%! Of something between zero and infinity dollars!"—or, overpay those authors up front, and [...]

Romance fiction is widely reckoned to be a very low form of literature. Maybe the lowest, if we're not counting the writing at Groupon, or on Splenda packets. Romance fiction: probably the worst! An addictive, absurd, unintellectual literature, literature for nonreaders, literature for stupid people—literature for women! Books Just For Her!
Low or not, romance is by far the most popular and lucrative genre in American publishing, with over $1.35 billion in revenues estimated in 2010. That is a little less than twice the size of the mystery genre, almost exactly twice that of science fiction/fantasy, and nearly three times the size of the market for classic/literary fiction, according to [...]