The comforts of dark matter
Modern society, as a whole, tends toward a sort of institutional optimism, espousing Hegelian notions of history as progress and encouraging us to believe happiness is at least potentially available for all, if only we would pull together in a reasonable manner. Hence the kind of truth pessimists tell us will always be a subversive truth. All the quotations I chose from Cioran, almost at random, could be understood as rebuttals of the pieties we were brought up on: that knowledge is a vital acquisition, that we must work to help and save each other, that it is positive to be industrious and healthy, that freedom is supremely important, and so on.
Such a radical deconstruction may be alarming, yet when carried out with panache, zest, and sparkle, it nevertheless creates a moment’s exhilaration, and with it, crucially, a feeling of liberty.
Why do we read pessimistic writers? Some of us would immediately answer “for confirmation,” but Tim Parks has a couple of other ideas.