Paul Newman’s egg-gorging feat in Cool Hand Luke certainly inspires wonder (along with a tinge of disgust). And yet each time I watch the film, I struggle with a nagging question raised by that stomach-swelling exploit: Which came first, our appetite, or our drive for competitive eating? Owing to the glut of cooking competitions, food trucks racing across town serving up sliders and duck-fat tots, foodies one-upping each other on Instagram and restaurants aggressively advertising their farm-to-table bona fides (as brilliantly satirized on "Portlandia"), food culture feels increasingly competitive in the broader, non-Kobayashi sense.
As the battles unfold to perform more impressive culinary feats, whether inhaling hot dogs [...]
I tried uniformly applying a variety of “systems” — note cards, wall-sized outlines, all kinds of things. Color-coding and cross-referencing may or may not have been involved. I may or may not own a triple hole-punch. Ultimately, though, I felt I was spending more time playing reporter/writer than being reporter/writer—the systems search, I realized, was a form of procrastination. Here’s what I do now, and it’s very basic: Bring the scraps back to the nest, arrange them chronologically, develop a timeline that shows everything more clearly, and then build out from there, hewing to that backbone yet following each thread to its known end. That’s just an organizing principle, [...]
I'm torn on advice. Sometimes you're given some and it matters right there on the spot. Then there's the advice that sits alongside pathetic life-as-lit, lit-as-life devices—think fantasies of watching your own funeral or accurately narrating your life as it unfolds. This is the kind of advice that, either in the moment or as memory, arrives perfectly formed and quotable, a single well-turned line that turns your life into a teaching tool for all humanity. And then there's the advice that slips by unnoticed at the time, that you cull meaning from only in retrospect, out of metaphysical necessity. How did I get here, anyway? Someone must have told me [...]
As National Novel Writing Month slogs on, the next in our series about the novels that we started writing but, for whatever reason, never finished.
Do you remember the episode of "The Simpsons" where Marge scores the fake Chanel suit? She looks incredible in it, straight-up incredible, and then this rich bitch she went to high school with spots her and briefly ushers her into Springfield high society? Anyway, she has only the one fake Chanel suit, so she has to transform it into culottes and an evening gown, etc. in order to keep the illusion afloat, but ultimately she stays true to herself because of Homer and [...]
Jami Attenberg's The Middlesteins, which hits bookstores today, tells the story of a Midwestern family whose matriarch is binge-eating herself to death. There's a lot of talk about the obesity crisis in the country, but it tends to happen along one of two set tracks: either accompanying stock footage of headless fat people, or else coming from sinewy trainers barking at the imagined laziness of their frightened charges. It's fair to say that people are ready for another kind of story, and The Middlesteins has the potential to fill that gap. It isn't a polemic about the sagacity of good nutrition, or about personal foolishness. It's about how and [...]
For Frank O'Hara, L was definitely for Lunch. He wrote most of Lunch Poems during his lunch hours—pausing, as he put it, "for a liver sausage sandwich in the Mayflower Shoppe" and taking notes on what he'd seen while roaming Manhattan. Eating and writing, eating and writing. I adore the book's title, not just for its banal literality, but for its figurative (ahem, poetic) potential as well: The volume of poems, small as a subway map, tucks easily into one's pocket. Like a snack. And the poems, too, can be consumed that way. As O'Hara's famous "A Step Away from Them" suggestively ends: "A glass of papaya juice / [...]
"There is almost nothing better for your work than having someone cook and clean for you who is neither a relative nor someone you’re sleeping with."