Cameron drifted into the wrong lane, then came to the wrong border post—and just like that the Connecticut-plated BMW was under suspicion as a drug runner. We were asked to await a drive-through X-raying, then wedged between a body-rotted pickup truck and a minivan whose rear panel was being sniffed by a rangy German shepherd.
“These guys,” said Cameron, drawing our detainers into his messaging, “are making their decision based on not how we look. On the facts. And the fact is we could very well be struggling”—this slip was the only fracture in an immaculate façade of control and confidence, and he swallowed it like a spit [...]
Hey, how much did your content management system cost? Was it… ONE MILLION DOLLARS? Astounding, but hey, it'll be open source. So it's an incredibly expensive socialist CMS I guess.

Most popular on HuffPo! You don't say.
"What Prince has figured out is that the proportion of effort/return on pushing the internet user to actually BUY music is not worth the resources it takes to do so. When 80 – 90% of your PR effort disappears into non-revenue online areas (piracy, Spotify), the PR needs to be 8-9 times as ubiquitous as in the pre-internet era to make the same gains. He's done the sums, and has figured out that even if he only stands to make a penny profit on each CD that goes out on the cover of various European newspapers, that it's worth more to him than a hundred million people retweeting a video [...]

Richard Rushfield, the preeminent 'American Idol' scholar of our time, and author of the forthcoming Hyperion book 'American Idol: The Last Empire,' has long maintained that the television singing competition show is being destroyed by young girls. Natasha Vargas-Cooper, the preeminent scholar of tween girls of our time, and author of the forthcoming 'Mad Men Unbuttoned,' has had enough. For better or for worse, we've asked them to take their ongoing argument on the matter public.
Natasha Vargas-Cooper: I knew that the results this week would be controversial because American Idol's final six competitors are what remains when the fat is cut. And the [...]
"Bob is not authentic at all. He's a plagiarist, and his name and voice are fake. Everything about Bob is a deception. We are like night and day, he and I." - Bob? Yes, BOB DYLAN. This whole interview IS INSANE and wonderful. Joni Mitchell also says: "When Prince later became a star, he told me, 'You used to be shocking, but I can cut you now!'"