By 1989, Allen Ginsberg was as famous as a living poet could ever hope to be in this country. Out of his East Village apartment, the “Howl” author continued to write poetry, entertained friends and admirers, oversaw his legacy, and planned his many travels. Writer Steve Finbow, an Englishman spending time in the States in an effort to outrun his dissertation, somehow fell into the thick of it—he became Allen Ginsberg’s research assistant. Twenty years later, with a writing career of his own secured, Finbow signed on to write a biography of the poet for the UK publisher Reaktion. Allen Ginsberg comes out this week in the United States [...]
Consider this: according to Discogs.com, about 800 remixes were released in 1983. In 1990, more than 4,000; in 2000, almost 15,000. And in 2010, there were 22,750 remixes released, an increase of more than 450% in twenty years. Not surprisingly, as that number has leapt up, remixes also have come to represent a much larger share of what's being released: in 1983, they accounted for 2% of all releases; 7% in 1990; 17% in 2000; until, by 2010, a staggering 20% of all releases were remixes.