"Boardwalk Empire": The Halfway Report
This is the way history works on cable—the period setting is condensed, amplified and sped up so that we can focus on the interpersonal relationships and dramas of our heroes and villains. You add enough historical ephemera to keep people who watch for that reason interested, anyone tuning for a character drama gets a venue more exciting than a hospital or an LA apartment complex and everyone finds a person/place/thing to plug into Google at the end of the night. READ MORE
Understudies! The Darkness of 'Annie,' Ginger Queen of Poverty
Listen in on a certain variety of college-age girls who are meeting each other for the first time and you'll inevitably hear the boasts, the pride, the tentative assertions of superior talent that come with talking about what is, for these girls, the most important subject: who played whom in which high school and community theater musicals. There's always a Maria, an Eliza Doolittle. The prim lanky ladies are a Sally Bowles (they come from an experimental charter school and have boundary issues) and there's the Rodgers and Hammerstein girls who went to Catholic school and are in awe of the worldlier, more sexualized characters their peers were allowed to play. READ MORE
