"In a world where we have this many channels and every channel has a docu-soap about some outrageous personality who lives unapologetically and sort of yells at us, as television viewers… This was just the opposite. This one allows you to watch and just sit back and relax. Not in a boring way but in a really 'that’s different' sort of way. It allows you to breathe." —Will "slow TV" catch on in America? Sure, why the hell not.
"[M]ost of us don’t tweet or post at all while we’re plopped in front of the tube. When we do, half the time we’re talking about something other than TV. And social media conversation is far weaker than traditional factors, like TV commercials for new shows or our sheer laziness in changing channels, in prompting us to tune into each season’s new offerings."
People drop things on the Internet and run all the time. So we have to ask. In this edition, writer Cord Jefferson tells us more about his new job.
Here is some info: I'm leaving Gawker to work on a television show. Gawker is great and full of geniuses and I'm going to miss it a lot.
— Cord Jefferson (@cordjefferson) February 4, 2014
Cord! So what happened here? In mid-January I got a call saying that a guy had reached out to my literary agent to ask if I’d be interested in writing for television. That person turned out to be Mike O’Malley, [...]
Television loves conventions. That's why we have a million police procedurals, law procedurals, medical procedurals, murder mysteries, spy shows. And yet there's never been a successful, straightforward heist show. BUT THERE SHOULD BE.
When I say "a straightforward heist show," here's what I mean:
The planner/planners has/have an idea for a theft. A group of collaborators is assembled. A plan is formulated. We learn about the security, the problems to be overcome during the theft. We do not necessarily have to learn (in fact, we usually don't learn) exactly how the theft will be done, but we're given clues that will make the theft's intricacies make sense after it's [...]
Karen Prell performing Red Fraggle at Comic-Con. Photo by krysaia.
This year marks the 30th anniversary of "Fraggle Rock"'s first airing on January 10, 1983. In the spring, the cast and crew got together for a reunion in Toronto, where the show was taped. They gave toasts, performed songs, and ate well into the night. There was a Marjory-the-Trash-Heap cake topped with intricate sugar-paste Fraggles and Doozers that fed over a hundred people.
While most of the participants were getting on in years, two guests had not been old enough to work on "Fraggle Rock." Mark Bishop, the CEO of Marvel Media, and Matt Wexler, [...]
1. Birth: Anticlimactic. Suspense building for nine months, and for what? A dark, messy and not all that joyful resolution. And who really believes that the "Husband" would suddenly shift from indifferent, absent spouse to soothing, expectant dad? The introduction of the epidural minimized dramatic impact, and lowered the stakes significantly. From that point forward, I was disengaged. The emergency C-section twist held promise, but it was at once too gory and too detached. How is that even possible? The only thing that redeemed this train wreck was the baby (me!) who gave a heroic performance. Tough to pull that off when you're covered in white gunk.
2. First [...]