Three fictional madmen—two sociopaths and a narcissist—die on television. It's a strange worldview that would take this as a sign of "The Death of Adulthood in American Culture", but that is the premise of the lead essay in the New York Times Magazine’s culture issue, by film reviewer A.O. Scott.
The unfortunate endings of Tony Soprano of "The Sopranos" and Walter White of "Breaking Bad"—plus Don Draper of "Mad Men," whose elegant silhouette is likely to plummet off a skyscraper soon, according to some fans—signify to Scott the "slow unwinding" of the very idea of adulthood as it was formerly understood, a principle inherent in the patriarchy. "The [...]