The Awl http://www.theawl.com/ Be Less Stupid Fri, 21 Oct 2011 14:40:02 +0000 en hourly 1 http://wordpress.org/?v=3.0.2 Rihanna's "We Found Love" Vs. Friends' "I'm His Girl" http://www.theawl.com/2011/10/rihanna-we-found-love http://www.theawl.com/2011/10/rihanna-we-found-love#comments Fri, 21 Oct 2011 14:40:02 +0000 Dave Bry http://www.theawl.com/2011/10/rihanna-we-found-love
Two new videos came out this week for songs sung by women in their early 20s. One is the one above. And while it's blatantly banking on reminding people of last year's smash hit "I Love the Way You Lie," and it's always creepy, because of what we know about her real-life past, to watch Rihanna flirting with the notion of domestic violence as turn-on, I like it. It's certainly very titillating. Like Requiem for a Dream, from which it also borrows heavily. The song itself is great, too, which certainly helps. Big dumb disco done just right. I think I like it more than any song of Rihanna's since "Umbrella." As good as it is, though, it pales in comparison to "I'm His Girl," by the new Bushwick, Brooklyn band, Friends.

This is subtle, sly disco done just right. (It's reminiscent of what ESG and Liquid Liquid were doing in the early '80s. Has anything ever sounded more New York? Was Friends frontwoman Samantha Urbani not born with the perfect name?) But as much as the sound of the record, it's its sentiment that has lots of people jumping up and down and cheering. Over at the Hairpin, Blanca Mendez called "I'm His Girl," "the best song about healthy relationships that has ever been recorded."

What?! Could that be?! Better than "Our House?" Better than "Wonderful Tonight?" Better than "You're All I Need?" Better than "Make Me Better?"

Well, "I'm His Girl" is very great at expressing some very important ideas about healthy relationships. As Mendez goes on,

"Wisdom like knowing that your worth doesn't depend on your relationship status and that relationships are not about possession. Even if she’s his girl, she does exactly what she wants when she’s with him and when she’s not. And she doesn’t get jealous when he goes out, because trust! It’s important! No matter how into each other they are, they both need room to breathe. I kept saying, 'preach, girl, preach,' as I watched this video."

I kept saying that, too. And that's exactly what Kahlil Gibran would have said, too. Since what Urbani is singing about is just like what he wrote in 1923, in his poem "On Marriage," from The Prophet, which you probably read in college and have heard recited at some weddings you've been to. But I'll put a part of it here, because it is always nice to read again.

Love one another, but make not a bond of love:
Let it rather be a moving sea between the shores of your souls.
Fill each other's cup but drink not from one cup.
Give one another of your bread but eat not from the same loaf
Sing and dance together and be joyous, but let each one of you be alone,
Even as the strings of a lute are alone though they quiver with the same music.

The truth that Gibran and Urbani are getting at is all too rarely expressed in pop songs, which tend to instead focus on the breathless, immature "OMG I'LL DIE WITHOUT YOU!!!" sort of love that Rihanna's video is about because that kind of love is more combustible and titillating and much more easily rendered into something someone else would want to hear about or watch on a screen. It's no coincidence that it more often makes for good entertainment. It's more entertaining. Dysfunctional relationships are far more interesting than nice solid healthy ones—at least from the perspective of someone outside the relationship. The problem is people get stuck on that stuff from the inside, they start to feel like that's the only way they know they're in love, when there's the crazy frisson of passion that borders on pain or emotional abuse, or in the worst cases, violence. People get their inner lives confused with what they like to watch on TV.

Being able to breathe is more boring than not being able to breathe. But it feels better. And it lasts longer.

---

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Two new videos came out this week for songs sung by women in their early 20s. One is the one above. And while it's blatantly banking on reminding people of last year's smash hit "I Love the Way You Lie," and it's always creepy, because of what we know about her real-life past, to watch Rihanna flirting with the notion of domestic violence as turn-on, I like it. It's certainly very titillating. Like Requiem for a Dream, from which it also borrows heavily. The song itself is great, too, which certainly helps. Big dumb disco done just right. I think I like it more than any song of Rihanna's since "Umbrella." As good as it is, though, it pales in comparison to "I'm His Girl," by the new Bushwick, Brooklyn band, Friends.

This is subtle, sly disco done just right. (It's reminiscent of what ESG and Liquid Liquid were doing in the early '80s. Has anything ever sounded more New York? Was Friends frontwoman Samantha Urbani not born with the perfect name?) But as much as the sound of the record, it's its sentiment that has lots of people jumping up and down and cheering. Over at the Hairpin, Blanca Mendez called "I'm His Girl," "the best song about healthy relationships that has ever been recorded."

What?! Could that be?! Better than "Our House?" Better than "Wonderful Tonight?" Better than "You're All I Need?" Better than "Make Me Better?"

Well, "I'm His Girl" is very great at expressing some very important ideas about healthy relationships. As Mendez goes on,

"Wisdom like knowing that your worth doesn't depend on your relationship status and that relationships are not about possession. Even if she’s his girl, she does exactly what she wants when she’s with him and when she’s not. And she doesn’t get jealous when he goes out, because trust! It’s important! No matter how into each other they are, they both need room to breathe. I kept saying, 'preach, girl, preach,' as I watched this video."

I kept saying that, too. And that's exactly what Kahlil Gibran would have said, too. Since what Urbani is singing about is just like what he wrote in 1923, in his poem "On Marriage," from The Prophet, which you probably read in college and have heard recited at some weddings you've been to. But I'll put a part of it here, because it is always nice to read again.

Love one another, but make not a bond of love:
Let it rather be a moving sea between the shores of your souls.
Fill each other's cup but drink not from one cup.
Give one another of your bread but eat not from the same loaf
Sing and dance together and be joyous, but let each one of you be alone,
Even as the strings of a lute are alone though they quiver with the same music.

The truth that Gibran and Urbani are getting at is all too rarely expressed in pop songs, which tend to instead focus on the breathless, immature "OMG I'LL DIE WITHOUT YOU!!!" sort of love that Rihanna's video is about because that kind of love is more combustible and titillating and much more easily rendered into something someone else would want to hear about or watch on a screen. It's no coincidence that it more often makes for good entertainment. It's more entertaining. Dysfunctional relationships are far more interesting than nice solid healthy ones—at least from the perspective of someone outside the relationship. The problem is people get stuck on that stuff from the inside, they start to feel like that's the only way they know they're in love, when there's the crazy frisson of passion that borders on pain or emotional abuse, or in the worst cases, violence. People get their inner lives confused with what they like to watch on TV.

Being able to breathe is more boring than not being able to breathe. But it feels better. And it lasts longer.

---

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Rihanna, "S&M" http://www.theawl.com/2011/02/rihanna-sm http://www.theawl.com/2011/02/rihanna-sm#comments Tue, 01 Feb 2011 11:40:52 +0000 Dave Bry http://www.theawl.com/2011/02/rihanna-sm
This new Rihanna video is pretty great in an old, candy-painted, classic-days-of-MTV-surrealism way. Directed by Melina Matsoukas, it's like Busta Rhymes meets Tom Petty meets Cyndi Lauper meets Devo. With Perez Hilton bound and gagged and made to crawl around on all fours like a dog.

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This new Rihanna video is pretty great in an old, candy-painted, classic-days-of-MTV-surrealism way. Directed by Melina Matsoukas, it's like Busta Rhymes meets Tom Petty meets Cyndi Lauper meets Devo. With Perez Hilton bound and gagged and made to crawl around on all fours like a dog.

---

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Liveblogging The 2010 American Music Awards: Teenage Dreams Of Prom Themes Past http://www.theawl.com/2010/11/liveblogging-the-2010-american-music-awards http://www.theawl.com/2010/11/liveblogging-the-2010-american-music-awards#comments Sun, 21 Nov 2010 19:55:25 +0000 Maura Johnston http://www.theawl.com/2010/11/liveblogging-the-2010-american-music-awards I GOTTA FEELING TONIGHT'S GONNA BE A SOMETHING OR OTHERBecause nothing makes popular music more fun than typing alongside friends, it's time to do that "liveblogging" thing in honor of the 2010 American Music Awards, which celebrate the most popular of the most popular music that this country has to offer, complete with the sort of pomp that only the most craven enterprises can possess. Join me after the jump for the Black Eyed Peas, Christina Aguilera, Katy (sigh) Perry, the results of allowing 13-year-olds to vote (online) (for their favorite male pop stars), and OMG NEW KIDS AND BACKSTREET BOYS TOGETHER!!

7:56 p.m. Man, the ball shots on America's Funniest Home Videos just don't have the same wacky appeal that they did during the pre-YouTube era, do they? Also a video of a naked child wandering around a hallway just "won" the week. America!

7:58 p.m. And the drooling child's name is, seriously, Bristol. Surely this is some sort of intra-ABC shout-out to Dancing With the Stars' ballot-stuffing?

8:00 p.m. It's here! And here's Rihanna!

8:01 p.m. Rihanna is sitting in a "tree" and singing her sequel to "Love The Way You Lie." And she is, uh, definitely doing it live.

8:02 p.m. Now, Rihanna is traveling through a kudzu field of glowsticks while wearing a bikini top that looks like it was crafted from dip-dyed dish towels while performing her version of Beyoncé's interpretation of Axl Rose's snake dance. And she is also still singing for real, which is an interesting choice given that on every single song she's put out this year she's sounded like a different vocalist.

8:04 p.m. And now she is trying to sing the very vocally bendy "Only Girl In the World," which is a pretty difficult song to sing standing up straight, let alone while dancing. Very curious about the artistic decisions here. Is it an effort to prove herself as Better Than Beyoncé? Also, I can't help but wonder if Loud is going to be like Katy Perry's Teenage Dream (not to mention Rihanna's own Good Girl Gone Bad) in terms of being massive on the singles side, but not on the album side.

8:07 p.m. The Only Girl In The World is running out of oxygen, everybody!

8:09 p.m. Heidi Klum is talking about the awards being voted on by the public, and how that is awesome. Subtext: "AT LEAST NINA GARCIA AND MICHAEL KORS CAN'T RUIN THIS."

8:10 p.m. Usher's Raymond Vs. Raymond wins the first award of the night, Best Soul Album. I was pulling for Sade, really.

8:12 p.m. The Thanksgiving-themed song in this Old Navy ad is actually a Ke$ha B-side.

8:14 p.m. If you had told me 21 years ago when I was going to my first concert that the lead singer of the headlining band would be ice-skating on TV someday I would have laughed at you. And yet.

8:15 p.m. Nice to see that the AMAs' producers hired the people who wrote the NewsRadio theme to perform the night's interstitial music!

8:15 p.m. Favorite Pop/Rock Band/Duo/Group (don't get too specific there, guys) goes to the Black Eyed Peas. will.i.am's Lego hat: The best aesthetic decision he's made in seven years.

8:17 p.m. "Thank you to everybody on the Internet!" You're welcome! No, really, you're welcome.

8:18 p.m. Spanish is funny!

8:19 p.m. Now, these are some sweetened-up vocals. Thanks, Enrique, for showing us how a pop music awards show should do things. Also, this uptempo club banger with the light show is making me miss the straightforwardness of "Hero."

8:20 p.m. Stomp meets Jersey Shore meets my living room being about 95% brighter than it was before this performance started.

8:21 p.m. Pitbull: No vocal assistance. Keeping track of this is going to be fun!

8:22 p.m. We can also track the number of callbacks to old pop songs, if you're looking for another parlor game to play. "All Night Long" is No. 1, and I guess the Dirty Dancing song will be next?

8:23 p.m. Oh, no, my bad, next up is Miley Cyrus' homage to Alanis Morrissette Unplugged.

8:24 p.m. Miley live > Taylor live. Suspect Stevie would agree.

8:25 p.m. Or maybe not.

8:26 p.m. The look Miley gave her band after playing was perfectly blank. The definition of the term "pretty vacant."

8:28 p.m. I would like to be paid a lot of money to make decisions like: "Yes, a young girl who looks like half of the evil-twin duo from The Shining is a perfect pitchwoman for macaroni and cheese!" Could you imagine what that life would be like?

8:30 p.m. Diddy Dirty Wow.

8:31 p.m. Um, wait, isn't it too soon for someone to be remaking Kanye's "Good Life"?

8:33 p.m. There is also the matter of the callback to Bobby Brown's outfit from the "My Prerogative" video.

8:33 p.m. This song is going to be gigantic, I think. It's got that triumphant stomp and the sheer will of Diddy's ego behind it.

8:35 p.m. Oh great, everybody get excited for Taylor Swift to pull her "omg I'm really popular I can't believe it" act out for the 23,405th time.

8:36 p.m. Not feeling the straightened hair. Or the "nobody understands me but you guys" routine.

8:37 p.m. Men: What's the deal with the tucked-in pants? Is the afterparty equestrian-themed?

8:39 p.m. And now here's Kid Rock remaking Bruce Springsteen's "My Hometown." I am starting to think that I need to zap my musical RAM in order to not hear other songs (and see other artists) in everything on this stage. But it's not just me, right? Right?

8:43 p.m. I will say this for this show: It's jam-packed. Five performances in the first 40 minutes? Pretty sure the VMAs were not as stuffed. (And of course this show's lack of Chelsea Handler gives it an automatic competitive advantage.)

8:47 p.m. Johnny Weir's hair is the highest of the night, I think?

8:47 p.m. Favorite Latin Music Award artist is... Shakira! Who, alas, is not in the house.

8:48 p.m. You know who else isn't around? Bill Medley and Jennifer Warnes. Which means that we're going to have to hear will.i.am and Fergie sing their bits.

8:49 p.m. I like how Fergie is embracing the Peas' "cover every demographic base" aesthetic with an outfit that incorporates Gaga's cage, Katy's cleavage, and Ke$ha's muddy glitter.

8:50 p.m. Meanwhile, her band is being danced around by people whose aesthetic recalls "Mummenschanz-gone-Nintendo."

8:52 p.m. The second disturbing musical revelation I've had today (the first was liking a song on the radio by, I swear, OneFreakin'Republic): I think I would actually tolerate "The Time (Dirty Bit)" if it didn't have the Dirty Dancing callback? Also, how hard do you think ABC lobbied to incorporate Jennifer "Probably Going To Lose Dancing With The Stars To The Worst PTA Mom Ever's Daughter" Grey into the performance?

8:55 p.m. The ever-increasing Real Talk Quotient of toilet-paper ads is going to reach a pretty unpleasant tipping point pretty soon.

8:57 p.m. Katy Perry. Here we go.

8:58 p.m. A children's choir. Oh boy. And Katy ... descending from the heavens in something ... that is pretty much designed to resemble ... a saint's shrine.

8:58 p.m. She is also ill-advisedly singing live. (Did her hair and makeup people just forget to show up?)

9:00 p.m. Nice of her to save the cleavage-reveal until after the kids left the stage.

9:01 p.m. Katy Perry In Pyrobics: The new workout that you can perform while wearing stirrup pants and trying to hit all the high notes!

9:02 p.m. Nicki Minaj's 10-word speech went through about three of her accents. Impressive that she did that while wearing an exoskeleton made of zippers!

9:03 p.m. No but really, how many pounds is Nicki Minaj's outfit? She looks like she has to be wheeled around a la Bernie.

9:05 p.m. Justin Bieber's socially conscious song: So serious, his hair isn't feathered! Someone get the siren dot jpeg out!

9:06 p.m. Uh oh... here comes the gospel choir...

9:07 p.m. There is definitely a weird "Things are kinda crappy out there, sorry" vibe emanating from a lot of the songs being performed tonight. Hope this means Taylor Swift's going to pull out her song about mean old writers!

9:08 p.m. I wish Ne-Yo was performing and not just in Project Runway-style car commercials :(

9:13 p.m. Mandy Moore: The superior recording artist in this particular presenter diptych. (Seriously, have you heard Sheryl Crow's cover of "I Want You Back"?)

9:14 p.m. My viewing companion notes that the quality of video in this particular package was barely above YouTube-level.

9:15 p.m. Favorite Country Male Artist: Brad Paisley. Still a terrible graphic designer, though.

9:17 p.m. And the second Bruce Springsteen homage of the night comes to you from Bon Jovi. Wait, and now there's a callback to Mötley Crüe's "Home Sweet Home"! What is happening on my television right now? Is it 1990 and you all forgot to tell me?

9:18 p.m. Richie Sambora sure looked bored to be playing that LIGHTNING-EMITTING GUITAR! Just because it's not Katy Perry's boobs, Richie, don't be so bummed out!

9:20 p.m. Jon Bon Jovi is so much more excited to be playing "It's My Life" than "You Give Love A Bad Name." Probably because it's only 10 years old instead of 23? "YGLABN" would have been a great opportunity for one of those dumb YouTube karaoke contests to have their end point.

9:22 p.m. "Quick! Cut to another person smugly nodding!"

9:23 p.m. Seriously, this Old Navy song is going to the Thanksgiving No. 1 that America needs to pull itself out of its slump.

9:24 p.m. Crazy Frog got a movie deal, you guys! There's hope for all of us!

9:29 p.m. I have such a thing for Mike Posner. He's a silky-voiced dude who's kind of a schmoe when it comes to dealing with women? THAT'S SO MY TYPE.

9:30 p.m. Justin Bieber wins the Breakthrough Artist award and thanks God first. Also his mom, his fans. And reveals his lack of geography knowledge by saying that the "smallest town in the world" is 30,000 people strong? Hmm.

9:31 p.m. Is that American Idol also-ran Casey James playing guitar for Pink? Probably not, but it could be.

9:32 p.m. Also how awesome would it be if Pink broke into "Buffalo Stance" right now? She's dressed for the occasion.

9:33 p.m. REMEMBER THE '90S?????????

9:34 p.m. Oh boy that last note, oh dear. Still one of the better vocal performances of the night.

9:35 p.m. I just threw up my hands and screamed "Yay!!!" when Ne-Yo was announced.

9:35 p.m. Will this montage feature Slash and Duff's "fuckin' .... oops" speech from 20 years ago? Ah, the memories.

9:39 p.m. I wonder if this Michael Jackson video game will allow people to unlock "Moonwalker mode." Surely there's enough room on the disc, right?

9:41 p.m. Ne-Yoooooooo (but what's up with the facial hair)

9:42 p.m. Oh my God I am so ridiculously excited for this album. There are two comic-book-like concept albums coming out tomorrow! We really need to have an MCR/Ne-Yo CONCEPT-OFF.

9:44 p.m. I am not really able to form words right here. Oh my.

9:45 p.m. Whoa he's dripping with sweat. Whoa.

9:46 p.m. And now here's Taylor Swift to be the buzzkill. And continue with the "people descending from the sky" motif.

9:47 p.m. At least Taylor's set is inspired by the cover of Fall Out Boy's Inifnity On High.

9:49 p.m. OH MISS SWIFT GETTING SERIOUS WITH THE ONEREPUBLIC COVER (nb she still can't hit the notes).

9:50 p.m. Was expecting the unexpected run-in to come from Taylor Lautner, really. "Yes, this song is about me! I know!"

9:51 p.m. Important question: What is love?

9:52 p.m. Justin Bieber thanks Michael Jackson: "Without Michael Jackson, none of us would be here." OK, so his geography misstep is a bit understandable, but come on.

9:58 p.m. That was a curious undermining-the-point-of-the-choreography directorial decision there at the beginning of Christina Aguilera's "Burlesque" performance.

9:59 p.m. I do like how this song is sort of a mash-up of her "Dirrty" persona and her "Ain't No Other Man" sound. But things are coming off as a bit.... inert? Although the piano skirt worn by one of her backup dancers is nice.

10:01 p.m. My viewing companion notes that this is also a big callback to the "Lady Marmalade" remake, from the innocent days of 2001. Well, not "innocent," but you know what I mean.

10:04 p.m. "Hot country": For when you don't want to call a band's chosen genre of music "Old Bread."

10:06 p.m. I don't think you all understand how sad I am that Dean Winters was driving around the parking lot of the mall near my parents' house... and I wasn't there.

10:07 p.m. ("The Broadway Mall is one of the largest–and perhaps strangest–malls on Long Island.")

10:09 p.m. "We forgot to design Usher's set!" "Just turn on the iTunes Visualizer. Fuck it."

10:10 p.m. "And get Ne-Yo's dancers to act like they're remaking the 'Cold Hearted' video. We have all these extra neon wristbands from a T-Mobile promo that didn't work out, they can wear those."

10:12 p.m. "And then just add Katy's leftover pyro. Turn it up to seizure-inducing so no one will notice that we just threw this shit together."

10:13 p.m. Avril Lavigne is presenting the Alternative Music award... and using the worst coinage of the past year, which I cannot even bring myself to type out. So, everything's status quo then.

10:15 p.m. Oooh, thanking Charles Darwin! You get political, Muse guy.

10:16 p.m. I have to hand it to Train, who in the past year have somehow put out only songs that are tailor-made to be omnipresent. That "Marry Me" song? It's going to be played at even more weddings than "The Time (Dirty Bit)."

10:17 p.m. (PS Nice pants.)

10:17 p.m. Oh man, a Dove ad just broke out on stage!

10:19 p.m. Readers, if you want to be shocked and horrified sometime before the end of the hour, don't Google the "rock classic" taken on by Santana and Gavin "Not Just Gwen's Husband Once Again" Rossdale.

10:22 p.m. Pretty sure I just saw Danny Gokey flash across my TV screen. Poor Lee DeWyze.

10:24 p.m. "Inheriting a cross-pollinated love of country and rock & roll from their parents, The Band Perry – siblings Kimberly, Reid, and Neil Perry – say that they bleed the bright red blood of American music." Ah, so that's why the dudes look like they took a wrong turn at Kings of Leon Way. More important, though: Who's their manager?

10:25 p.m. "God ... I love winning things!" Michael Bublé, winner.

10:26 p.m. What does the word "history" mean to you?

10:26 p.m. What does the career of Daft Punk mean to Ke$ha? Alternate question: What does Prince's "Batdance" video mean to Ke$ha?

10:28 p.m. You know, say what you will about Ke$ha, but at least her singing voice sounds pretty similar to the way it sounds on record.

10:28 p.m. No comment on her backup dancers' wigs, though.

10:30 p.m. Or her decision to not bust out a guitar solo with that particular axe.

10:30 p.m. Or her leap onto the "It Gets Better" bandwagon, which, sigh.

10:34 p.m. The first time I heard the Vampire Weekend song in this Tommy Hilfiger ad I thought it was by Neon Trees. 2010!

10:36 p.m. Santana. Rossdale. AMERICA PREPARE TO HAVE YOUR MIND BLOWN.

10:37 p.m. There are so many questions about this performance. Why is the band so big? Why is the cowbell so overmiced? What pedals is Carlos Santana using? Did no one think to give Gavin Rossdale's hairdo a makeover? How quickly is Marc Bolan spinning in his grave?

10:39 p.m. And same question, but: ROBERT PALMER?? Oh, Robert Palmer. The world misses you so badly right now.

10:39 p.m. I mean. I just.

10:40 p.m. "It's over!"

10:40 p.m. The crowd reaction shots on this have been pretty priceless. Lots of "uh, well..." looks.

10:42 p.m. There are still awards being given out, just in case you were wondering. Usher will now have six of the little glass pyramids on his shelf!

10:45 p.m. I should probably use this commercial break to note that "Bang A Gong" will probably not be the worst song on Carlos Santana's forthcoming covers record. Other contenders:
• "Riders On The Storm," Santana Featuring Chester Bennington & Ray Manzarek
• "Dance The Night Away," Santana Featuring Pat Monahan (aka the Train guy)
• "Sunshine Of Your Love," Santana featuring Rob Thomas
It would appear that the duet with Scott Stapp got cut from the album last-minute?

10:49 p.m. Ryan Seacrest is turning the Favorite Artist award into an American Idol results show! Please don't let that mean that we have a drawn-out hour of this coming.

10:50 p.m. Justin Bieber, once again proving that giving 13-year-olds the vote produces results.

10:51 p.m. Welp, Justin Bieber's acceptance speech just provided the night's "passing the torch" narrative. That's what you get when you hire a swagger coach!

10:52 p.m. "[Usher is] my best friend and my big brother." "Justin Bieber just solved race."

10:53 p.m. OMG BACKSTREET BOYS NEW KIDS MASHUP!!

10:53 p.m. Probably worth noting the fact that the final two musical performances in an awards show in 2010 were a cover of a song from the '70s by a guitarist from that era and a faded frontman from the '90s and a medley of hits by boy bands minted in the '80s and '90s. And that all the ads encouraging people to buy music were for the Beatles.

10:54 p.m. But ... "I Want It That Way"!!!

10:56 p.m. I didn't even like the New Kids when they were a "thing" but that synchronized crotch-grab? Ticket, purchased.

10:57 p.m. Michael C from Project Runway is having the best time right now. Somewhere, Ivy is off being a jerk with an atrocious aesthetic.

10:58 p.m. And ... well, that was abrupt.

10:59 p.m. My friend showed up at 9, so I am explaining the scenes being shown in the closing-credit montage. "That was Bobby Brown ... I mean that was Diddy." I really said that.

11:07 p.m. Here is your full list of winners, not that they are consequential to anyone except the people who will have to add time to their dusting routine:
Favorite Soundtrack Album: Glee: The Music, Volume 3
Favorite Contemporary Inspirational Artist: MercyMe
Favorite Rap/Hip-Hop Male Aritst: Eminem
Favorite Rap/Hip-Hop Album: Eminem, Recovery
Favorite Latin Music Artist: Shakira
Favorite Country Female Artist: Taylor Swift
Favorite Country Male Artist: Brad Paisley
Favorite Country Band/Duo/Group: Lady Antebellum
Favorite Country Album: Carrie Underwood, Play On
Favorite Alternative Rock Music Artist: Muse
Favorite Adult Contemporary Music Artist: Michael Bublé
Favorite Soul/R&B Female Artist: Rihanna
Favorite Soul/R&B Male Artist: Usher
Favorite Soul/R&B Album: Usher, Raymond v. Raymond
Favorite Pop/Rock Female Artist: Lady Gaga
Favorite Pop/Rock Male Artist: Justin Bieber
Favorite Pop/Rock Band/Duo/Group: Black Eyed Peas
Favorite Pop/Rock Album: Justin Bieber, My World 2.0
Favorite Breakthrough Artist: Justin Bieber
Favorite Artist of the Year: Justin Bieber

I'd also argue anyone who had the channel on anything else during that Santana/Rossdale atrocity was the true victor for the evening.

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I GOTTA FEELING TONIGHT'S GONNA BE A SOMETHING OR OTHERBecause nothing makes popular music more fun than typing alongside friends, it's time to do that "liveblogging" thing in honor of the 2010 American Music Awards, which celebrate the most popular of the most popular music that this country has to offer, complete with the sort of pomp that only the most craven enterprises can possess. Join me after the jump for the Black Eyed Peas, Christina Aguilera, Katy (sigh) Perry, the results of allowing 13-year-olds to vote (online) (for their favorite male pop stars), and OMG NEW KIDS AND BACKSTREET BOYS TOGETHER!!

7:56 p.m. Man, the ball shots on America's Funniest Home Videos just don't have the same wacky appeal that they did during the pre-YouTube era, do they? Also a video of a naked child wandering around a hallway just "won" the week. America!

7:58 p.m. And the drooling child's name is, seriously, Bristol. Surely this is some sort of intra-ABC shout-out to Dancing With the Stars' ballot-stuffing?

8:00 p.m. It's here! And here's Rihanna!

8:01 p.m. Rihanna is sitting in a "tree" and singing her sequel to "Love The Way You Lie." And she is, uh, definitely doing it live.

8:02 p.m. Now, Rihanna is traveling through a kudzu field of glowsticks while wearing a bikini top that looks like it was crafted from dip-dyed dish towels while performing her version of Beyoncé's interpretation of Axl Rose's snake dance. And she is also still singing for real, which is an interesting choice given that on every single song she's put out this year she's sounded like a different vocalist.

8:04 p.m. And now she is trying to sing the very vocally bendy "Only Girl In the World," which is a pretty difficult song to sing standing up straight, let alone while dancing. Very curious about the artistic decisions here. Is it an effort to prove herself as Better Than Beyoncé? Also, I can't help but wonder if Loud is going to be like Katy Perry's Teenage Dream (not to mention Rihanna's own Good Girl Gone Bad) in terms of being massive on the singles side, but not on the album side.

8:07 p.m. The Only Girl In The World is running out of oxygen, everybody!

8:09 p.m. Heidi Klum is talking about the awards being voted on by the public, and how that is awesome. Subtext: "AT LEAST NINA GARCIA AND MICHAEL KORS CAN'T RUIN THIS."

8:10 p.m. Usher's Raymond Vs. Raymond wins the first award of the night, Best Soul Album. I was pulling for Sade, really.

8:12 p.m. The Thanksgiving-themed song in this Old Navy ad is actually a Ke$ha B-side.

8:14 p.m. If you had told me 21 years ago when I was going to my first concert that the lead singer of the headlining band would be ice-skating on TV someday I would have laughed at you. And yet.

8:15 p.m. Nice to see that the AMAs' producers hired the people who wrote the NewsRadio theme to perform the night's interstitial music!

8:15 p.m. Favorite Pop/Rock Band/Duo/Group (don't get too specific there, guys) goes to the Black Eyed Peas. will.i.am's Lego hat: The best aesthetic decision he's made in seven years.

8:17 p.m. "Thank you to everybody on the Internet!" You're welcome! No, really, you're welcome.

8:18 p.m. Spanish is funny!

8:19 p.m. Now, these are some sweetened-up vocals. Thanks, Enrique, for showing us how a pop music awards show should do things. Also, this uptempo club banger with the light show is making me miss the straightforwardness of "Hero."

8:20 p.m. Stomp meets Jersey Shore meets my living room being about 95% brighter than it was before this performance started.

8:21 p.m. Pitbull: No vocal assistance. Keeping track of this is going to be fun!

8:22 p.m. We can also track the number of callbacks to old pop songs, if you're looking for another parlor game to play. "All Night Long" is No. 1, and I guess the Dirty Dancing song will be next?

8:23 p.m. Oh, no, my bad, next up is Miley Cyrus' homage to Alanis Morrissette Unplugged.

8:24 p.m. Miley live > Taylor live. Suspect Stevie would agree.

8:25 p.m. Or maybe not.

8:26 p.m. The look Miley gave her band after playing was perfectly blank. The definition of the term "pretty vacant."

8:28 p.m. I would like to be paid a lot of money to make decisions like: "Yes, a young girl who looks like half of the evil-twin duo from The Shining is a perfect pitchwoman for macaroni and cheese!" Could you imagine what that life would be like?

8:30 p.m. Diddy Dirty Wow.

8:31 p.m. Um, wait, isn't it too soon for someone to be remaking Kanye's "Good Life"?

8:33 p.m. There is also the matter of the callback to Bobby Brown's outfit from the "My Prerogative" video.

8:33 p.m. This song is going to be gigantic, I think. It's got that triumphant stomp and the sheer will of Diddy's ego behind it.

8:35 p.m. Oh great, everybody get excited for Taylor Swift to pull her "omg I'm really popular I can't believe it" act out for the 23,405th time.

8:36 p.m. Not feeling the straightened hair. Or the "nobody understands me but you guys" routine.

8:37 p.m. Men: What's the deal with the tucked-in pants? Is the afterparty equestrian-themed?

8:39 p.m. And now here's Kid Rock remaking Bruce Springsteen's "My Hometown." I am starting to think that I need to zap my musical RAM in order to not hear other songs (and see other artists) in everything on this stage. But it's not just me, right? Right?

8:43 p.m. I will say this for this show: It's jam-packed. Five performances in the first 40 minutes? Pretty sure the VMAs were not as stuffed. (And of course this show's lack of Chelsea Handler gives it an automatic competitive advantage.)

8:47 p.m. Johnny Weir's hair is the highest of the night, I think?

8:47 p.m. Favorite Latin Music Award artist is... Shakira! Who, alas, is not in the house.

8:48 p.m. You know who else isn't around? Bill Medley and Jennifer Warnes. Which means that we're going to have to hear will.i.am and Fergie sing their bits.

8:49 p.m. I like how Fergie is embracing the Peas' "cover every demographic base" aesthetic with an outfit that incorporates Gaga's cage, Katy's cleavage, and Ke$ha's muddy glitter.

8:50 p.m. Meanwhile, her band is being danced around by people whose aesthetic recalls "Mummenschanz-gone-Nintendo."

8:52 p.m. The second disturbing musical revelation I've had today (the first was liking a song on the radio by, I swear, OneFreakin'Republic): I think I would actually tolerate "The Time (Dirty Bit)" if it didn't have the Dirty Dancing callback? Also, how hard do you think ABC lobbied to incorporate Jennifer "Probably Going To Lose Dancing With The Stars To The Worst PTA Mom Ever's Daughter" Grey into the performance?

8:55 p.m. The ever-increasing Real Talk Quotient of toilet-paper ads is going to reach a pretty unpleasant tipping point pretty soon.

8:57 p.m. Katy Perry. Here we go.

8:58 p.m. A children's choir. Oh boy. And Katy ... descending from the heavens in something ... that is pretty much designed to resemble ... a saint's shrine.

8:58 p.m. She is also ill-advisedly singing live. (Did her hair and makeup people just forget to show up?)

9:00 p.m. Nice of her to save the cleavage-reveal until after the kids left the stage.

9:01 p.m. Katy Perry In Pyrobics: The new workout that you can perform while wearing stirrup pants and trying to hit all the high notes!

9:02 p.m. Nicki Minaj's 10-word speech went through about three of her accents. Impressive that she did that while wearing an exoskeleton made of zippers!

9:03 p.m. No but really, how many pounds is Nicki Minaj's outfit? She looks like she has to be wheeled around a la Bernie.

9:05 p.m. Justin Bieber's socially conscious song: So serious, his hair isn't feathered! Someone get the siren dot jpeg out!

9:06 p.m. Uh oh... here comes the gospel choir...

9:07 p.m. There is definitely a weird "Things are kinda crappy out there, sorry" vibe emanating from a lot of the songs being performed tonight. Hope this means Taylor Swift's going to pull out her song about mean old writers!

9:08 p.m. I wish Ne-Yo was performing and not just in Project Runway-style car commercials :(

9:13 p.m. Mandy Moore: The superior recording artist in this particular presenter diptych. (Seriously, have you heard Sheryl Crow's cover of "I Want You Back"?)

9:14 p.m. My viewing companion notes that the quality of video in this particular package was barely above YouTube-level.

9:15 p.m. Favorite Country Male Artist: Brad Paisley. Still a terrible graphic designer, though.

9:17 p.m. And the second Bruce Springsteen homage of the night comes to you from Bon Jovi. Wait, and now there's a callback to Mötley Crüe's "Home Sweet Home"! What is happening on my television right now? Is it 1990 and you all forgot to tell me?

9:18 p.m. Richie Sambora sure looked bored to be playing that LIGHTNING-EMITTING GUITAR! Just because it's not Katy Perry's boobs, Richie, don't be so bummed out!

9:20 p.m. Jon Bon Jovi is so much more excited to be playing "It's My Life" than "You Give Love A Bad Name." Probably because it's only 10 years old instead of 23? "YGLABN" would have been a great opportunity for one of those dumb YouTube karaoke contests to have their end point.

9:22 p.m. "Quick! Cut to another person smugly nodding!"

9:23 p.m. Seriously, this Old Navy song is going to the Thanksgiving No. 1 that America needs to pull itself out of its slump.

9:24 p.m. Crazy Frog got a movie deal, you guys! There's hope for all of us!

9:29 p.m. I have such a thing for Mike Posner. He's a silky-voiced dude who's kind of a schmoe when it comes to dealing with women? THAT'S SO MY TYPE.

9:30 p.m. Justin Bieber wins the Breakthrough Artist award and thanks God first. Also his mom, his fans. And reveals his lack of geography knowledge by saying that the "smallest town in the world" is 30,000 people strong? Hmm.

9:31 p.m. Is that American Idol also-ran Casey James playing guitar for Pink? Probably not, but it could be.

9:32 p.m. Also how awesome would it be if Pink broke into "Buffalo Stance" right now? She's dressed for the occasion.

9:33 p.m. REMEMBER THE '90S?????????

9:34 p.m. Oh boy that last note, oh dear. Still one of the better vocal performances of the night.

9:35 p.m. I just threw up my hands and screamed "Yay!!!" when Ne-Yo was announced.

9:35 p.m. Will this montage feature Slash and Duff's "fuckin' .... oops" speech from 20 years ago? Ah, the memories.

9:39 p.m. I wonder if this Michael Jackson video game will allow people to unlock "Moonwalker mode." Surely there's enough room on the disc, right?

9:41 p.m. Ne-Yoooooooo (but what's up with the facial hair)

9:42 p.m. Oh my God I am so ridiculously excited for this album. There are two comic-book-like concept albums coming out tomorrow! We really need to have an MCR/Ne-Yo CONCEPT-OFF.

9:44 p.m. I am not really able to form words right here. Oh my.

9:45 p.m. Whoa he's dripping with sweat. Whoa.

9:46 p.m. And now here's Taylor Swift to be the buzzkill. And continue with the "people descending from the sky" motif.

9:47 p.m. At least Taylor's set is inspired by the cover of Fall Out Boy's Inifnity On High.

9:49 p.m. OH MISS SWIFT GETTING SERIOUS WITH THE ONEREPUBLIC COVER (nb she still can't hit the notes).

9:50 p.m. Was expecting the unexpected run-in to come from Taylor Lautner, really. "Yes, this song is about me! I know!"

9:51 p.m. Important question: What is love?

9:52 p.m. Justin Bieber thanks Michael Jackson: "Without Michael Jackson, none of us would be here." OK, so his geography misstep is a bit understandable, but come on.

9:58 p.m. That was a curious undermining-the-point-of-the-choreography directorial decision there at the beginning of Christina Aguilera's "Burlesque" performance.

9:59 p.m. I do like how this song is sort of a mash-up of her "Dirrty" persona and her "Ain't No Other Man" sound. But things are coming off as a bit.... inert? Although the piano skirt worn by one of her backup dancers is nice.

10:01 p.m. My viewing companion notes that this is also a big callback to the "Lady Marmalade" remake, from the innocent days of 2001. Well, not "innocent," but you know what I mean.

10:04 p.m. "Hot country": For when you don't want to call a band's chosen genre of music "Old Bread."

10:06 p.m. I don't think you all understand how sad I am that Dean Winters was driving around the parking lot of the mall near my parents' house... and I wasn't there.

10:07 p.m. ("The Broadway Mall is one of the largest–and perhaps strangest–malls on Long Island.")

10:09 p.m. "We forgot to design Usher's set!" "Just turn on the iTunes Visualizer. Fuck it."

10:10 p.m. "And get Ne-Yo's dancers to act like they're remaking the 'Cold Hearted' video. We have all these extra neon wristbands from a T-Mobile promo that didn't work out, they can wear those."

10:12 p.m. "And then just add Katy's leftover pyro. Turn it up to seizure-inducing so no one will notice that we just threw this shit together."

10:13 p.m. Avril Lavigne is presenting the Alternative Music award... and using the worst coinage of the past year, which I cannot even bring myself to type out. So, everything's status quo then.

10:15 p.m. Oooh, thanking Charles Darwin! You get political, Muse guy.

10:16 p.m. I have to hand it to Train, who in the past year have somehow put out only songs that are tailor-made to be omnipresent. That "Marry Me" song? It's going to be played at even more weddings than "The Time (Dirty Bit)."

10:17 p.m. (PS Nice pants.)

10:17 p.m. Oh man, a Dove ad just broke out on stage!

10:19 p.m. Readers, if you want to be shocked and horrified sometime before the end of the hour, don't Google the "rock classic" taken on by Santana and Gavin "Not Just Gwen's Husband Once Again" Rossdale.

10:22 p.m. Pretty sure I just saw Danny Gokey flash across my TV screen. Poor Lee DeWyze.

10:24 p.m. "Inheriting a cross-pollinated love of country and rock & roll from their parents, The Band Perry – siblings Kimberly, Reid, and Neil Perry – say that they bleed the bright red blood of American music." Ah, so that's why the dudes look like they took a wrong turn at Kings of Leon Way. More important, though: Who's their manager?

10:25 p.m. "God ... I love winning things!" Michael Bublé, winner.

10:26 p.m. What does the word "history" mean to you?

10:26 p.m. What does the career of Daft Punk mean to Ke$ha? Alternate question: What does Prince's "Batdance" video mean to Ke$ha?

10:28 p.m. You know, say what you will about Ke$ha, but at least her singing voice sounds pretty similar to the way it sounds on record.

10:28 p.m. No comment on her backup dancers' wigs, though.

10:30 p.m. Or her decision to not bust out a guitar solo with that particular axe.

10:30 p.m. Or her leap onto the "It Gets Better" bandwagon, which, sigh.

10:34 p.m. The first time I heard the Vampire Weekend song in this Tommy Hilfiger ad I thought it was by Neon Trees. 2010!

10:36 p.m. Santana. Rossdale. AMERICA PREPARE TO HAVE YOUR MIND BLOWN.

10:37 p.m. There are so many questions about this performance. Why is the band so big? Why is the cowbell so overmiced? What pedals is Carlos Santana using? Did no one think to give Gavin Rossdale's hairdo a makeover? How quickly is Marc Bolan spinning in his grave?

10:39 p.m. And same question, but: ROBERT PALMER?? Oh, Robert Palmer. The world misses you so badly right now.

10:39 p.m. I mean. I just.

10:40 p.m. "It's over!"

10:40 p.m. The crowd reaction shots on this have been pretty priceless. Lots of "uh, well..." looks.

10:42 p.m. There are still awards being given out, just in case you were wondering. Usher will now have six of the little glass pyramids on his shelf!

10:45 p.m. I should probably use this commercial break to note that "Bang A Gong" will probably not be the worst song on Carlos Santana's forthcoming covers record. Other contenders:
• "Riders On The Storm," Santana Featuring Chester Bennington & Ray Manzarek
• "Dance The Night Away," Santana Featuring Pat Monahan (aka the Train guy)
• "Sunshine Of Your Love," Santana featuring Rob Thomas
It would appear that the duet with Scott Stapp got cut from the album last-minute?

10:49 p.m. Ryan Seacrest is turning the Favorite Artist award into an American Idol results show! Please don't let that mean that we have a drawn-out hour of this coming.

10:50 p.m. Justin Bieber, once again proving that giving 13-year-olds the vote produces results.

10:51 p.m. Welp, Justin Bieber's acceptance speech just provided the night's "passing the torch" narrative. That's what you get when you hire a swagger coach!

10:52 p.m. "[Usher is] my best friend and my big brother." "Justin Bieber just solved race."

10:53 p.m. OMG BACKSTREET BOYS NEW KIDS MASHUP!!

10:53 p.m. Probably worth noting the fact that the final two musical performances in an awards show in 2010 were a cover of a song from the '70s by a guitarist from that era and a faded frontman from the '90s and a medley of hits by boy bands minted in the '80s and '90s. And that all the ads encouraging people to buy music were for the Beatles.

10:54 p.m. But ... "I Want It That Way"!!!

10:56 p.m. I didn't even like the New Kids when they were a "thing" but that synchronized crotch-grab? Ticket, purchased.

10:57 p.m. Michael C from Project Runway is having the best time right now. Somewhere, Ivy is off being a jerk with an atrocious aesthetic.

10:58 p.m. And ... well, that was abrupt.

10:59 p.m. My friend showed up at 9, so I am explaining the scenes being shown in the closing-credit montage. "That was Bobby Brown ... I mean that was Diddy." I really said that.

11:07 p.m. Here is your full list of winners, not that they are consequential to anyone except the people who will have to add time to their dusting routine:
Favorite Soundtrack Album: Glee: The Music, Volume 3
Favorite Contemporary Inspirational Artist: MercyMe
Favorite Rap/Hip-Hop Male Aritst: Eminem
Favorite Rap/Hip-Hop Album: Eminem, Recovery
Favorite Latin Music Artist: Shakira
Favorite Country Female Artist: Taylor Swift
Favorite Country Male Artist: Brad Paisley
Favorite Country Band/Duo/Group: Lady Antebellum
Favorite Country Album: Carrie Underwood, Play On
Favorite Alternative Rock Music Artist: Muse
Favorite Adult Contemporary Music Artist: Michael Bublé
Favorite Soul/R&B Female Artist: Rihanna
Favorite Soul/R&B Male Artist: Usher
Favorite Soul/R&B Album: Usher, Raymond v. Raymond
Favorite Pop/Rock Female Artist: Lady Gaga
Favorite Pop/Rock Male Artist: Justin Bieber
Favorite Pop/Rock Band/Duo/Group: Black Eyed Peas
Favorite Pop/Rock Album: Justin Bieber, My World 2.0
Favorite Breakthrough Artist: Justin Bieber
Favorite Artist of the Year: Justin Bieber

I'd also argue anyone who had the channel on anything else during that Santana/Rossdale atrocity was the true victor for the evening.

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A Treasury Of Pastoral Hip-Hop Videos http://www.theawl.com/2010/10/a-treasury-of-pastoral-hip-hop-videos http://www.theawl.com/2010/10/a-treasury-of-pastoral-hip-hop-videos#comments Thu, 14 Oct 2010 14:00:07 +0000 Dave Bry http://www.theawl.com/2010/10/a-treasury-of-pastoral-hip-hop-videos
Check out this video from former Tribe Called Quest affiliate Consequence and former Lil Kim affiliate Maino. It's beautiful and bucolic. They're in the woods. With deer and squirrels and birds. It's very weird, right, with Maino rhyming about shooting people with a chrome .45 and hollering "Brooklyn!" in a club? But as jarring as it is, the juxtaposition of sound and vision, I like it. It's like that awesome episode of "The Sopranos."

A deer makes an appearance in the new video from Yelawolf and Gucci Mane, too. This one, unfortunately, is dead (maybe Yelawolf's mom killed it?) and stuffed and seems in danger of being molested by a drunken frat boy. The song, "I Just Wanna Party," plays as something of a follow-up to Gucci's hit from last year, "Wasted." I like the whole thing, but I think my favorite part is when Gucci says he's "drunk as Paul McCartney." I didn't know Paul McCartney was even that drunk.

And while it's not rap, Rihanna's futuristic R&B is also about as urban-sounding as music can be. But her new video, too, could be a promo clip for the National Audubon Society.

The music is so synthy and metallic and shiny-a soundtrack for a night of taxi cabs and neon lights and day-glo drinks in disco clubs. But then there's Rihanna, flowers in her hair, twirling around in the tall-grass like Laura Ingalls Wilder. It's strange, right?

That tall grass actually looks like it could be the same hills-California, I'm guessing-where the Doors shot the cover of Waiting for the Sun and where Cee-Lo went hiking around in his recent "What Part of Forever" video. (Cee-Lo, of course, stands as an early groundbreaker in the ruralization of hip-hop-his band Goodie Mob, posing in the Georgia Pines for the the artwork that accompanied their 1994 album, Soul Food. "Country as hell, can't you tell," he used announce from stage at concerts, "Even if the record don't sell!")

It all makes a surreal kind of sense at the moment. That's where we're at, with bearded woodsman like Bon Iver and Band of Horses' Ben Bridwell having become the go-to collaborators for expansive-minded rap dudes. GZA can't be okay with this! Actually, he probably is. He has a pretty good sense of humor. So don't be surprised if the next Wu-Tang video looks something like this:

I'd be psyched!

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Check out this video from former Tribe Called Quest affiliate Consequence and former Lil Kim affiliate Maino. It's beautiful and bucolic. They're in the woods. With deer and squirrels and birds. It's very weird, right, with Maino rhyming about shooting people with a chrome .45 and hollering "Brooklyn!" in a club? But as jarring as it is, the juxtaposition of sound and vision, I like it. It's like that awesome episode of "The Sopranos."

A deer makes an appearance in the new video from Yelawolf and Gucci Mane, too. This one, unfortunately, is dead (maybe Yelawolf's mom killed it?) and stuffed and seems in danger of being molested by a drunken frat boy. The song, "I Just Wanna Party," plays as something of a follow-up to Gucci's hit from last year, "Wasted." I like the whole thing, but I think my favorite part is when Gucci says he's "drunk as Paul McCartney." I didn't know Paul McCartney was even that drunk.

And while it's not rap, Rihanna's futuristic R&B is also about as urban-sounding as music can be. But her new video, too, could be a promo clip for the National Audubon Society.

The music is so synthy and metallic and shiny-a soundtrack for a night of taxi cabs and neon lights and day-glo drinks in disco clubs. But then there's Rihanna, flowers in her hair, twirling around in the tall-grass like Laura Ingalls Wilder. It's strange, right?

That tall grass actually looks like it could be the same hills-California, I'm guessing-where the Doors shot the cover of Waiting for the Sun and where Cee-Lo went hiking around in his recent "What Part of Forever" video. (Cee-Lo, of course, stands as an early groundbreaker in the ruralization of hip-hop-his band Goodie Mob, posing in the Georgia Pines for the the artwork that accompanied their 1994 album, Soul Food. "Country as hell, can't you tell," he used announce from stage at concerts, "Even if the record don't sell!")

It all makes a surreal kind of sense at the moment. That's where we're at, with bearded woodsman like Bon Iver and Band of Horses' Ben Bridwell having become the go-to collaborators for expansive-minded rap dudes. GZA can't be okay with this! Actually, he probably is. He has a pretty good sense of humor. So don't be surprised if the next Wu-Tang video looks something like this:

I'd be psyched!

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Eminem and Rihanna, "I Love The Way You Lie" http://www.theawl.com/2010/08/eminem-and-rihanna-i-love-the-way-you-lie http://www.theawl.com/2010/08/eminem-and-rihanna-i-love-the-way-you-lie#comments Fri, 06 Aug 2010 10:40:26 +0000 Dave Bry http://www.theawl.com/2010/08/eminem-and-rihanna-i-love-the-way-you-lie
Huh. The new video for Eminem and Rihanna's "Love The Way You Lie" (which, man is that chorus jarringly disjointed from the verse) is almost like a stay-at-home-version of the video for Cee-Lo's "No One's Gonna Love You More Than I Do." And it starts out just like the video for Cee-Lo's "What Part of Forever." The only difference, really, is that Dominic Monaghan and Megan Fox burst into flames into flames in the Eminem and Rihanna video. Remember when MTV wouldn't let rappers show fire in their videos? Weird.

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Huh. The new video for Eminem and Rihanna's "Love The Way You Lie" (which, man is that chorus jarringly disjointed from the verse) is almost like a stay-at-home-version of the video for Cee-Lo's "No One's Gonna Love You More Than I Do." And it starts out just like the video for Cee-Lo's "What Part of Forever." The only difference, really, is that Dominic Monaghan and Megan Fox burst into flames into flames in the Eminem and Rihanna video. Remember when MTV wouldn't let rappers show fire in their videos? Weird.

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Funny Things: Rihanna, Death Comes To Town http://www.theawl.com/2009/12/funny-things-rihanna-death-comes-to-town http://www.theawl.com/2009/12/funny-things-rihanna-death-comes-to-town#comments Mon, 07 Dec 2009 10:20:07 +0000 Alex Balk http://www.theawl.com/2009/12/funny-things-rihanna-death-comes-to-town
Apart from sexual fetishes and dining choices, is there anything more subjective than humor? I, for instance, think this Rihanna/Andy Samberg bit from this weekend's "Saturday Night Live" is absolutely hysterical, and normally you need to hit me over the head with a shovel several times to even get me to sit on a couch in front of a TV where that show is playing. Choire, on the other hand, is less entranced. But whatever, you can decide yourself! Stick with it, it really builds. Meanwhile, for the kind of humor for which there is no dispuation-kidding, I know someone will be all, "They were NEVER funny"-there is excellent news.

That's right! New "Kids in the Hall" series! It's airing in Canada at some point next month, which is disappointing in that, you know, Canada, but I'm sure it'll show up in the first world soon enough.

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Apart from sexual fetishes and dining choices, is there anything more subjective than humor? I, for instance, think this Rihanna/Andy Samberg bit from this weekend's "Saturday Night Live" is absolutely hysterical, and normally you need to hit me over the head with a shovel several times to even get me to sit on a couch in front of a TV where that show is playing. Choire, on the other hand, is less entranced. But whatever, you can decide yourself! Stick with it, it really builds. Meanwhile, for the kind of humor for which there is no dispuation-kidding, I know someone will be all, "They were NEVER funny"-there is excellent news.

That's right! New "Kids in the Hall" series! It's airing in Canada at some point next month, which is disappointing in that, you know, Canada, but I'm sure it'll show up in the first world soon enough.

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Horrible 2009 Was the Year of Chris Brown http://www.theawl.com/2009/11/horrible-2009-was-the-year-of-chris-brown http://www.theawl.com/2009/11/horrible-2009-was-the-year-of-chris-brown#comments Fri, 06 Nov 2009 11:05:41 +0000 Choire Sicha http://www.theawl.com/2009/11/horrible-2009-was-the-year-of-chris-brown DON'T BEAT 'EM CHRISI've been thinking a bunch about what we'll remember 2009 for, besides rampant unemployment and two great flu panics. Mostly that is what I'll remember, but I'll also think of it as the year that the nation became obsessed with jerks and woman-beaters. That Levi Johnston, Jon Gosselin and Chris Brown were pretty much the three most popular "stories" of 2009 is amazing, particularly since those first two haven't ever done or said anything. That all have spent the year pushing new products in the midst of their tabloid scandals is pretty telling. I don't even know what Gosselin or Johnston are selling, besides their brand-but Chris Brown's new album "drops" in a month. Say you are Chris Brown. Would you be putting out an album this year? Much less one with an album cover that looks like you're about to beat some tiny animated critters to death with a space-guitar? As your ex-girlfriend was endlessly making the press rounds, talking about how you had "no soul" in your eyes while you bit her?

People like to say, all the time, that "everything is faster now." Just this week, I heard Walter Kirn say that in in a post-screening discussion with Tina Brown and Jason Reitman, for the movie "Up in the Air," which is actually a good film, by the way! But that idea is wrong. Everything is actually so much slower now, because 8000 media outlets repeat and maybe, if you're lucky, incrementally advance narrative storylines about celebrities. None of these people ever stop talking, but they never say anything new.

Chris Brown turned himself in to the cops back in February. He was charged in March, arraigned in April and pleaded guilty to a felony in June. He apologized repeatedly-most infamously by YouTube in July. He was sentenced in August-probation and community service! In September he did Larry King.

It is now November. Rihanna's new album comes out later this month, and so she is up on the "Good Morning America," reliving it all over again. And so then Chris Brown has to go do interviews now, with MTV, in which he discusses how weird his Larry King interview was!

That was TWO MONTHS AGO. And we are still talking about it.

They like to say attention spans are all ruined in America because of the blogs and all the Adderall people keep taking to keep writing their blogs. That is not at all true. Chris Brown is proving that America has a seriously amazing ability to focus.

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DON'T BEAT 'EM CHRISI've been thinking a bunch about what we'll remember 2009 for, besides rampant unemployment and two great flu panics. Mostly that is what I'll remember, but I'll also think of it as the year that the nation became obsessed with jerks and woman-beaters. That Levi Johnston, Jon Gosselin and Chris Brown were pretty much the three most popular "stories" of 2009 is amazing, particularly since those first two haven't ever done or said anything. That all have spent the year pushing new products in the midst of their tabloid scandals is pretty telling. I don't even know what Gosselin or Johnston are selling, besides their brand-but Chris Brown's new album "drops" in a month. Say you are Chris Brown. Would you be putting out an album this year? Much less one with an album cover that looks like you're about to beat some tiny animated critters to death with a space-guitar? As your ex-girlfriend was endlessly making the press rounds, talking about how you had "no soul" in your eyes while you bit her?

People like to say, all the time, that "everything is faster now." Just this week, I heard Walter Kirn say that in in a post-screening discussion with Tina Brown and Jason Reitman, for the movie "Up in the Air," which is actually a good film, by the way! But that idea is wrong. Everything is actually so much slower now, because 8000 media outlets repeat and maybe, if you're lucky, incrementally advance narrative storylines about celebrities. None of these people ever stop talking, but they never say anything new.

Chris Brown turned himself in to the cops back in February. He was charged in March, arraigned in April and pleaded guilty to a felony in June. He apologized repeatedly-most infamously by YouTube in July. He was sentenced in August-probation and community service! In September he did Larry King.

It is now November. Rihanna's new album comes out later this month, and so she is up on the "Good Morning America," reliving it all over again. And so then Chris Brown has to go do interviews now, with MTV, in which he discusses how weird his Larry King interview was!

That was TWO MONTHS AGO. And we are still talking about it.

They like to say attention spans are all ruined in America because of the blogs and all the Adderall people keep taking to keep writing their blogs. That is not at all true. Chris Brown is proving that America has a seriously amazing ability to focus.

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Chris Brown On Larry King: What You May Have Missed http://www.theawl.com/2009/09/chris-brown-on-larry-king-what-you-may-have-missed http://www.theawl.com/2009/09/chris-brown-on-larry-king-what-you-may-have-missed#comments Thu, 03 Sep 2009 12:30:29 +0000 David Cho http://www.theawl.com/2009/09/chris-brown-on-larry-king-what-you-may-have-missed That tie bitesLast night singer Chris Brown-who recently received five years of probation after entering a guilty plea for assaulting his girlfriend Rihanna-appeared on "Larry King Live" in an attempt to rehabilitate his image and perhaps explain what caused such reprehensible acts. As someone who does not believe that domestic violence is any more glamorous or noteworthy when it is perpetrated by or on celebrities, I have only a cursory awareness of the story, and did not tune in. But Awl Director of Business Development/SEO Coordinator David Cho has been following the case since it began, and was eager to explain it to me. If you're also curious as to what transpired, read on.

Balk: So, David, I understand there was something on Larry King last night that everyone is talking about.

David Cho: Indeed. Pop/R&B sensation Chris Brown was interviewed, alongside his mother Joyce Hawkins and attorney Mark Geragos.

Balk: Was this interview about a new album?

David Cho: Partly! (Seriously.) But mostly it was about Chris Brown telling Larry King that he would not talk about the specifics of what happened the night he physically abused Rihanna.

David Cho: But don't worry Balk, CB is working on new music and an album tentatively titled Grafitti!

Balk: How fascinating. Presumably he thought the title "Music To Beat Women By" was a little too much?

Balk: So tell me, what did Chris Brown say about the whole incident?

David Cho: He really didn't say much about it at all, he and his attorney both wanted to show as much respect to Rihanna as possible by not discussing the actual events in question. We learned a little about what happened before and afterwards, but nothing about the actual altercation.

David Cho: He also addressed BLOGGERS like yourself who had been rumor mongering and HATING on him.

David Cho: You should really stop doing both of those things.

Balk: Done.

David Cho: Sidebar: The tag #chrisbrownsbowtie is still a trending topic on Twitter 12+ hours later

Balk: Ah, yes, the very important issues: What was he wearing? Let's not worry so much about the savage beating aspect.

David Cho: He was a wearing a turquoise crew neck sweater over a crisp white dress shirt and a matching turquoise bowtie!

David Cho: Our good friend Mary HK Choi said it looked "shady"

Balk: That is sad. Mary knows her fashion. To me, it seems that a man who wears a bowtie would be incapable of monstrous violence against women, no?

David Cho: That's some foolproof logic.

Balk: I mean, you never saw Paul Simon slapping women around.

David Cho: Who?

Balk: He was a Senator from Illinois about a thousand years before you were born.

David Cho: The main takeaways from the interview were these:

David Cho: 1) Chris Brown beat Rihanna and told his mom about it as soon as it happened. He still loves Rihanna, and is even in love with her, but is now longer allowed to communicate with her at all. He at one point compared their situation to Romeo and Juliet

Balk: Ah, Shakespeare. The go-to artist when one needs to justify domestic violence.

David Cho: 2) Larry King doesn't know how to pronounce Rihanna, he literally never said it the same way twice.

David Cho: 3) Chris Brown's attorney now considers him to be "like a son or a nephew"

David Cho: Also, Chris Brown wants you to know that this was COMPLETELY out of character

David Cho: and he normally doesn't beat women/pop stars.

Balk: What about the biting? Was that also a new thing for him, or had he done that before?

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That tie bitesLast night singer Chris Brown-who recently received five years of probation after entering a guilty plea for assaulting his girlfriend Rihanna-appeared on "Larry King Live" in an attempt to rehabilitate his image and perhaps explain what caused such reprehensible acts. As someone who does not believe that domestic violence is any more glamorous or noteworthy when it is perpetrated by or on celebrities, I have only a cursory awareness of the story, and did not tune in. But Awl Director of Business Development/SEO Coordinator David Cho has been following the case since it began, and was eager to explain it to me. If you're also curious as to what transpired, read on.

Balk: So, David, I understand there was something on Larry King last night that everyone is talking about.

David Cho: Indeed. Pop/R&B sensation Chris Brown was interviewed, alongside his mother Joyce Hawkins and attorney Mark Geragos.

Balk: Was this interview about a new album?

David Cho: Partly! (Seriously.) But mostly it was about Chris Brown telling Larry King that he would not talk about the specifics of what happened the night he physically abused Rihanna.

David Cho: But don't worry Balk, CB is working on new music and an album tentatively titled Grafitti!

Balk: How fascinating. Presumably he thought the title "Music To Beat Women By" was a little too much?

Balk: So tell me, what did Chris Brown say about the whole incident?

David Cho: He really didn't say much about it at all, he and his attorney both wanted to show as much respect to Rihanna as possible by not discussing the actual events in question. We learned a little about what happened before and afterwards, but nothing about the actual altercation.

David Cho: He also addressed BLOGGERS like yourself who had been rumor mongering and HATING on him.

David Cho: You should really stop doing both of those things.

Balk: Done.

David Cho: Sidebar: The tag #chrisbrownsbowtie is still a trending topic on Twitter 12+ hours later

Balk: Ah, yes, the very important issues: What was he wearing? Let's not worry so much about the savage beating aspect.

David Cho: He was a wearing a turquoise crew neck sweater over a crisp white dress shirt and a matching turquoise bowtie!

David Cho: Our good friend Mary HK Choi said it looked "shady"

Balk: That is sad. Mary knows her fashion. To me, it seems that a man who wears a bowtie would be incapable of monstrous violence against women, no?

David Cho: That's some foolproof logic.

Balk: I mean, you never saw Paul Simon slapping women around.

David Cho: Who?

Balk: He was a Senator from Illinois about a thousand years before you were born.

David Cho: The main takeaways from the interview were these:

David Cho: 1) Chris Brown beat Rihanna and told his mom about it as soon as it happened. He still loves Rihanna, and is even in love with her, but is now longer allowed to communicate with her at all. He at one point compared their situation to Romeo and Juliet

Balk: Ah, Shakespeare. The go-to artist when one needs to justify domestic violence.

David Cho: 2) Larry King doesn't know how to pronounce Rihanna, he literally never said it the same way twice.

David Cho: 3) Chris Brown's attorney now considers him to be "like a son or a nephew"

David Cho: Also, Chris Brown wants you to know that this was COMPLETELY out of character

David Cho: and he normally doesn't beat women/pop stars.

Balk: What about the biting? Was that also a new thing for him, or had he done that before?

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Whassup With Jay-Z? "Run This Town" http://www.theawl.com/2009/08/whassup-with-jay-z-run-this-town http://www.theawl.com/2009/08/whassup-with-jay-z-run-this-town#comments Thu, 20 Aug 2009 10:36:48 +0000 Dave Bry http://www.theawl.com/2009/08/whassup-with-jay-z-run-this-town Live from, uh, MTV Germany: the new video for Jay-Z's "Run This Town." Despite the natural excitement accompanying molotov cocktails and a torch-bearing mob, the whole Mad Max thing-well, we've seen all that before. California was partying like that back 1995.

Jay-Z's song itself, no. 3 on Billboard's Hot 100 this week, leaves a similar impression. I'm not sure what it is. Rihanna's soaring chorus is suitably triumphant, the martial beat suitably fist-pumping. Moody piano, rock guitar, everything impeccably produced. And Kanye's much-celebrated, song-stealing rhyme is indeed great: "She got an ass that'll swallow up a G-string/And up top, two bee-stings/And I'm beasting/Off the reisling/And my nigga just made it out the precinct..."

But all together, it sounds somehow flat and corporate and paint-by-numbers. Coldplay rap. Though that association might come from Jay's association with Chris Martin, and the fact that the stripes on the Blueprint 3 album cover remind me of the armbands Martin always wears on his Sgt. Peppers jackets.
BP3chris martin

But I might not be the best judge. I like Jay's previous song, "D.O.A. (Death of Autotune)," a lot. And I seem to be the only one.

In the end, Jay's biggest contribution with "Run This Town" (besides the strong chance it will end the terrible reign of the Black Eyed Peas on the pop charts) may well be taking back the pronunciation of the word "whassup" from the ten year-old Budweiser commercials. (Although, going back and Youtubing those commercials now that they're less annoyingly everywhere? They're actually pretty great.)

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Live from, uh, MTV Germany: the new video for Jay-Z's "Run This Town." Despite the natural excitement accompanying molotov cocktails and a torch-bearing mob, the whole Mad Max thing-well, we've seen all that before. California was partying like that back 1995.

Jay-Z's song itself, no. 3 on Billboard's Hot 100 this week, leaves a similar impression. I'm not sure what it is. Rihanna's soaring chorus is suitably triumphant, the martial beat suitably fist-pumping. Moody piano, rock guitar, everything impeccably produced. And Kanye's much-celebrated, song-stealing rhyme is indeed great: "She got an ass that'll swallow up a G-string/And up top, two bee-stings/And I'm beasting/Off the reisling/And my nigga just made it out the precinct..."

But all together, it sounds somehow flat and corporate and paint-by-numbers. Coldplay rap. Though that association might come from Jay's association with Chris Martin, and the fact that the stripes on the Blueprint 3 album cover remind me of the armbands Martin always wears on his Sgt. Peppers jackets.
BP3chris martin

But I might not be the best judge. I like Jay's previous song, "D.O.A. (Death of Autotune)," a lot. And I seem to be the only one.

In the end, Jay's biggest contribution with "Run This Town" (besides the strong chance it will end the terrible reign of the Black Eyed Peas on the pop charts) may well be taking back the pronunciation of the word "whassup" from the ten year-old Budweiser commercials. (Although, going back and Youtubing those commercials now that they're less annoyingly everywhere? They're actually pretty great.)

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New Kanye West Video: Paranoid http://www.theawl.com/2009/05/new-kanye-west-video-paranoid http://www.theawl.com/2009/05/new-kanye-west-video-paranoid#comments Wed, 27 May 2009 16:42:18 +0000 Choire Sicha http://www.theawl.com/2009/05/new-kanye-west-video-paranoid Oh, here is the brand new Kanye West video! I have been interested in him again, since he became the first black Terminator. He came back into our future from the 80s. And he brought Rihanna with him, except she got some Sheena Easton mixed up in her. Okay dance party break!

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Oh, here is the brand new Kanye West video! I have been interested in him again, since he became the first black Terminator. He came back into our future from the 80s. And he brought Rihanna with him, except she got some Sheena Easton mixed up in her. Okay dance party break!

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