The Awl http://www.theawl.com/ Be Less Stupid Mon, 06 Feb 2012 15:20:45 +0000 en hourly 1 http://wordpress.org/?v=3.0.2 A Drynuary Diary: The Frothy Aftermath http://www.theawl.com/2012/02/a-drynuary-diary-the-frothy-aftermath http://www.theawl.com/2012/02/a-drynuary-diary-the-frothy-aftermath#comments Mon, 06 Feb 2012 15:20:45 +0000 Jolie Kerr and John Ore http://www.theawl.com/2012/02/a-drynuary-diary-the-frothy-aftermath John Ore: Oh, Jolie! I just had the strangest dream! And you were there and everyone here and...Kurt Loder?...And I remember that some of it wasn't very nice... but most of it was beautiful. But just the same, all I kept saying to everybody was, I want to go home. And they sent me home.

Jolie Kerr: Well you know what they say—there's no place like etc.! So hey, old friend, it feels like it's been years. Where ya been? How ya been? (Oh God, my head hurts so badly.)

John: Oh, you know, the usual: celebrating my wife's birthday with drinks at the Waldorf, celebrating the Giants' Super Bowl victory with a growler of Barrier Imposter Pils. No big deal.

Fitting end to Our Little Ordeal. My Last Temptation Of Drynuary consisted of mixing drinks for my wife on the eve of her birthday. (She tapped out 24 hours before me, deservedly so, but still logged 31 days). Toughest job I ever loved: at one point, I spilled rye on my fingers, and instead of treating it like a dripping ice cream cone, I WASHED IT OFF IN THE SINK. I felt like I was handling nuclear material.

Jolie: I don't even understand why you decided to go the extra day. OH WAIT. I bet it's so that you can feel EXTRA smug when we tally things up. In which case, I'm going to tell you that you (and plenty of other people) took a terrible drubbing at the hands of some friends of mine who think it PATENTLY ABSURD that you all denied me my O'Doul's but let me knock off of Drynuary on the 27th.

Of course I didn't exactly ask your permission to duck out early, now did I? Because I'm not that concerned with being liked. Please. We should discuss reentry. How did you break the fast and how did you feel during and after?

John: Hey, I explicitly gave you a pass on Luger's from the get-go. That, coupled with extending my Drynuary into overtime, allows me to win the oh-so-important Smug Battle. That's all that matters to me in the minds of "your friends."

But! We're all back on a level playing field now. We walked over the coals together, did the Trust Fall, signed each others' yearbooks. (I was voted Most Likely to Lord Things Over You).

I like that we both ended Drynuary by making it an occasion, rather than cracking open a beer and watching reruns of "House." For you, it was a martini at Peter Luger's. For me, it was a Brooklyn at Blue Hill for my wife's birthday: I'd been fixated on having a rye whiskey drink to break the fast. Watching the bartender make it was like foreplay. OMFG, it was the most delicious thing ever. I swear, after two sips I was concerned that I'd done irreparable damage to my tolerance, and would be curled up under the table by the time the appetizers were cleared. A couple of glasses of wine later (not to mention hitting two more bars after dinner!), I found my groove. No hangover on Saturday morning either! It's a Drynuary Miracle!

So take us through that first martini at Luger's.

Jolie: Actually, I broke with a glass of pinot grigio. I know! So unlike me. But our timing got a little thrown off and we ended up meeting for cocktails before Luger's so I went for the grape juice and let me tell you, I was sucking it down like my life depended on it. Nothing has ever tasted so good. It was, quite frankly, embarrassing. I could hear myself slurping and my glass was noticeably draining faster than those of my companions. One of whom was my mother.

And then. Then! That Luger's martini, oh man, it was so good. Just delicious and purely alcoholic and salty and alahsflkahdlkhsdg as our Higher Power would say. I sipped it, thank God, and then had one more glass of wine with dinner before heading home. Of course, once we got home we proceeded to DRINK ALL THE WINE AND SMOKE ALL THE CIGARETTES and oh ouch did I ever hurt the next day. As punishment I washed the floors at 8 a.m.

John: Yeah, I got a little cocky after Friday night. My tolerance hasn't kept up with my appetite, and 7 a.m. Sunday morning wakeups were easier in Drynuary. The weekend was full of occasions to celebrate, but I'm looking forward to dialing it back during the week. Part of my promise to bring a little bit of Drynuary with me through the year. I'm sure that will last past, say, tonight!

Jolie: Speaking of keeping Drynuary with us, I do have some sad news to report: the return to the drink has not particularly agreed with me. I've had some jitters and some anxiety and have found that even one drink can mean I'm in for a world of hurt the next day. So I need to watch it, like, seriously. Which is the worst thing ever and I blame you entirely. WHAT DID YOU DO TO ME??

John: I think there's a bug going around. It's called Getting Older.

Jolie: I'll buy that for a dollar. Shall we leaderboard?

John: LOL, "leaderboard"!

Jolie: More like "loserboard".

Week Five, Post-Drynuary

Alcohol Consumed (units) Since End Of Drynuary
Jolie: 1 vodka martini extra extra dirty, 1 manhattan with extra extra cherries, 2 bourbons on the rocks, 2 coffees with bourbon, 4 mimosas, 14 Blue Moons, ALL THE WINE
John: 17

Days Without Booze During Drynuary
Jolie: 26 (January 1-27)
John: 32 (January 2-February 3)

Disposition
Jolie: A little a'fuss
John: Relieved

Irritability (scale of 0-10)
Jolie: 4
John: 2

Outlook
Jolie: Oh dear.
John: Moderating moderation.

Shakes
Jolie: A little bit maybe?
John: Not stirred.

Smugness (scale of 0-10)
Jolie: 0, I've been lying in a heap since falling off the wagon, not much here to feel smug about
John: 1, until my tolerance comes back, gonna have to ride my 32-day-smugness until it runs dry

Sounder Sleeping
Jolie: I woke up in the middle of the night and announced that "the f@&#ing moon is staring at me."
John: Nope, that ship has sailed. Ugh.

Substitute Activities
Jolie: Who needs activities??
John: Finding something else to write about!



John: So, what have we learned? Was this whole thing "a teachable moment"?

Jolie: Yes it was. AND NOT IN THE GOOD WAY. I swear to God, John, if you've put me off the sauce....

John:Wait, you signed the waiver, right? I'm absolved of any loss or damage you might experience in Drynuary.

Jolie: You'll be hearing from my lawyer.

John: Looking forward to it. We'll meet over drinks.



Jolie Kerr is too hungover to think of a clever byline. John Ore is getting to old for this shit.

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John Ore: Oh, Jolie! I just had the strangest dream! And you were there and everyone here and...Kurt Loder?...And I remember that some of it wasn't very nice... but most of it was beautiful. But just the same, all I kept saying to everybody was, I want to go home. And they sent me home.

Jolie Kerr: Well you know what they say—there's no place like etc.! So hey, old friend, it feels like it's been years. Where ya been? How ya been? (Oh God, my head hurts so badly.)

John: Oh, you know, the usual: celebrating my wife's birthday with drinks at the Waldorf, celebrating the Giants' Super Bowl victory with a growler of Barrier Imposter Pils. No big deal.

Fitting end to Our Little Ordeal. My Last Temptation Of Drynuary consisted of mixing drinks for my wife on the eve of her birthday. (She tapped out 24 hours before me, deservedly so, but still logged 31 days). Toughest job I ever loved: at one point, I spilled rye on my fingers, and instead of treating it like a dripping ice cream cone, I WASHED IT OFF IN THE SINK. I felt like I was handling nuclear material.

Jolie: I don't even understand why you decided to go the extra day. OH WAIT. I bet it's so that you can feel EXTRA smug when we tally things up. In which case, I'm going to tell you that you (and plenty of other people) took a terrible drubbing at the hands of some friends of mine who think it PATENTLY ABSURD that you all denied me my O'Doul's but let me knock off of Drynuary on the 27th.

Of course I didn't exactly ask your permission to duck out early, now did I? Because I'm not that concerned with being liked. Please. We should discuss reentry. How did you break the fast and how did you feel during and after?

John: Hey, I explicitly gave you a pass on Luger's from the get-go. That, coupled with extending my Drynuary into overtime, allows me to win the oh-so-important Smug Battle. That's all that matters to me in the minds of "your friends."

But! We're all back on a level playing field now. We walked over the coals together, did the Trust Fall, signed each others' yearbooks. (I was voted Most Likely to Lord Things Over You).

I like that we both ended Drynuary by making it an occasion, rather than cracking open a beer and watching reruns of "House." For you, it was a martini at Peter Luger's. For me, it was a Brooklyn at Blue Hill for my wife's birthday: I'd been fixated on having a rye whiskey drink to break the fast. Watching the bartender make it was like foreplay. OMFG, it was the most delicious thing ever. I swear, after two sips I was concerned that I'd done irreparable damage to my tolerance, and would be curled up under the table by the time the appetizers were cleared. A couple of glasses of wine later (not to mention hitting two more bars after dinner!), I found my groove. No hangover on Saturday morning either! It's a Drynuary Miracle!

So take us through that first martini at Luger's.

Jolie: Actually, I broke with a glass of pinot grigio. I know! So unlike me. But our timing got a little thrown off and we ended up meeting for cocktails before Luger's so I went for the grape juice and let me tell you, I was sucking it down like my life depended on it. Nothing has ever tasted so good. It was, quite frankly, embarrassing. I could hear myself slurping and my glass was noticeably draining faster than those of my companions. One of whom was my mother.

And then. Then! That Luger's martini, oh man, it was so good. Just delicious and purely alcoholic and salty and alahsflkahdlkhsdg as our Higher Power would say. I sipped it, thank God, and then had one more glass of wine with dinner before heading home. Of course, once we got home we proceeded to DRINK ALL THE WINE AND SMOKE ALL THE CIGARETTES and oh ouch did I ever hurt the next day. As punishment I washed the floors at 8 a.m.

John: Yeah, I got a little cocky after Friday night. My tolerance hasn't kept up with my appetite, and 7 a.m. Sunday morning wakeups were easier in Drynuary. The weekend was full of occasions to celebrate, but I'm looking forward to dialing it back during the week. Part of my promise to bring a little bit of Drynuary with me through the year. I'm sure that will last past, say, tonight!

Jolie: Speaking of keeping Drynuary with us, I do have some sad news to report: the return to the drink has not particularly agreed with me. I've had some jitters and some anxiety and have found that even one drink can mean I'm in for a world of hurt the next day. So I need to watch it, like, seriously. Which is the worst thing ever and I blame you entirely. WHAT DID YOU DO TO ME??

John: I think there's a bug going around. It's called Getting Older.

Jolie: I'll buy that for a dollar. Shall we leaderboard?

John: LOL, "leaderboard"!

Jolie: More like "loserboard".

Week Five, Post-Drynuary

Alcohol Consumed (units) Since End Of Drynuary
Jolie: 1 vodka martini extra extra dirty, 1 manhattan with extra extra cherries, 2 bourbons on the rocks, 2 coffees with bourbon, 4 mimosas, 14 Blue Moons, ALL THE WINE
John: 17

Days Without Booze During Drynuary
Jolie: 26 (January 1-27)
John: 32 (January 2-February 3)

Disposition
Jolie: A little a'fuss
John: Relieved

Irritability (scale of 0-10)
Jolie: 4
John: 2

Outlook
Jolie: Oh dear.
John: Moderating moderation.

Shakes
Jolie: A little bit maybe?
John: Not stirred.

Smugness (scale of 0-10)
Jolie: 0, I've been lying in a heap since falling off the wagon, not much here to feel smug about
John: 1, until my tolerance comes back, gonna have to ride my 32-day-smugness until it runs dry

Sounder Sleeping
Jolie: I woke up in the middle of the night and announced that "the f@&#ing moon is staring at me."
John: Nope, that ship has sailed. Ugh.

Substitute Activities
Jolie: Who needs activities??
John: Finding something else to write about!



John: So, what have we learned? Was this whole thing "a teachable moment"?

Jolie: Yes it was. AND NOT IN THE GOOD WAY. I swear to God, John, if you've put me off the sauce....

John:Wait, you signed the waiver, right? I'm absolved of any loss or damage you might experience in Drynuary.

Jolie: You'll be hearing from my lawyer.

John: Looking forward to it. We'll meet over drinks.



Jolie Kerr is too hungover to think of a clever byline. John Ore is getting to old for this shit.

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Is Madonna Eating Our Young? A Post-Halftime Discussion http://www.theawl.com/2012/02/l-u-v-madonna http://www.theawl.com/2012/02/l-u-v-madonna#comments Mon, 06 Feb 2012 13:30:50 +0000 Julie Klausner and Natasha Vargas-Cooper http://www.theawl.com/2012/02/l-u-v-madonna Natasha: Okay, what did you think of Techno Roman Madonna and her 13th legion last night?

Julie: Well, to me, Madonna is like the Catholic Church or Penn State. I’ll defend anything she does, even when she's guilty. I’m loyal to the institution.

Natasha: What did you think of her football fruits?

Julie: I thought they were great.

Natasha: DON'T LIE!!

Julie: I thought she should have worn different shoes.

Natasha: This is like when the Catholic Church or Penn State blamed a sex abuse scandal on a couple bad apples!

Julie: The medley was tight, the concepts were good, it looked great and I'd say she sounded great if there was any evidence of her singing live. I like her new song.

Natasha: JULIE YOU DO NOT BELIEVE THAT!

Julie: I do.

Natasha: Do I need to provide fossil evidence?

Julie: What is your fossil fuel?

Natasha: WELL. I, too defend Madge against the haters. On message boards, in chat rooms, pool halls and in my prayers. She is an icon and nothing that she can do, ever, will diminish her. And I respect that she didn't burn out into some awful tragedy so as to be forever embalmed in youthful glamor.

Julie: Youthful is the operative term.

Natasha: Like I'm sure if Marilyn lived it would have been GRISLY. But... but... The new song, the pleather gestapo boots, the weird annexation of other lady singers? I am underwhelmed! I think we deserve better! Also, girl, that video was an abooooorsssh.

Julie: You didn't like it when she shot those football players with a gun? After coming out in a trenchcoat, COLUMBINE STYLE?

Natasha: I always support the promiscuous blending of vodka ads and columbine imagery! BUT the video looked cheap and slap-dashed, and tonight's show felt soulless. Like, she turned on the jumbo jet of her fame but not her SOulLlLl

Julie: I'm worried about her youth obsession.

Natasha: Continue. Cuz this is my main complaint with her.

Julie: Well, her insistence on maintaining an exhaustingly current entourage, instead of changing/evolving/ageing, she just switches up the collaborators so they're current. That’s depressing.

Natasha: I think she's out-grown trying to be sexually provocative and sexily antagonistic a la Express Yourself, but now she is lost.

Julie: Well, she wants to be SEXY.

Natasha: Remember her Frozen phase?

Julie: I loved that. I loved Ray of Light. I loved loved Music. Confessions on a Dance Floor is her last GREAT album. I’m just worried about her mosquito in amber ambitions. The skin thing, her hair getting longer. She’s only wearing black, She only lets them shoot her from across the stadium.

Natasha: What would Madonna doing Madonna actually look like now? Without the youthful accessories and shackle shoes?

Julie: I want her to be like Anjelica Huston. But she wants to be a girl, not just a woman.

Natasha: What is ANGELICA? In essence?

Julie: Being beautiful because of a quiet confidence and deep elegance, and loveable and regal and dignified, without worrying about being matronly.

Natasha: I feel like Madge would have been amazing with just two other people and so roman slaves or cartwheeling b-boys.

Natasha: Like THIS:

Julie: She's wearing penny loafers! Compare that to the stiletto boots. She can actually move in those, and those are her real hairs!

Natasha: When did she stop? When did the break come?

Julie: Hard Candy. I think. Some people think it was before that. But I think HUNG UP was amazing.

Natasha: HUNG WAS INCREDIBLE. It felt authentically her! With the leg warmers! And her arms and body hard as rock but still so graceful and feminine.

Julie: I don't think being attractive to straight men is the goal of pop music. But.... when straight men are sort of revolted by you, and have so much hatred and contempt, at least in my twitter feed, you have to step back and say 'why am i hated only in the way that those same guys hate, say, the real housewives who have had extensive plastic surgery?" Because that's the only paralleled vitriol, not including Sarah Palin and Michele Bachmann. And it has to do with aging poorly. And not conforming to either whore OR mother. She's in between and she hasn't embraced the elder role. And she won't.

Natasha: Where do you think it comes from?

Julie: Her stubborn refusal to age gracefully?

Julie: Fear.

Julie: Anger

Julie: Contempt.

Natasha: Where does the male scorn come from?

Julie: Her lack of concern for an audience different than her essentialists.

Julie: Also she's sinewy and fat free.

Julie: So she's not soft like a fuckable little lithe girl or a mom who feeds you from the breast. I wish the road not taken with her was visible to us. Which was: fat Italian momma.

Julie: Well, her desperation to seem and look young, in a girlish way, with long blonde hair and hot pants and stiletto boots she can't dance in, is hugely unappealing to straight men.

Natasha: Why do you think?

Julie: It telegraphs as "crazy."

Julie: And crazy is poison to straight men. Even coupled with hot, it's unworkable-with.

Julie: She's also NOT THAT OLD! Jane Fonda is in her 70s! Helen Mirren was the hot slut to profess one’s desire to boink recently! Remember how young straight guys would be like "isn't it crazy I want to fuck Helen Mirren?" And you're like oh wow, you're such a feminist.

Natasha: Because she's a perfect model?

Natasha: And has amazing symmetrical features and giant tits?

Natasha: Brave.

Julie: Right. Because she's not 16. And the ladies on my p0rn are!

Natasha: Does Madonna still read as a 'bitch'?

Julie: Madonna has always read as a bitch. But that's not a problem, at least when you're committed and urgent and vital and authentic. It's the falseness that people see in her character. That becomes the problem.

Natasha: But she has that theater bitch thing not that aloof brat thing.

Julie: Aloofness is something she's had to grapple with, post-Evita. And by aloof I mean pretentious. Or being seen as pretentious. It's the only American sin. America HATES pretentiousness more than craziness, greed, pretty much everything. So moving to england, kabbalah, all that didn't help her public image. But by then she didn't care. And then she adopted the black boy. And her charitable efforts read like Jesus juice. Messiah stuff.

Natasha: Well isn't also that she taps into that vital fear that she will suck out your vitality and leave you dry and/or directing Rock n Rolla?

Julie: Yes. That was the Yoko backlash.

Julie: The idea that she made Guy Ritchie a shitty director is so offensive to me. Guy Ritchie had a part in that process.

Natasha: Because he was always terrible?

Julie: If anything, Robert Downie Jr. helped!

Natasha: Are we getting the Madonna we deserve?

Julie: Maybe. (And this is me being kind, because I always will.)

Julie: She's in her first wives club phase. This is her first divorce record, or second if you count Hard Candy. Which was all about being miles away from Guy and having nothing in common. So maybe once she settles, she'll reinvent herself or be more comfortable being alone and perimenopausal?

Julie: But what I think is that her narcissism is so rich that she needs a wreck, like her post-Erotica backlash, in order to come back with a Ray of Light. Like, she came out last night dressed like a Phoenix rising from the ashes... but we haven't burned her down yet. After SEX and EROTICA, America burned her at the stake. And that's what it took for her to come back and be brilliant and genius, and enter her second act with, like, zen realness. She earned her long hair then.

Natasha: Well that is the true mark of Diva, an American Diva, one who suffers torment and mass strife and then soars.

Natasha: LIKE JENNIFER HUDSON LOLLOL.

Julie: It's so Catholic. Hmm, in that example, what's her cross to bear? Weight Watchers? Or her family being murdered? Remember when I made that joke? "Poor Jennifer Hudson—her family, and her breasts, are gone"?

Natasha: No but you're a hero for doing so.

Julie: Madge needs to be destroyed, in order to be challenged.

Natasha: Do you think she'll be destroyed for tonight?

Julie: Nope. She played it safe. Her medley was water tight. Those songs are POWERFUL.

Natasha: Remember when she rapped?

Julie: I do yoga and pilates and the room is full of hotties? That was a misstep.

Natasha: That was a fumble. (To couch this in football idioms.)

Julie: Yeah, but she recovered with Confessions. And the Drowned World tour, when she hatched from a disco ball at the top of that show, and danced around with riding crops. Post horse fall? That was some McQueen shit.

Natasha: AH YES. I miss Madonna McQueen. She needs more audacious collaborators.

Julie: She needs to make stars, not use kids. She hangs out with the popular kids. But she IS the popular kid. Stop rotating in Nicki or LMFAO or whoever else. Bring in Candy Darling. Divine. Get a new Jellybean. Break somebody.

Natasha: Is there an icon of her magnitude who has done a similar autumn of her years gracefully?

Julie: Cher. Even though her surgery cuts off criticism at the pass because of her blunt authenticity. Her consistency, unlike Madonna's, is not desperation. She's like the Anjelica of pop music. Cher's sense of humor also cuts any sense of pretentiousness. Like, Cher's won a fucking Oscar.

Natasha: TWO!

Julie: Well.

Natasha: Also: Chaz Bono.

Julie: I can't even start. But look at Cher.

Natasha: I ALWAYS AM.

Julie: Cher will do something like Burlesque, and nobody will throw pigs blood tweets at her. That's because she has a sense of humor about herself. She's completely consistent with her goals and her attitudes. She does sarcasm well. And she just "seems" really authentic.

Julie: Although Madonna HAS begun smiling more in her performances, which is weird.

Natasha: Madge has always been a bit brittle in the self-deprecating department?

Julie: She smiled like three times tonight.

Natasha: I noticed that!

Julie: She's trying to be playful. I don't like Madonna in whimsy mode. But her smiling is her only hat tip to aging, I think.

Natasha: SHE'S IMPERIAL.

Julie: It's one of the smallest things you can do to seem less menacing. But unless you're Dame Maggie Smith, aka HILARIOUS, you have to smile.

Natasha: Tell that to the NYT autism kids.

Julie: Oh I would love to. I would love to spend my time explaining Madonna to autistic children. Anyway, so look. Warhol died young. Gaga is on a meth pace. She's on a broadband track to this pop stardom/ art thing. Madonna is a living GREAT ARTIST and there are burdens to that. Look at, like, Lou Reed. Look at HIS collaboration lately!

Natasha: No. I can't.

Natasha: Don't make me.

Julie: But... look at Almodovar

Natasha: OK!

Julie: Or, look at Woody Allen. That guy still gets blow jobs from the Academy because of Annie Hall.

Natasha: He's gonna get a slobbery one in two weeks come Midnight in Paris' original screenplay winnnn.

Julie: It's the least we can do to give Madonna a pass for a great medley she kind of paced through in bad shoes because of, like, literally, pick JUST ONE SONG.

Julie: Annie Hall —> Express Yourself.

Julie: Crimes & Misdemeanors—> La Isla Bonita.

Julie: Hannah & Her Sisters—>Vogue.

Julie: You get it. And I hated Midnight in Paris. I enjoyed Hard Candy more.

Natasha: So you think she can hop back on?

Julie: I hope she can and I will be there for everything she ever does. And I will always root for her and I will always be here to defend her. But I fear she may need to be shot down to a lowness before she resurrects with the potential I still believe she has, and always will have.

Natasha: Amen.

Julie: Just one more thing. She uses young people now in the way bell hooks accused her of using queer people and people of color in Truth or Dare: both as accessories and sources from which to steal. The youth around her, now, draw attention to her flaws—AND NOT PHYSICAL ONES. (I mean, if one more fat straight guy makes fun of her appearance on twitter... Jesus. Like you're the French guy from The Artist??) So I don't mean her skin or her face or arms or whatever. I mean her soul flaw, which is stubborness, falseness, and contempt.

Natasha: Her soul holes.

Julie: Her little monsters are her collaborators. She's so distant from her fans at this point they don't even get an acknowledgment.

Natasha: I agree, I think that's why it's been particularly difficult to watch the whole Nicki and MIA collaboration. Those two women, you can say a lot about how much planning goes into their image and how much of a construction it all is but those constructions are working.

Natasha: Resonating. It was weird to watch them have to be stilted in her presence.

Julie: Yes.

Natasha: Madge doesn't need to pull from their fires but it seemed like an intentional dimming.

Natasha: Or as they say... THROWING SHADE.

Julie: Yes! Paris is burning after all.



Julie Klausner and Natasha Vargas-Cooper still believe.

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Natasha: Okay, what did you think of Techno Roman Madonna and her 13th legion last night?

Julie: Well, to me, Madonna is like the Catholic Church or Penn State. I’ll defend anything she does, even when she's guilty. I’m loyal to the institution.

Natasha: What did you think of her football fruits?

Julie: I thought they were great.

Natasha: DON'T LIE!!

Julie: I thought she should have worn different shoes.

Natasha: This is like when the Catholic Church or Penn State blamed a sex abuse scandal on a couple bad apples!

Julie: The medley was tight, the concepts were good, it looked great and I'd say she sounded great if there was any evidence of her singing live. I like her new song.

Natasha: JULIE YOU DO NOT BELIEVE THAT!

Julie: I do.

Natasha: Do I need to provide fossil evidence?

Julie: What is your fossil fuel?

Natasha: WELL. I, too defend Madge against the haters. On message boards, in chat rooms, pool halls and in my prayers. She is an icon and nothing that she can do, ever, will diminish her. And I respect that she didn't burn out into some awful tragedy so as to be forever embalmed in youthful glamor.

Julie: Youthful is the operative term.

Natasha: Like I'm sure if Marilyn lived it would have been GRISLY. But... but... The new song, the pleather gestapo boots, the weird annexation of other lady singers? I am underwhelmed! I think we deserve better! Also, girl, that video was an abooooorsssh.

Julie: You didn't like it when she shot those football players with a gun? After coming out in a trenchcoat, COLUMBINE STYLE?

Natasha: I always support the promiscuous blending of vodka ads and columbine imagery! BUT the video looked cheap and slap-dashed, and tonight's show felt soulless. Like, she turned on the jumbo jet of her fame but not her SOulLlLl

Julie: I'm worried about her youth obsession.

Natasha: Continue. Cuz this is my main complaint with her.

Julie: Well, her insistence on maintaining an exhaustingly current entourage, instead of changing/evolving/ageing, she just switches up the collaborators so they're current. That’s depressing.

Natasha: I think she's out-grown trying to be sexually provocative and sexily antagonistic a la Express Yourself, but now she is lost.

Julie: Well, she wants to be SEXY.

Natasha: Remember her Frozen phase?

Julie: I loved that. I loved Ray of Light. I loved loved Music. Confessions on a Dance Floor is her last GREAT album. I’m just worried about her mosquito in amber ambitions. The skin thing, her hair getting longer. She’s only wearing black, She only lets them shoot her from across the stadium.

Natasha: What would Madonna doing Madonna actually look like now? Without the youthful accessories and shackle shoes?

Julie: I want her to be like Anjelica Huston. But she wants to be a girl, not just a woman.

Natasha: What is ANGELICA? In essence?

Julie: Being beautiful because of a quiet confidence and deep elegance, and loveable and regal and dignified, without worrying about being matronly.

Natasha: I feel like Madge would have been amazing with just two other people and so roman slaves or cartwheeling b-boys.

Natasha: Like THIS:

Julie: She's wearing penny loafers! Compare that to the stiletto boots. She can actually move in those, and those are her real hairs!

Natasha: When did she stop? When did the break come?

Julie: Hard Candy. I think. Some people think it was before that. But I think HUNG UP was amazing.

Natasha: HUNG WAS INCREDIBLE. It felt authentically her! With the leg warmers! And her arms and body hard as rock but still so graceful and feminine.

Julie: I don't think being attractive to straight men is the goal of pop music. But.... when straight men are sort of revolted by you, and have so much hatred and contempt, at least in my twitter feed, you have to step back and say 'why am i hated only in the way that those same guys hate, say, the real housewives who have had extensive plastic surgery?" Because that's the only paralleled vitriol, not including Sarah Palin and Michele Bachmann. And it has to do with aging poorly. And not conforming to either whore OR mother. She's in between and she hasn't embraced the elder role. And she won't.

Natasha: Where do you think it comes from?

Julie: Her stubborn refusal to age gracefully?

Julie: Fear.

Julie: Anger

Julie: Contempt.

Natasha: Where does the male scorn come from?

Julie: Her lack of concern for an audience different than her essentialists.

Julie: Also she's sinewy and fat free.

Julie: So she's not soft like a fuckable little lithe girl or a mom who feeds you from the breast. I wish the road not taken with her was visible to us. Which was: fat Italian momma.

Julie: Well, her desperation to seem and look young, in a girlish way, with long blonde hair and hot pants and stiletto boots she can't dance in, is hugely unappealing to straight men.

Natasha: Why do you think?

Julie: It telegraphs as "crazy."

Julie: And crazy is poison to straight men. Even coupled with hot, it's unworkable-with.

Julie: She's also NOT THAT OLD! Jane Fonda is in her 70s! Helen Mirren was the hot slut to profess one’s desire to boink recently! Remember how young straight guys would be like "isn't it crazy I want to fuck Helen Mirren?" And you're like oh wow, you're such a feminist.

Natasha: Because she's a perfect model?

Natasha: And has amazing symmetrical features and giant tits?

Natasha: Brave.

Julie: Right. Because she's not 16. And the ladies on my p0rn are!

Natasha: Does Madonna still read as a 'bitch'?

Julie: Madonna has always read as a bitch. But that's not a problem, at least when you're committed and urgent and vital and authentic. It's the falseness that people see in her character. That becomes the problem.

Natasha: But she has that theater bitch thing not that aloof brat thing.

Julie: Aloofness is something she's had to grapple with, post-Evita. And by aloof I mean pretentious. Or being seen as pretentious. It's the only American sin. America HATES pretentiousness more than craziness, greed, pretty much everything. So moving to england, kabbalah, all that didn't help her public image. But by then she didn't care. And then she adopted the black boy. And her charitable efforts read like Jesus juice. Messiah stuff.

Natasha: Well isn't also that she taps into that vital fear that she will suck out your vitality and leave you dry and/or directing Rock n Rolla?

Julie: Yes. That was the Yoko backlash.

Julie: The idea that she made Guy Ritchie a shitty director is so offensive to me. Guy Ritchie had a part in that process.

Natasha: Because he was always terrible?

Julie: If anything, Robert Downie Jr. helped!

Natasha: Are we getting the Madonna we deserve?

Julie: Maybe. (And this is me being kind, because I always will.)

Julie: She's in her first wives club phase. This is her first divorce record, or second if you count Hard Candy. Which was all about being miles away from Guy and having nothing in common. So maybe once she settles, she'll reinvent herself or be more comfortable being alone and perimenopausal?

Julie: But what I think is that her narcissism is so rich that she needs a wreck, like her post-Erotica backlash, in order to come back with a Ray of Light. Like, she came out last night dressed like a Phoenix rising from the ashes... but we haven't burned her down yet. After SEX and EROTICA, America burned her at the stake. And that's what it took for her to come back and be brilliant and genius, and enter her second act with, like, zen realness. She earned her long hair then.

Natasha: Well that is the true mark of Diva, an American Diva, one who suffers torment and mass strife and then soars.

Natasha: LIKE JENNIFER HUDSON LOLLOL.

Julie: It's so Catholic. Hmm, in that example, what's her cross to bear? Weight Watchers? Or her family being murdered? Remember when I made that joke? "Poor Jennifer Hudson—her family, and her breasts, are gone"?

Natasha: No but you're a hero for doing so.

Julie: Madge needs to be destroyed, in order to be challenged.

Natasha: Do you think she'll be destroyed for tonight?

Julie: Nope. She played it safe. Her medley was water tight. Those songs are POWERFUL.

Natasha: Remember when she rapped?

Julie: I do yoga and pilates and the room is full of hotties? That was a misstep.

Natasha: That was a fumble. (To couch this in football idioms.)

Julie: Yeah, but she recovered with Confessions. And the Drowned World tour, when she hatched from a disco ball at the top of that show, and danced around with riding crops. Post horse fall? That was some McQueen shit.

Natasha: AH YES. I miss Madonna McQueen. She needs more audacious collaborators.

Julie: She needs to make stars, not use kids. She hangs out with the popular kids. But she IS the popular kid. Stop rotating in Nicki or LMFAO or whoever else. Bring in Candy Darling. Divine. Get a new Jellybean. Break somebody.

Natasha: Is there an icon of her magnitude who has done a similar autumn of her years gracefully?

Julie: Cher. Even though her surgery cuts off criticism at the pass because of her blunt authenticity. Her consistency, unlike Madonna's, is not desperation. She's like the Anjelica of pop music. Cher's sense of humor also cuts any sense of pretentiousness. Like, Cher's won a fucking Oscar.

Natasha: TWO!

Julie: Well.

Natasha: Also: Chaz Bono.

Julie: I can't even start. But look at Cher.

Natasha: I ALWAYS AM.

Julie: Cher will do something like Burlesque, and nobody will throw pigs blood tweets at her. That's because she has a sense of humor about herself. She's completely consistent with her goals and her attitudes. She does sarcasm well. And she just "seems" really authentic.

Julie: Although Madonna HAS begun smiling more in her performances, which is weird.

Natasha: Madge has always been a bit brittle in the self-deprecating department?

Julie: She smiled like three times tonight.

Natasha: I noticed that!

Julie: She's trying to be playful. I don't like Madonna in whimsy mode. But her smiling is her only hat tip to aging, I think.

Natasha: SHE'S IMPERIAL.

Julie: It's one of the smallest things you can do to seem less menacing. But unless you're Dame Maggie Smith, aka HILARIOUS, you have to smile.

Natasha: Tell that to the NYT autism kids.

Julie: Oh I would love to. I would love to spend my time explaining Madonna to autistic children. Anyway, so look. Warhol died young. Gaga is on a meth pace. She's on a broadband track to this pop stardom/ art thing. Madonna is a living GREAT ARTIST and there are burdens to that. Look at, like, Lou Reed. Look at HIS collaboration lately!

Natasha: No. I can't.

Natasha: Don't make me.

Julie: But... look at Almodovar

Natasha: OK!

Julie: Or, look at Woody Allen. That guy still gets blow jobs from the Academy because of Annie Hall.

Natasha: He's gonna get a slobbery one in two weeks come Midnight in Paris' original screenplay winnnn.

Julie: It's the least we can do to give Madonna a pass for a great medley she kind of paced through in bad shoes because of, like, literally, pick JUST ONE SONG.

Julie: Annie Hall —> Express Yourself.

Julie: Crimes & Misdemeanors—> La Isla Bonita.

Julie: Hannah & Her Sisters—>Vogue.

Julie: You get it. And I hated Midnight in Paris. I enjoyed Hard Candy more.

Natasha: So you think she can hop back on?

Julie: I hope she can and I will be there for everything she ever does. And I will always root for her and I will always be here to defend her. But I fear she may need to be shot down to a lowness before she resurrects with the potential I still believe she has, and always will have.

Natasha: Amen.

Julie: Just one more thing. She uses young people now in the way bell hooks accused her of using queer people and people of color in Truth or Dare: both as accessories and sources from which to steal. The youth around her, now, draw attention to her flaws—AND NOT PHYSICAL ONES. (I mean, if one more fat straight guy makes fun of her appearance on twitter... Jesus. Like you're the French guy from The Artist??) So I don't mean her skin or her face or arms or whatever. I mean her soul flaw, which is stubborness, falseness, and contempt.

Natasha: Her soul holes.

Julie: Her little monsters are her collaborators. She's so distant from her fans at this point they don't even get an acknowledgment.

Natasha: I agree, I think that's why it's been particularly difficult to watch the whole Nicki and MIA collaboration. Those two women, you can say a lot about how much planning goes into their image and how much of a construction it all is but those constructions are working.

Natasha: Resonating. It was weird to watch them have to be stilted in her presence.

Julie: Yes.

Natasha: Madge doesn't need to pull from their fires but it seemed like an intentional dimming.

Natasha: Or as they say... THROWING SHADE.

Julie: Yes! Paris is burning after all.



Julie Klausner and Natasha Vargas-Cooper still believe.

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Two Altbro Hipsters on MTV's "I Just Want My Pants Back" http://www.theawl.com/2012/02/two-altbro-hipsters-on-mtvs-i-just-want-my-pants-back http://www.theawl.com/2012/02/two-altbro-hipsters-on-mtvs-i-just-want-my-pants-back#comments Fri, 03 Feb 2012 13:20:58 +0000 Jon Blistein and RJ Cubarrubia http://www.theawl.com/2012/02/two-altbro-hipsters-on-mtvs-i-just-want-my-pants-back By way of introduction, RJ Cubarrubia and Jon Blistein are two altbros living in Williamsburg. They’re both trying to be music writers. RJ and Jon consider themselves quite culturally aware, but also recognize that their existence is made up of run-of-the-mill hipster clichés—hipster clichés which are now reaching larger audiences thanks to things like Bon Iver, Wes Anderson flicks, Honda commercials with Vampire Weekend, the term “buzz band,” etc. Some of this has been good; other stuff... well. Now there’s MTV’s "I Just Want My Pants Back," a show about four attractive post-grads living in Williamsburg, rife with pop-culture references and a hipster soundtrack. As solid members of the target audience (though admittedly more sedentary and maybe less beautiful than the actual characters on the show), RJ and Jon came to "Pants" with morbid curiosity and an open mind, due to their deep love of TV. Also, they’re narcissists.

Jon: Well, this is a show about h-words—oh, screw it, it's not worth trying to beat around this ridiculous bush. "I Just Want My Pants Back" is the show about hipsters, and its relative accuracy is impressive yet unnerving. Feeling the latter often makes it difficult to acknowledge the former, especially since it’s airing on the "Teen Mom" network and has one of the greatest lead-ins of all time, "Jersey Shore."

In "Pants," Jason (aka Jay) and Tina are hip young post-grads who smoke pot in bar bathrooms and talk about their sex droughts and screwy relationships in a post-Juno repartee that doesn’t seem too impossible, but maybe that’s cause you like to think you and your friends rap like that. But maybe you kinda do!

Exaggeration is always somewhat necessary in television, but what’s really neat about the first two episodes of "Pants" is that everything holding it together seems somewhat real and familiar. Premise: Jay gets laid and his titular pants stolen—and obviously finding said pants (and mystery thief, Jane) becomes a metaphor for discovering oneself. Jay’s best friend Tina wasn’t given a whole lot to do in the pilot except spit out some solid one-liners, but she showed signs of inner turmoil in episode two as she grappled with waiting for a post-fight text from her chocolatier/poet squeeze, Brett, as well as deflowering her 19-year-old intern. After the pilot I got the sense that Jay and Tina’s friendship would eventually morph into your typical will they/won’t they relationship, but I’m not so sure now—which is actually a very good thing, sitcom conventions be damned. And straight up, I like that "Pants" hits so close to home on a level that goes beyond pop references and good location scouting (not that that’s not important), and lands somewhere much more personal.

For those who haven't yet indulged: to the preview clip!

RJ: When we first heard of this show, I was afraid. With stuff like "2 Broke Girls" and "The New Girl" lightly depicting youthful, hip, Williamsburg-inspired culture, I became almost defensive and territorial when you told me about this “more accurate” portrayal of hipster life. Not to mention the casual Wavves namedrop (and the non-casual score collaboration), some nug huffing, and a so-bored, yet positive-minded protagonist whose current life’s a chore. Holding down a shitty job as an assistant to a strangely perverted and outrageously cruel casting director (played by the always stellar Chris Parnell), Jay reaches out to hilarious, wackadoo magazine publisher Lench (who’s latest project, All Naturals, focuses on environmental sustainability and hot chicks—“think models with 70’s-era bush in hemp bikinis teaching you how to compost”), because he’s thinking of getting into “music journalism.” I’ll admit I was hating myself for not being an investment banker when they dropped that on my dome, but I ended up finding all of it endearing. Sure, it’s hard to see my lifestyle and career choices caricatured onscreen. But if it didn’t feel real, would I feel this exposed?

Now, hipsters vs. suits is an eternal struggle on par with cats vs. dogs, the Empire vs. the Rebel Alliance, and Lana Del Rey vs. the word “authentic.” Standing in stark contrast to Jay and Tina, their friends Eric and Stacey aren’t quite typical suits (that title goes to the sexually repressed lawyers that Jay and Tina seduce at the All Naturals launch party), but their chosen path of grad/med school over Jay and Tina’s free wheeling lifestyle represent some sort of “safer” route and perhaps even a minor case of “selling out.” Eric and Stacey aren’t culturally clueless; I’m pretty sure Eric fits Urban Dictionary’s definition of “blipster” while Stacey’s the one who initially name-drops Wavves, wanting to momentarily reclaim her punk past by celebrating her birthday at a super secret show. Instead of keeping up with an “alternative” lifestyle into early adulthood (like Jay and Tina), Eric and Stacey have chosen a domestic path with more structure and security. Tina digs the couple as they make out over the crock pot Eric gifts to Stacey, but beyond her snark lies an unsettling contrast. While Jay and Tina can act like their life choices make them too cool for adulthood, they can’t deny Eric and Stacey’s genuine happiness and fulfilment as they struggle to find their own, professional and personal. I’ll take it one step further: as a 23-year-old freelance writer living in Williamsburg who took a year off from undergrad, ditched Politics for a fresh English degree and a maybe-career in music writing, seeing just how happy Eric and Stacey are makes me wonder about my path myself.

Jon: "Pants" never makes Eric and Stacey seem lame—I mean, they make couples Wii tennis, buying a mattress and quizzing each other with flash cards of diseases seem pretty dope. Sure, Jay and Tina take some jabs at them (“They’re hip, they’re new, they’re loud,” says Jay after Stacey expresses interest in the Wavves show), but neither lifestyle is really glorified. Jay comes across looking pretty awful when he forgets to pick up the Wavves tickets from the Craigslist dude cause he was finger-banging the freaky-deaky lawyer chick instead. With that in mind, what I find odd and almost off-putting, but ultimately compelling, about this contrast is that most, if not all, attractive-young-people-finding-themselves-in-a-big-city sitcoms revolve around these relatively stable characters like Eric and Stacey, by now so familiar that you kinda know people like them in real life. So when the ostensibly directionless, “just wingin’ it” hipster is juxtaposed with these tried-and-true characters, and you can relate to him on a more personal level than you ever could with Ross or Monica or Ted Mosby, you suddenly see yourself as a trope. Ugh, and then his references are spot on, and his one-liners kill, and then you’re watching the pilot for the first time and he drops that music journalism bomb and all you can do is yell at your TV but then not turn it off. Because it’s funny, and as much as you want to believe it is, it's actually not pandering to anyone, and the "Pants" people know that Arcade Fire isn’t performing at Music Hall of Williamsburg these days.

So it’s easy to be taken aback by "Pants" because it’s about a lifestyle and culture that prides itself on individualism and rejection of certain norms... a lifestyle that's already become commodified, even standardized. On the surface "Pants" seems like a consequence of those latter issues, but maybe the show’s existence is proof that this cultural movement [Editor's Note: Williamsburg is a cultural movement now???] that’s been building over the past decade-plus hasn’t so much cheapened but simply become a kind of pop culture in its own right. And there really isn’t anything necessarily wrong with that.

RJ: Kinda know people like them in real life? Try the vast overwhelming majority of my childhood and college friends. While most of them never were any sort of former “authentic punk” like Stacey, almost all of them are now young professionals working in banking or consulting, or drowning in 2L or clinicals. Yet they’re pop-cultural aware and consume with relatively careful curation; that Wavves exchange between Stacey and Jay happened in my life a few times almost exactly verbatim because my friends found Nathan Williams’ music on their own. The cultural lines that used to separate stale adulthood and “safe” career choices from hip, cool youth and a risky pursuit of passions and dreams are now blurred (I’m aware of “cool dads” but think of “superrad gnarbone dads” who take their kids to the skatepark with no helmets, let them eat cookies for breakfast, and bump Superchunk at Gymboree). I think you’re right, this is proof of a cultural movement that’s been building. [Editor's Note: Oh my God.] Many young adults take a path with “safe” career while intelligently and actively consuming culture. They’re not hipsters but they’re not exactly suits, and they’re certainly not suits just pretending to be hip. They’re something new and perhaps they’re the result of this movement that you point out.

So the question is: will "Pants" continue this blurred line? Or will it attempt to redefine those cultural boundaries between “hip” and “safe”? On one hand, seeing Jay and Tina’s successes may inspire Eric and Stacey to reject their “safer” paths, find their “true selves,” and relapse into freewheeling hipsterdom. But if Jay and Tina realize there’s a way to enter adulthood and domesticity without sacrificing their gnarly youth and authentic art tastes, wouldn’t that be more indicative of today’s culture, which has blurred the line where Stacey, Eric, and my friends exist between hipster and suit?

Jon: I want to see where they go with this dichotomy too, but based on the endearing portrayals of both sides (I suppose props should go here to creator David Rosen, who also wrote the book the show’s based on), I can’t imagine "Pants" singling out one as more “authentic” than the other. If "Pants" went the path of glorifying the indie-artistic-doobie-blowin’ lifestyle as a means of achieving self-actualization as opposed to the aspiring-doctor/yuppie weekend warrior, well I’d be out. Luckily, I don’t think that’s what’s going on here at all.

Though I dug the pilot, episode two wasn’t as solid: Eric and Stacey’s mattress plot allowed for some good jokes, but ultimately went nowhere; and while Jay and Tina’s sexcapades were pretty funny (i.e. the bartender Tibetan throat singing her ex’s name while boinking Jay), only the “Tina & The Intern” storyline was that compelling, albeit completely unrealistic—there’s no way a virgin could ever gaff so hard and still spit such courageous game like that to his boss. And get laid. Twice. I mean "Pants" is kind of absurd, enjoyably. No one’s boss would deliver a chop-licking monologue about nailing a pregnant woman, like Parnell does—but then we’ve all had fucked-up bosses.

But that leaves me with one last obnoxiously hyper-conscious question: Do I like "Pants" more because it’s written, acted and shot quite well and tells an engaging story? Or more because I get a narcissistic kick out of seeing an sensationalized version of the culture I live in—and maybe even parts my life—on-screen depicted with enough accuracy (the devil’s in the details, bro) that I feel like my life is important and legitimate and could totally be a sitcom? I dunno, probably a lot of both. Stoked for next week.

RJ: I’d tune out immediately if "Pants" became some self-righteous arms race of authenticity or fulfillment, but I don’t think it’ll come to that either. I’m a little afraid that the show might devolve into a hookup Chronicles of Gnarnia, but Jay’s “music journalism” plot looks to be the real force here, or so we (egotistically) hope. And of course, he still needs those pants back. Let’s be real, that narcissistic joy manifests so well because of the writing: it feels dangerously close to our real lives and cultural interests, adds heavy spice (because everyone knows music writers are really huge dweebs who would be terrified to fridge fuck), and drives us to consider our own journeys (which, really, have just begun). We’ll see if our lives and this culture are television worthy in the long run, but at least right now "Pants" shows they’re entertaining and substantial enough to warrant closer examination by both hipsters and non-hipsters alike. As two obnoxious, former-suburban, Willburg-livin’ altbros, we’ll take that iota of validation.



Jon Blistein and RJ Cubarrubia spend their afternoons at Billboard and have also written at places like RollingStone.com, The L Magazine, Impose and Nerve.com.

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By way of introduction, RJ Cubarrubia and Jon Blistein are two altbros living in Williamsburg. They’re both trying to be music writers. RJ and Jon consider themselves quite culturally aware, but also recognize that their existence is made up of run-of-the-mill hipster clichés—hipster clichés which are now reaching larger audiences thanks to things like Bon Iver, Wes Anderson flicks, Honda commercials with Vampire Weekend, the term “buzz band,” etc. Some of this has been good; other stuff... well. Now there’s MTV’s "I Just Want My Pants Back," a show about four attractive post-grads living in Williamsburg, rife with pop-culture references and a hipster soundtrack. As solid members of the target audience (though admittedly more sedentary and maybe less beautiful than the actual characters on the show), RJ and Jon came to "Pants" with morbid curiosity and an open mind, due to their deep love of TV. Also, they’re narcissists.

Jon: Well, this is a show about h-words—oh, screw it, it's not worth trying to beat around this ridiculous bush. "I Just Want My Pants Back" is the show about hipsters, and its relative accuracy is impressive yet unnerving. Feeling the latter often makes it difficult to acknowledge the former, especially since it’s airing on the "Teen Mom" network and has one of the greatest lead-ins of all time, "Jersey Shore."

In "Pants," Jason (aka Jay) and Tina are hip young post-grads who smoke pot in bar bathrooms and talk about their sex droughts and screwy relationships in a post-Juno repartee that doesn’t seem too impossible, but maybe that’s cause you like to think you and your friends rap like that. But maybe you kinda do!

Exaggeration is always somewhat necessary in television, but what’s really neat about the first two episodes of "Pants" is that everything holding it together seems somewhat real and familiar. Premise: Jay gets laid and his titular pants stolen—and obviously finding said pants (and mystery thief, Jane) becomes a metaphor for discovering oneself. Jay’s best friend Tina wasn’t given a whole lot to do in the pilot except spit out some solid one-liners, but she showed signs of inner turmoil in episode two as she grappled with waiting for a post-fight text from her chocolatier/poet squeeze, Brett, as well as deflowering her 19-year-old intern. After the pilot I got the sense that Jay and Tina’s friendship would eventually morph into your typical will they/won’t they relationship, but I’m not so sure now—which is actually a very good thing, sitcom conventions be damned. And straight up, I like that "Pants" hits so close to home on a level that goes beyond pop references and good location scouting (not that that’s not important), and lands somewhere much more personal.

For those who haven't yet indulged: to the preview clip!

RJ: When we first heard of this show, I was afraid. With stuff like "2 Broke Girls" and "The New Girl" lightly depicting youthful, hip, Williamsburg-inspired culture, I became almost defensive and territorial when you told me about this “more accurate” portrayal of hipster life. Not to mention the casual Wavves namedrop (and the non-casual score collaboration), some nug huffing, and a so-bored, yet positive-minded protagonist whose current life’s a chore. Holding down a shitty job as an assistant to a strangely perverted and outrageously cruel casting director (played by the always stellar Chris Parnell), Jay reaches out to hilarious, wackadoo magazine publisher Lench (who’s latest project, All Naturals, focuses on environmental sustainability and hot chicks—“think models with 70’s-era bush in hemp bikinis teaching you how to compost”), because he’s thinking of getting into “music journalism.” I’ll admit I was hating myself for not being an investment banker when they dropped that on my dome, but I ended up finding all of it endearing. Sure, it’s hard to see my lifestyle and career choices caricatured onscreen. But if it didn’t feel real, would I feel this exposed?

Now, hipsters vs. suits is an eternal struggle on par with cats vs. dogs, the Empire vs. the Rebel Alliance, and Lana Del Rey vs. the word “authentic.” Standing in stark contrast to Jay and Tina, their friends Eric and Stacey aren’t quite typical suits (that title goes to the sexually repressed lawyers that Jay and Tina seduce at the All Naturals launch party), but their chosen path of grad/med school over Jay and Tina’s free wheeling lifestyle represent some sort of “safer” route and perhaps even a minor case of “selling out.” Eric and Stacey aren’t culturally clueless; I’m pretty sure Eric fits Urban Dictionary’s definition of “blipster” while Stacey’s the one who initially name-drops Wavves, wanting to momentarily reclaim her punk past by celebrating her birthday at a super secret show. Instead of keeping up with an “alternative” lifestyle into early adulthood (like Jay and Tina), Eric and Stacey have chosen a domestic path with more structure and security. Tina digs the couple as they make out over the crock pot Eric gifts to Stacey, but beyond her snark lies an unsettling contrast. While Jay and Tina can act like their life choices make them too cool for adulthood, they can’t deny Eric and Stacey’s genuine happiness and fulfilment as they struggle to find their own, professional and personal. I’ll take it one step further: as a 23-year-old freelance writer living in Williamsburg who took a year off from undergrad, ditched Politics for a fresh English degree and a maybe-career in music writing, seeing just how happy Eric and Stacey are makes me wonder about my path myself.

Jon: "Pants" never makes Eric and Stacey seem lame—I mean, they make couples Wii tennis, buying a mattress and quizzing each other with flash cards of diseases seem pretty dope. Sure, Jay and Tina take some jabs at them (“They’re hip, they’re new, they’re loud,” says Jay after Stacey expresses interest in the Wavves show), but neither lifestyle is really glorified. Jay comes across looking pretty awful when he forgets to pick up the Wavves tickets from the Craigslist dude cause he was finger-banging the freaky-deaky lawyer chick instead. With that in mind, what I find odd and almost off-putting, but ultimately compelling, about this contrast is that most, if not all, attractive-young-people-finding-themselves-in-a-big-city sitcoms revolve around these relatively stable characters like Eric and Stacey, by now so familiar that you kinda know people like them in real life. So when the ostensibly directionless, “just wingin’ it” hipster is juxtaposed with these tried-and-true characters, and you can relate to him on a more personal level than you ever could with Ross or Monica or Ted Mosby, you suddenly see yourself as a trope. Ugh, and then his references are spot on, and his one-liners kill, and then you’re watching the pilot for the first time and he drops that music journalism bomb and all you can do is yell at your TV but then not turn it off. Because it’s funny, and as much as you want to believe it is, it's actually not pandering to anyone, and the "Pants" people know that Arcade Fire isn’t performing at Music Hall of Williamsburg these days.

So it’s easy to be taken aback by "Pants" because it’s about a lifestyle and culture that prides itself on individualism and rejection of certain norms... a lifestyle that's already become commodified, even standardized. On the surface "Pants" seems like a consequence of those latter issues, but maybe the show’s existence is proof that this cultural movement [Editor's Note: Williamsburg is a cultural movement now???] that’s been building over the past decade-plus hasn’t so much cheapened but simply become a kind of pop culture in its own right. And there really isn’t anything necessarily wrong with that.

RJ: Kinda know people like them in real life? Try the vast overwhelming majority of my childhood and college friends. While most of them never were any sort of former “authentic punk” like Stacey, almost all of them are now young professionals working in banking or consulting, or drowning in 2L or clinicals. Yet they’re pop-cultural aware and consume with relatively careful curation; that Wavves exchange between Stacey and Jay happened in my life a few times almost exactly verbatim because my friends found Nathan Williams’ music on their own. The cultural lines that used to separate stale adulthood and “safe” career choices from hip, cool youth and a risky pursuit of passions and dreams are now blurred (I’m aware of “cool dads” but think of “superrad gnarbone dads” who take their kids to the skatepark with no helmets, let them eat cookies for breakfast, and bump Superchunk at Gymboree). I think you’re right, this is proof of a cultural movement that’s been building. [Editor's Note: Oh my God.] Many young adults take a path with “safe” career while intelligently and actively consuming culture. They’re not hipsters but they’re not exactly suits, and they’re certainly not suits just pretending to be hip. They’re something new and perhaps they’re the result of this movement that you point out.

So the question is: will "Pants" continue this blurred line? Or will it attempt to redefine those cultural boundaries between “hip” and “safe”? On one hand, seeing Jay and Tina’s successes may inspire Eric and Stacey to reject their “safer” paths, find their “true selves,” and relapse into freewheeling hipsterdom. But if Jay and Tina realize there’s a way to enter adulthood and domesticity without sacrificing their gnarly youth and authentic art tastes, wouldn’t that be more indicative of today’s culture, which has blurred the line where Stacey, Eric, and my friends exist between hipster and suit?

Jon: I want to see where they go with this dichotomy too, but based on the endearing portrayals of both sides (I suppose props should go here to creator David Rosen, who also wrote the book the show’s based on), I can’t imagine "Pants" singling out one as more “authentic” than the other. If "Pants" went the path of glorifying the indie-artistic-doobie-blowin’ lifestyle as a means of achieving self-actualization as opposed to the aspiring-doctor/yuppie weekend warrior, well I’d be out. Luckily, I don’t think that’s what’s going on here at all.

Though I dug the pilot, episode two wasn’t as solid: Eric and Stacey’s mattress plot allowed for some good jokes, but ultimately went nowhere; and while Jay and Tina’s sexcapades were pretty funny (i.e. the bartender Tibetan throat singing her ex’s name while boinking Jay), only the “Tina & The Intern” storyline was that compelling, albeit completely unrealistic—there’s no way a virgin could ever gaff so hard and still spit such courageous game like that to his boss. And get laid. Twice. I mean "Pants" is kind of absurd, enjoyably. No one’s boss would deliver a chop-licking monologue about nailing a pregnant woman, like Parnell does—but then we’ve all had fucked-up bosses.

But that leaves me with one last obnoxiously hyper-conscious question: Do I like "Pants" more because it’s written, acted and shot quite well and tells an engaging story? Or more because I get a narcissistic kick out of seeing an sensationalized version of the culture I live in—and maybe even parts my life—on-screen depicted with enough accuracy (the devil’s in the details, bro) that I feel like my life is important and legitimate and could totally be a sitcom? I dunno, probably a lot of both. Stoked for next week.

RJ: I’d tune out immediately if "Pants" became some self-righteous arms race of authenticity or fulfillment, but I don’t think it’ll come to that either. I’m a little afraid that the show might devolve into a hookup Chronicles of Gnarnia, but Jay’s “music journalism” plot looks to be the real force here, or so we (egotistically) hope. And of course, he still needs those pants back. Let’s be real, that narcissistic joy manifests so well because of the writing: it feels dangerously close to our real lives and cultural interests, adds heavy spice (because everyone knows music writers are really huge dweebs who would be terrified to fridge fuck), and drives us to consider our own journeys (which, really, have just begun). We’ll see if our lives and this culture are television worthy in the long run, but at least right now "Pants" shows they’re entertaining and substantial enough to warrant closer examination by both hipsters and non-hipsters alike. As two obnoxious, former-suburban, Willburg-livin’ altbros, we’ll take that iota of validation.



Jon Blistein and RJ Cubarrubia spend their afternoons at Billboard and have also written at places like RollingStone.com, The L Magazine, Impose and Nerve.com.

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A Drynuary Diary: Week Four, The Wettening http://www.theawl.com/2012/01/a-drynuary-diary-week-four-the-wettening http://www.theawl.com/2012/01/a-drynuary-diary-week-four-the-wettening#comments Fri, 27 Jan 2012 11:20:47 +0000 Jolie Kerr and John Ore http://www.theawl.com/2012/01/a-drynuary-diary-week-four-the-wettening John Ore: Hey, Jolie! We're in the home stretch now, only a couple of days to go and we can close the books on another successful January of not drinking. A little solidarity and we can get through this final weekend.

Jolie Kerr: HA HA, SUCKER YOU FORGOT: I GET TO DRINK TONIGHT. WOOO!

John: [long, unblinking stare] You know I'm happy for you. I really am. Like when Andy Dufresne busted out of Shawshank. You're happy for him, you miss him, and you hope to join him one day. But you're also a little scared for him out there, facing the world alone. You don't want him to end up like Brooks.

Jolie: You know? I'm happy for me too. Leaping lizards, that martini is going to be soooooo good! Oh but is that rubbing it in? Am I being ungracious? Yes? Well perhaps you should have thought of that when you denied me my O'Doul's, ya big jerk! (Actually we've got a free spot at the Luger's table tonight since Jill bailed on us to go to Iceland. I just say...)

John: I guess now's not the best time to reveal that after reading last week's installment my wife reminded me that she had O'Doul's last Drynuary?

Jolie: I'd be mad except that, oh right, I GET TO DRINK TONIGHT, WOOO! Since this is the end of the road for me (WOOO!) I propose that we take a look back, work ourselves into an introspective lather and then drink our faces off, because WOOO! So how are you feeling? What have you learned? Can you explain to me once and for all why we do this terrible thing to ourselves?

John: I'm actually feeling really good. Slimmer, healthier, better rested, motivated. Optimistic, probably a combination of the tangible benefits that I can feel and the ability to see light at the end of the tunnel. Because: I won't lie, I would love a drink right about now.

I think the reasons we do this are as varied as all of our compatriots out there who have helped make Drynuary a thing. A break, a commitment, a fast, a challenge, what have you. I may not be particularly religious, but I appreciate the Lenten aspect of Bon L'(h)iver: denying myself something I (really!) enjoy, not quite in observance but with the idea of it making me a better person? I don't think we need to kid ourselves that this is doing any sort of meaningful physiological repair, but it ain't hurting either.

What did you get out of this Drynuary, now that you're an old hand at it?

Jolie: Well, I'm happy to report that I did indeed regain that clarity I found in the labyrinth in Mexico. That's really the big thing I got out of our fast, a noticeable calming effect. I'm no longer the giant bundle of nerves and stress and feeeeeelings I was this time a month ago. And it was pretty bad: I spent part of the last day of 2011 chain smoking and sobbing while "Hand In My Pocket" played on loop, sort of bleating at myself, "everything's gonna be fine fine fine." It was not one of my prouder moments. But that feels like a million lifetimes ago, and now when I look forward at what the rest of this year holds I'm not scared or overwhelmed. I also feel much more confident in my ability to see through some of the Big Picture items I've got ahead of me, because I've just shown through action that I am capable of setting my mind to a task and seeing it through, no matter how tough it gets.

John: Yeah, right? So doesn't that bring up a sort of scary question: why don't we do this year-round?

Jolie: Because we want to know what joy feels like?

But yeah, it's kind of a creepy thing to consider and while I'd like to pretend like I simply have no idea what you're talking about, clutches pearls, it's something I've spent no small amount of time mulling over during these last four long (long, long, long, oh my God so long you guys) weeks. In part because—and this is Real Talk time—I struggle with anxiety issues that are ratcheted up greatly by alcohol, even in small amounts, and that have been diminished significantly during this dry spell.

For me, the takeaway has been this: I'm not giving up my wine. Absolutely not, no. But I am going to make a concerted effort to alter my social life such that not everything revolves so much around drinking. So: a friend says, "Let's grab drinks!" and I say, "How about getting a bite to eat?" Because one thing that Drynuary teaches you—and I have to apologize because I know we agreed We Were Not Going To Discuss This—is how often you drink. I mean, God, it's kind of mortifying really.

John: Well, I'm so glad we avoided discussing THAT. If there's one theme that emerges out of the ascetic practice of Drynuary, it's that doing to much of anything for a prolonged period kind of sucks. Especially teetotaling. All work and no play makes John a dull, etc. I want to prolong the positive effects of Drynuary without having to become a Mormon (offense intended, Romney fans). So once I get over my post-Drynuary bender, I think I'll try to take a little bit of Drynuary with me in the ensuing months. Maybe a week off every month. Yes, including a weekend.

I mean, yeah, I enjoy my cocktails, and judging by our commenting community (and my immediate family), I'm not alone. But it's nice to know that if I lose most of my liver heroically rescuing fifths of Templeton Rye puppies from a burning liquor store strip club, I could confidently carry on with a year-round Bon L'(h)iver.

Zoiks, the Leaderboad is looking a little lopsided.

Week Four

Alcohol Consumed (units)
Jolie: 0
John: 0

Days Without Booze
Jolie: 26
John: 25 (start on January 2)

Disposition
Jolie: ECSTATIC, I GET TO DRINK TONIGHT WOOOO!
John: Abandoned

Irritability (scale of 0-10)
Jolie: 0, I GET TO DRINK TONIGHT WOOOO!
John: 6, going up with each Jolie entry on the Leaderboard

Outlook
Jolie: I GET TO DRINK TONIGHT WOOOO!
John: Giants 27, Patriots 21

Shakes
Jolie: SHAKING WITH EXCITEMENT
John: #smdh

Smugness (scale of 0-10)
Jolie: 0, I GET TO DRINK TONIGHT WOOOO!
John: 8, Oh, look who caved early!

Sounder Sleeping
Jolie: WHO NEEDS SLEEP?
John: Keep it down, some of us are trying to sleep the sleep of the righteous

Substitute Activities
Jolie: DRINKING TONIGHT
John: Recruiting volunteers to hold your hair while you barf later tonight


Jolie: God, I really am such a barfer. But I am not CAVING, John. I said from the outset that Drynuary ended on the 27th for me! Also: it must be sad for you having to go through life as a Giants fan.

John: It's more like I'm an anti-Patriots fan, but yeah, I've jumped on a bandwagon or two in my day (go Lions!). Speaking of wagons, what fishbowl are you falling off of this wagon into? I hear mention of martini(s)? Careful!

Jolie: I'm going in for a Gray Goose martini, straight up, extra dirty. (And before the "vodka martinis aren't martinis" crowd shows up to ruin my party I need to explain in no uncertain terms that I do not touch gin, as gin makes me mean. And I'm a pretty vicious mean girl under normal circumstances, so right, no gin.) It's a bold choice, I know! But steak and dirty martinis are a pair I can't resist. I will probably leave it at just that though, maybe a glass of wine, but I'm not planning on getting blotto.

John: "Planning." LOL! OK, well then, way to Play Us Off, Sober Cat!

With one final weekend to go in Drynuary, how are the rest of you planning on breaking your Drynuary? Be sure to etc. in the etc.!

Jolie Kerr is going to be drunk later. John Orebelieves that jealousy is a feeble emotion.

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John Ore: Hey, Jolie! We're in the home stretch now, only a couple of days to go and we can close the books on another successful January of not drinking. A little solidarity and we can get through this final weekend.

Jolie Kerr: HA HA, SUCKER YOU FORGOT: I GET TO DRINK TONIGHT. WOOO!

John: [long, unblinking stare] You know I'm happy for you. I really am. Like when Andy Dufresne busted out of Shawshank. You're happy for him, you miss him, and you hope to join him one day. But you're also a little scared for him out there, facing the world alone. You don't want him to end up like Brooks.

Jolie: You know? I'm happy for me too. Leaping lizards, that martini is going to be soooooo good! Oh but is that rubbing it in? Am I being ungracious? Yes? Well perhaps you should have thought of that when you denied me my O'Doul's, ya big jerk! (Actually we've got a free spot at the Luger's table tonight since Jill bailed on us to go to Iceland. I just say...)

John: I guess now's not the best time to reveal that after reading last week's installment my wife reminded me that she had O'Doul's last Drynuary?

Jolie: I'd be mad except that, oh right, I GET TO DRINK TONIGHT, WOOO! Since this is the end of the road for me (WOOO!) I propose that we take a look back, work ourselves into an introspective lather and then drink our faces off, because WOOO! So how are you feeling? What have you learned? Can you explain to me once and for all why we do this terrible thing to ourselves?

John: I'm actually feeling really good. Slimmer, healthier, better rested, motivated. Optimistic, probably a combination of the tangible benefits that I can feel and the ability to see light at the end of the tunnel. Because: I won't lie, I would love a drink right about now.

I think the reasons we do this are as varied as all of our compatriots out there who have helped make Drynuary a thing. A break, a commitment, a fast, a challenge, what have you. I may not be particularly religious, but I appreciate the Lenten aspect of Bon L'(h)iver: denying myself something I (really!) enjoy, not quite in observance but with the idea of it making me a better person? I don't think we need to kid ourselves that this is doing any sort of meaningful physiological repair, but it ain't hurting either.

What did you get out of this Drynuary, now that you're an old hand at it?

Jolie: Well, I'm happy to report that I did indeed regain that clarity I found in the labyrinth in Mexico. That's really the big thing I got out of our fast, a noticeable calming effect. I'm no longer the giant bundle of nerves and stress and feeeeeelings I was this time a month ago. And it was pretty bad: I spent part of the last day of 2011 chain smoking and sobbing while "Hand In My Pocket" played on loop, sort of bleating at myself, "everything's gonna be fine fine fine." It was not one of my prouder moments. But that feels like a million lifetimes ago, and now when I look forward at what the rest of this year holds I'm not scared or overwhelmed. I also feel much more confident in my ability to see through some of the Big Picture items I've got ahead of me, because I've just shown through action that I am capable of setting my mind to a task and seeing it through, no matter how tough it gets.

John: Yeah, right? So doesn't that bring up a sort of scary question: why don't we do this year-round?

Jolie: Because we want to know what joy feels like?

But yeah, it's kind of a creepy thing to consider and while I'd like to pretend like I simply have no idea what you're talking about, clutches pearls, it's something I've spent no small amount of time mulling over during these last four long (long, long, long, oh my God so long you guys) weeks. In part because—and this is Real Talk time—I struggle with anxiety issues that are ratcheted up greatly by alcohol, even in small amounts, and that have been diminished significantly during this dry spell.

For me, the takeaway has been this: I'm not giving up my wine. Absolutely not, no. But I am going to make a concerted effort to alter my social life such that not everything revolves so much around drinking. So: a friend says, "Let's grab drinks!" and I say, "How about getting a bite to eat?" Because one thing that Drynuary teaches you—and I have to apologize because I know we agreed We Were Not Going To Discuss This—is how often you drink. I mean, God, it's kind of mortifying really.

John: Well, I'm so glad we avoided discussing THAT. If there's one theme that emerges out of the ascetic practice of Drynuary, it's that doing to much of anything for a prolonged period kind of sucks. Especially teetotaling. All work and no play makes John a dull, etc. I want to prolong the positive effects of Drynuary without having to become a Mormon (offense intended, Romney fans). So once I get over my post-Drynuary bender, I think I'll try to take a little bit of Drynuary with me in the ensuing months. Maybe a week off every month. Yes, including a weekend.

I mean, yeah, I enjoy my cocktails, and judging by our commenting community (and my immediate family), I'm not alone. But it's nice to know that if I lose most of my liver heroically rescuing fifths of Templeton Rye puppies from a burning liquor store strip club, I could confidently carry on with a year-round Bon L'(h)iver.

Zoiks, the Leaderboad is looking a little lopsided.

Week Four

Alcohol Consumed (units)
Jolie: 0
John: 0

Days Without Booze
Jolie: 26
John: 25 (start on January 2)

Disposition
Jolie: ECSTATIC, I GET TO DRINK TONIGHT WOOOO!
John: Abandoned

Irritability (scale of 0-10)
Jolie: 0, I GET TO DRINK TONIGHT WOOOO!
John: 6, going up with each Jolie entry on the Leaderboard

Outlook
Jolie: I GET TO DRINK TONIGHT WOOOO!
John: Giants 27, Patriots 21

Shakes
Jolie: SHAKING WITH EXCITEMENT
John: #smdh

Smugness (scale of 0-10)
Jolie: 0, I GET TO DRINK TONIGHT WOOOO!
John: 8, Oh, look who caved early!

Sounder Sleeping
Jolie: WHO NEEDS SLEEP?
John: Keep it down, some of us are trying to sleep the sleep of the righteous

Substitute Activities
Jolie: DRINKING TONIGHT
John: Recruiting volunteers to hold your hair while you barf later tonight


Jolie: God, I really am such a barfer. But I am not CAVING, John. I said from the outset that Drynuary ended on the 27th for me! Also: it must be sad for you having to go through life as a Giants fan.

John: It's more like I'm an anti-Patriots fan, but yeah, I've jumped on a bandwagon or two in my day (go Lions!). Speaking of wagons, what fishbowl are you falling off of this wagon into? I hear mention of martini(s)? Careful!

Jolie: I'm going in for a Gray Goose martini, straight up, extra dirty. (And before the "vodka martinis aren't martinis" crowd shows up to ruin my party I need to explain in no uncertain terms that I do not touch gin, as gin makes me mean. And I'm a pretty vicious mean girl under normal circumstances, so right, no gin.) It's a bold choice, I know! But steak and dirty martinis are a pair I can't resist. I will probably leave it at just that though, maybe a glass of wine, but I'm not planning on getting blotto.

John: "Planning." LOL! OK, well then, way to Play Us Off, Sober Cat!

With one final weekend to go in Drynuary, how are the rest of you planning on breaking your Drynuary? Be sure to etc. in the etc.!

Jolie Kerr is going to be drunk later. John Orebelieves that jealousy is a feeble emotion.

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A Drynuary Diary: Week Three, The Bargaining http://www.theawl.com/2012/01/a-drynuary-diary-week-three-the-bargaining http://www.theawl.com/2012/01/a-drynuary-diary-week-three-the-bargaining#comments Fri, 20 Jan 2012 12:40:58 +0000 Jolie Kerr and John Ore http://www.theawl.com/2012/01/a-drynuary-diary-week-three-the-bargaining Jolie Kerr: Merry Everythingisterriblenuary, John! Three weeks in. Are you as despondent as I am?

John Ore: It's the Doldrums of Drynuary. Adrift in the middle of the month, coping mechanisms running low, no land in sight, wind out of your sails. Brings up all sorts of existential questions. Also, I keep seeing an albatross for some reason.

Jolie: Week Three is basically the March of Drynuary. Oh but! Speaking of coping mechanisms, I have a question for you: why do I feel like bringing O'Doul's to a party is cheating? Rationally I know it's not, but I feel like it is? #feeeeelings

John: (My birthday is in March, so tread lightly.) See? Existential questions. The answer is: because there's actually a little bit of booze in it? LIKE COOKING WITH WINE (ahem)?!?!?

Jolie: That's not even remotely cheating, the alcohol cooks off entirely. (I also cooked with sherry the other night and I don't want to hear a thing about it. I DID NOT QUAFF FROM THE BOTTLE OKAY.) So you're saying no to the O'Doul's? Aw man.

John: I'm saying NO to the O'Doul's. Your tolerance is so low now that you'd get a buzz from it! It's 0.4% alcohol! You might as well do a body shot.

Jolie: Damn it. I was really looking forward to the visual of showing up at YM Shabbos with O'Doul's.

John: Show up with it as a prop. Don't drink it. It tastes like ass anyway, and you don't like beer?

Jolie: I don't love beer, no, though I've developed more of a taste for it in recent months? And I mean, I drink junk beer like Bud Light, so? BUT FINE. And no, I'm not going to spend money on a prop for crying out loud.

John: You've developed a taste for sudsy water? We need to talk, young lady.

Jolie: I'm a Clean Person, I like the taste of suds. I NOW APPEAL TO A HIGHER AUTHORITY FOR A VERDICT.

John: Looks like we've entered the Bargaining stage!

Jolie: "I have never been so low as I was on the day I bargained for O'Doul's."

Choire: Hello! O'Doul's is not allowed, sorry.

Jolie: DAMN IT.

Choire: There's of course some division on this topic among non-drinkers. I do not judge, technically. (The O'Doul's crowd is like "BUT THERE'S SMALL AMOUNTS OF ALCOHOL IN FRUIT AND STUFF TOOOOO" basically.) But yeah no.

Jolie: Aleeeeeex. Choire & John told me I'm not allowed to drink O'Douls during Drynuary. And Carrie is being a puss and won't weigh in. But she does want to know what you'd say, so this is me, bracing for whatever insult will be flung in response to this question.

Balk BTW: This is of course your alcohol fast so you do whatever you want, but if I had to make a ruling I would come down on the side of no O'Doul's, because there is still a trace amount of alcohol in it. Sorry!

Balk BTW: Also, obviously, the vomit O'Doul's factor, but that is more of an aesthetic thing.

Jolie: I'm absolutely crushed. Man, now I really want an etc.

Balk BTW: So do I. I THINK I WILL, TOO.

John: It's unanimous.

Jolie: Yes, I unanimously hate everyone. Should we just take this straight to the leaderboard? I'm too depressed to keep chatting.

Week Three

Alcohol Consumed (units)
Jolie: 0
John: 0

Days Without Booze
Jolie: 19
John: 18 (start on January 2)

Disposition
Jolie: Despondent
John: Autopilot

Irritability (scale of 0-10)
Jolie: 4
John: 4

Outlook
Jolie: Everything is terrible and I want to die.
John: Hey, I'm getting thinner! It's one of the benefits of Drynuary. Either that or I ran over a gypsy with my (non-existent) car.

Shakes
Jolie: Wracked with sobs.
John: My fist at the cruel heavens.

Smugness (scale of 0-10)
Jolie: 0, too depressed to feel anything other than sadness.
John: 2, Lording this over my daughter is losing its novelty.

Sounder Sleeping
Jolie: Not as well as Week One, not as anxiety dream-y as Week Two.
John: Better, actually.

Substitute Activities
Jolie: Cursing Alex Balk. Moping. Gently weeping.
John: Coffee. Words With Friends. Hockey. Peppering speech with religious allusions (uh oh!).



John: Looking on the bright side, I really am feeling a bit thinner these days, which is a bonus. Dads, vanity, etc. So I'm looking at this like the Glass Is Half-Full. Half full of fake wine, but still. It's not all sackcloth and ashes, is it?

Jolie: I'll admit that your Thinner reference did make me smile. And fine, while I'm admitting things I'll confess that I'm actually not that despondent. Mostly because when I caught myself working into a major funk over a personal choice I've made and have complete control over, I gave myself a stern talking-to about my bad attitude. Which is, really, the thing about Drynuary—it's all in the attitude. Working yourself into a "THIS IS HORRIBLE WHY-EEEEE" frenzy doesn't do any good at all. So basically now I just mutter to myself in a Fred Gwynne voice, "Sometimes sobah is bettah."

John: I'll admit that I approached the long weekend with a bit of dread: the first weekend of Drynuary was a bite in the ass, so I expected a long weekend full of NFL playoffs to escalate the tension. But it was all good. Made some spaetzle, flexed my handyman muscles around the house, watched some football, did some writing, bought shoes, went to the movies. It was downright productive. I feel like I'm getting my second wind.

Jolie: I was kind of the opposite of productive, but yes the long weekend was all good for me too, once the stern talking to set in. Of course "the opposite of productive" for me still involved a lot of home cooking, hand laundering, column writing, bathtub scrubbing... so I don't even know who I'm trying to fool with this. Basically I didn't wear anything with underwire for three days, that's what I'm trying to get at. Alllll good.

John: Yeah, I kind of feel like I can do this standing on my head now. Does the Twitterperverse agree?

You know, I saw him at Balthazar once.

Jolie: Dude. I was his intern once. Merry Everythingisawesomenuary!

So here we are, two olden folks who are (carbon) dating themselves by being publicly excited that Kurt Loder is tweeting about them... what about the rest of you? Anyone else still up on this wagon? "Tell us in the etc.!"


Previously: Week Two; Week One.

Jolie Kerr is prone to melodrama. John Ore agrees.

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Jolie Kerr: Merry Everythingisterriblenuary, John! Three weeks in. Are you as despondent as I am?

John Ore: It's the Doldrums of Drynuary. Adrift in the middle of the month, coping mechanisms running low, no land in sight, wind out of your sails. Brings up all sorts of existential questions. Also, I keep seeing an albatross for some reason.

Jolie: Week Three is basically the March of Drynuary. Oh but! Speaking of coping mechanisms, I have a question for you: why do I feel like bringing O'Doul's to a party is cheating? Rationally I know it's not, but I feel like it is? #feeeeelings

John: (My birthday is in March, so tread lightly.) See? Existential questions. The answer is: because there's actually a little bit of booze in it? LIKE COOKING WITH WINE (ahem)?!?!?

Jolie: That's not even remotely cheating, the alcohol cooks off entirely. (I also cooked with sherry the other night and I don't want to hear a thing about it. I DID NOT QUAFF FROM THE BOTTLE OKAY.) So you're saying no to the O'Doul's? Aw man.

John: I'm saying NO to the O'Doul's. Your tolerance is so low now that you'd get a buzz from it! It's 0.4% alcohol! You might as well do a body shot.

Jolie: Damn it. I was really looking forward to the visual of showing up at YM Shabbos with O'Doul's.

John: Show up with it as a prop. Don't drink it. It tastes like ass anyway, and you don't like beer?

Jolie: I don't love beer, no, though I've developed more of a taste for it in recent months? And I mean, I drink junk beer like Bud Light, so? BUT FINE. And no, I'm not going to spend money on a prop for crying out loud.

John: You've developed a taste for sudsy water? We need to talk, young lady.

Jolie: I'm a Clean Person, I like the taste of suds. I NOW APPEAL TO A HIGHER AUTHORITY FOR A VERDICT.

John: Looks like we've entered the Bargaining stage!

Jolie: "I have never been so low as I was on the day I bargained for O'Doul's."

Choire: Hello! O'Doul's is not allowed, sorry.

Jolie: DAMN IT.

Choire: There's of course some division on this topic among non-drinkers. I do not judge, technically. (The O'Doul's crowd is like "BUT THERE'S SMALL AMOUNTS OF ALCOHOL IN FRUIT AND STUFF TOOOOO" basically.) But yeah no.

Jolie: Aleeeeeex. Choire & John told me I'm not allowed to drink O'Douls during Drynuary. And Carrie is being a puss and won't weigh in. But she does want to know what you'd say, so this is me, bracing for whatever insult will be flung in response to this question.

Balk BTW: This is of course your alcohol fast so you do whatever you want, but if I had to make a ruling I would come down on the side of no O'Doul's, because there is still a trace amount of alcohol in it. Sorry!

Balk BTW: Also, obviously, the vomit O'Doul's factor, but that is more of an aesthetic thing.

Jolie: I'm absolutely crushed. Man, now I really want an etc.

Balk BTW: So do I. I THINK I WILL, TOO.

John: It's unanimous.

Jolie: Yes, I unanimously hate everyone. Should we just take this straight to the leaderboard? I'm too depressed to keep chatting.

Week Three

Alcohol Consumed (units)
Jolie: 0
John: 0

Days Without Booze
Jolie: 19
John: 18 (start on January 2)

Disposition
Jolie: Despondent
John: Autopilot

Irritability (scale of 0-10)
Jolie: 4
John: 4

Outlook
Jolie: Everything is terrible and I want to die.
John: Hey, I'm getting thinner! It's one of the benefits of Drynuary. Either that or I ran over a gypsy with my (non-existent) car.

Shakes
Jolie: Wracked with sobs.
John: My fist at the cruel heavens.

Smugness (scale of 0-10)
Jolie: 0, too depressed to feel anything other than sadness.
John: 2, Lording this over my daughter is losing its novelty.

Sounder Sleeping
Jolie: Not as well as Week One, not as anxiety dream-y as Week Two.
John: Better, actually.

Substitute Activities
Jolie: Cursing Alex Balk. Moping. Gently weeping.
John: Coffee. Words With Friends. Hockey. Peppering speech with religious allusions (uh oh!).



John: Looking on the bright side, I really am feeling a bit thinner these days, which is a bonus. Dads, vanity, etc. So I'm looking at this like the Glass Is Half-Full. Half full of fake wine, but still. It's not all sackcloth and ashes, is it?

Jolie: I'll admit that your Thinner reference did make me smile. And fine, while I'm admitting things I'll confess that I'm actually not that despondent. Mostly because when I caught myself working into a major funk over a personal choice I've made and have complete control over, I gave myself a stern talking-to about my bad attitude. Which is, really, the thing about Drynuary—it's all in the attitude. Working yourself into a "THIS IS HORRIBLE WHY-EEEEE" frenzy doesn't do any good at all. So basically now I just mutter to myself in a Fred Gwynne voice, "Sometimes sobah is bettah."

John: I'll admit that I approached the long weekend with a bit of dread: the first weekend of Drynuary was a bite in the ass, so I expected a long weekend full of NFL playoffs to escalate the tension. But it was all good. Made some spaetzle, flexed my handyman muscles around the house, watched some football, did some writing, bought shoes, went to the movies. It was downright productive. I feel like I'm getting my second wind.

Jolie: I was kind of the opposite of productive, but yes the long weekend was all good for me too, once the stern talking to set in. Of course "the opposite of productive" for me still involved a lot of home cooking, hand laundering, column writing, bathtub scrubbing... so I don't even know who I'm trying to fool with this. Basically I didn't wear anything with underwire for three days, that's what I'm trying to get at. Alllll good.

John: Yeah, I kind of feel like I can do this standing on my head now. Does the Twitterperverse agree?

You know, I saw him at Balthazar once.

Jolie: Dude. I was his intern once. Merry Everythingisawesomenuary!

So here we are, two olden folks who are (carbon) dating themselves by being publicly excited that Kurt Loder is tweeting about them... what about the rest of you? Anyone else still up on this wagon? "Tell us in the etc.!"


Previously: Week Two; Week One.

Jolie Kerr is prone to melodrama. John Ore agrees.

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A Drynuary Diary: Week Two http://www.theawl.com/2012/01/a-drynuary-diary-week-two http://www.theawl.com/2012/01/a-drynuary-diary-week-two#comments Fri, 13 Jan 2012 13:00:17 +0000 Jolie Kerr and John Ore http://www.theawl.com/2012/01/a-drynuary-diary-week-two John Ore: Hey Jolie, welcome to our second installment of Ask A Temporarily Sober Person! Wasn’t the moon beautiful this weekend?

Jolie Kerr: You know? Usually I don’t support the anti-moon agenda put forth by this’n here website, but I do think it was awfully cruel of the universe to deliver unto us a full moon in convergence with our first full weekend of Drynuary, so I’ll bellow a hearty I DESPISE YOU, MOON in solidarity with our Alcoholic Overlords.

Right then, with that out of the way, we’ve just made it through our first, and arguably most challenging, sober weekend. Last week you said something I loved about how Drynuary is both a challenge and a gift—a truth which hits you square in the gut the first weekend out of the gate, does it not? I mean, how many times can you ask yourself, “Okay but now what?"

John: Right? The first few days have the benefit of novelty to propel you forward. Yo! Check me out! Not drinking! Weekdays are filled with commuting and work and parenting and all of the things that make you drink in the first place, but at least you’ve got a routine to attend to and distract you. Then the weekend checks in with its stupid face promising fun and free time and sports, most of which is best accompanied by a beer. This is when you start recognizing where you are in the Kübler-Ross model. Which stage was horniness?

Jolie: Stages 1-5, based on a scientific study of one. But I’m sure I’m not the only one substituting sex for drinking. Also sugar, but we can get to that later because it’s time to talk about the “gift" part of things, which for me has really been found in the substitute activities.

Last Saturday, as you know because you live here, was ridiculously beautiful in New York. The perfect day for outdoor drinking, except that it’s Drynuary, so nope, no dice. I had a couple of dumb little errands to run; normally I would have jumped on the subway and hustled through the shopping so I could meet up with friends for several hundred glasses of wine, but instead I decided to take advantage of the weather. I treated myself to an iced coffee from Dunkin' Donuts (you can take the girl out of Boston, but you can’t take the Masshole out of the girl), put a whole bunch of Phish on Spotify (you can take the girl out of boarding school, but you can’t take the trustafarian out of the girl), and twirled through the city having one of those great New York days where you wander from neighborhood to neighborhood people-watching and just checking some things out. Of course, it’s me, so the things I was “checking out" included a vintage clothing shop for ideas on boot storage and a leather daddy emporium where I inquired about the proper care and cleaning of strap-on harnesses. A Clean Person’s work is never done, John.

After a few hours, my feetsies were starting to hurt and I was a little peckish, so I came home, made a cup of tea, fixed a cheese plate and relaxed with an episode of "Sons of Anarchy." It was perfectly lovely, truly. (Lest you think I’m avoiding human contact in the name of not drinking, I can assure you that I’m out and about! Or in and about, as the case may be. On Friday, I entertained in the home, cooked a big dinner—the chicken piccata called for wine, and I didn’t even flinch! Though if I’m being honest, I had a couple of half cup servings in the freezer, so it’s not like I cracked a bottle and then resisted its siren call or anything—and after the meal, we made crack brownies together when normally I’d be pouring another glass of wine or a bourbon. See what I mean about the sugar?)

John: It’s ALL about the coping mechanisms. I went to Queens, for Pete’s sake. Queens! For ethnic food, of course. Barbecue is ethnic food, right? They don’t have a liquor license yet, so: soft landing! How did they know I was coming?

You’ve got the right approach: cowering in your apartment all of Drynuary will drive you mad. Or worse, to drink. It’s like Steve McQueen being in the cooler without the baseball. The smugness factor alone of drinking cranberry juice on a Saturday night out ensures that we can survive behind enemy lines.

Here’s where I’ll share my Drynuary’s Little Helper. I enjoy bubble water on a regular basis, and I’m one of those jerks who orders “sparkling" while the rest of the table wants “New York tap." I like burping! So much so that we now make our own seltzer at home. I’m always ready for a slapstick Three Stooges scene, so it has made Drynuary just a bit more tolerable. There’s enough citrus in my fridge to keep the British Navy scurvy-free, so I’ve always got a glass of custom club soda with a wedge of lemon/lime/orange within reach. My trusty sidekick. I call him Bubbles.

Oh, and it’s very environmentally friendly since we don’t buy plastic bottles of the stuff, ensuring that we don’t get kicked out of Brooklyn for exceeding the strict Neighborhood Carbon Footprint and Condescension Act of 2008. Drynuary: For A Greener Tomorrow(™).

Jolie: I love soda water in a wholly unnatural way. Like, to the point where about five years ago I had to cold turkey it on the seltzer front for about 6 months to kick the habit before I burped myself into a bone density problem. But yes, mocktails are crucial to surviving Drynuary. Jill mentioned that she’s been experimenting to great effect with pineapple, grapefruit, cranberry, etc. juices mixed with seltzer; I shared with her my “mix OJ and soda water, serve in a flute, close your eyes and pretend it’s a mimosa" trick, which also works well with peach juice for a mock Bellini. And now, if you’ll excuse me I’m going to go apologize to the Italian side of my family for using the words “mock Bellini" because dear God who am I???

And! While we’re on the topic of mocktails, I had a personal victory this Drynuary that I would like to share with the class: last year I said that I couldn’t imagine going to a bar and not drinking, but this go-round I made it happen. Cranberry and seltzer, bellied right up to the bar with my laptop while I worked on the cleaning column. It wasn’t even a thing really.

But I fear we’re making this sound too easy, so let me ask you this: have you come close to breaking? If so, what was the trigger?

John: I think the trigger was waking up on January 2nd. Or Alex Balk constantly posting studies on how booze is good for you.

Honestly, the biggest temptation has been my traditional post-hockey beers. A bottle of Canada Dry doesn’t seem to do the trick after a game, even if it’s geographically relevant. It’s called beer league hockey for a reason. (Mostly because we suck.)

Other than that, I miss having a nice glass of wine with a good meal. And a martini before a steak. And a Rusty Nail afterwards. I solve that by eating more cereal for dinner.

I was really diligent—and by diligent, I mean in the context of my final evening under the demon spell of likker—about stowing the Bloody Mary Bar after New Year’s Day so that I wouldn’t have to face it in the cold, cruel light of day right out of the gate. There are a couple of beers and bottles of wine in the fridge that mock me, but it’s a balancing act between being cavalier in the face of a PBR tallboy behind the yogurt and licking your lips lasciviously eying the open bottle of rye inexplicably sitting on the coffee table. Temptation is temptation, but there’s no point in drawing blood.

Shall we go to the leaderboard?

Week Two

Alcohol Consumed (units)
Jolie: 0
John: 0

Days Without Booze
Jolie: 12
John:11 (start January 2nd every year)

Disposition
Jolie: Cheery!
John: Determined, steely-eyed

Irritability (scale of 0-10)
Jolie: 2
John: 3

Outlook
Jolie: Waiting for the mood to set in.
John: Suspicious. Something funny is happening with time.

Shakes
Jolie: Do you think we should swap this out for something else since we’re past the detox stage? Are we past the detox stage? Where am I? Who are you? Why am I so thirsty?
John: Yeah, let’s swap this one out. Something relating to how healthy we feel? Is grinding your teeth healthy?

Smugness (scale of 0-10)
Jolie: 3, inching up
John: 4, “Oh, I don’t own a television."

Sounder Sleeping
Jolie: Not as much as Week 1; I had an anxiety dream that involved drinking a glass of red wine at brunch with Paula Deen, which I had about ⅔ of before realizing that it was Drynuary and I was in big trouble. Which is crazy because God red wine at brunch?? Perish the thought.
John: Definitely going to bed earlier. Dreams are more vivid, weirder.

Substitute Activities
Jolie: Cooking. Writing. Twirling. Sexing.
John: Teaching my daughter how to say “Cheers!" with her sippy cup. And MY sippy cup.



John: The Smugmeter is inching up!

Jolie: A little bit, yes! But sobriety is apparently making me as soft as a grape (sniffle, miss u every day grape juice, old friend) because I didn’t take on so much as a disapproving tone when Jack told me that he’s interpreted Drynuary to mean “Sober Weekdays (But With Lots Of Pot) And Moderate Drinking On The Weekends January." I’m slipping.

John: That’s a Drynuary Fail! He’s out, confiscate his name tag, let the shunning begin. By the way, let’s check in with the ultimate arbiter of taste and trends—Twitter—to see how our movement is doing “out there":

John: [sound of gears grinding] Well, duh! You say “Bon Iver." (Hums “still alive for you, love" to self.) #PeopleUnclearOnTheConcept

Jolie: She should shut up and have a drink.

So! How are we doing, gang? “Tell us in the etc.!"

Jolie Kerr is sugar high.
John Oreis high and dry.

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John Ore: Hey Jolie, welcome to our second installment of Ask A Temporarily Sober Person! Wasn’t the moon beautiful this weekend?

Jolie Kerr: You know? Usually I don’t support the anti-moon agenda put forth by this’n here website, but I do think it was awfully cruel of the universe to deliver unto us a full moon in convergence with our first full weekend of Drynuary, so I’ll bellow a hearty I DESPISE YOU, MOON in solidarity with our Alcoholic Overlords.

Right then, with that out of the way, we’ve just made it through our first, and arguably most challenging, sober weekend. Last week you said something I loved about how Drynuary is both a challenge and a gift—a truth which hits you square in the gut the first weekend out of the gate, does it not? I mean, how many times can you ask yourself, “Okay but now what?"

John: Right? The first few days have the benefit of novelty to propel you forward. Yo! Check me out! Not drinking! Weekdays are filled with commuting and work and parenting and all of the things that make you drink in the first place, but at least you’ve got a routine to attend to and distract you. Then the weekend checks in with its stupid face promising fun and free time and sports, most of which is best accompanied by a beer. This is when you start recognizing where you are in the Kübler-Ross model. Which stage was horniness?

Jolie: Stages 1-5, based on a scientific study of one. But I’m sure I’m not the only one substituting sex for drinking. Also sugar, but we can get to that later because it’s time to talk about the “gift" part of things, which for me has really been found in the substitute activities.

Last Saturday, as you know because you live here, was ridiculously beautiful in New York. The perfect day for outdoor drinking, except that it’s Drynuary, so nope, no dice. I had a couple of dumb little errands to run; normally I would have jumped on the subway and hustled through the shopping so I could meet up with friends for several hundred glasses of wine, but instead I decided to take advantage of the weather. I treated myself to an iced coffee from Dunkin' Donuts (you can take the girl out of Boston, but you can’t take the Masshole out of the girl), put a whole bunch of Phish on Spotify (you can take the girl out of boarding school, but you can’t take the trustafarian out of the girl), and twirled through the city having one of those great New York days where you wander from neighborhood to neighborhood people-watching and just checking some things out. Of course, it’s me, so the things I was “checking out" included a vintage clothing shop for ideas on boot storage and a leather daddy emporium where I inquired about the proper care and cleaning of strap-on harnesses. A Clean Person’s work is never done, John.

After a few hours, my feetsies were starting to hurt and I was a little peckish, so I came home, made a cup of tea, fixed a cheese plate and relaxed with an episode of "Sons of Anarchy." It was perfectly lovely, truly. (Lest you think I’m avoiding human contact in the name of not drinking, I can assure you that I’m out and about! Or in and about, as the case may be. On Friday, I entertained in the home, cooked a big dinner—the chicken piccata called for wine, and I didn’t even flinch! Though if I’m being honest, I had a couple of half cup servings in the freezer, so it’s not like I cracked a bottle and then resisted its siren call or anything—and after the meal, we made crack brownies together when normally I’d be pouring another glass of wine or a bourbon. See what I mean about the sugar?)

John: It’s ALL about the coping mechanisms. I went to Queens, for Pete’s sake. Queens! For ethnic food, of course. Barbecue is ethnic food, right? They don’t have a liquor license yet, so: soft landing! How did they know I was coming?

You’ve got the right approach: cowering in your apartment all of Drynuary will drive you mad. Or worse, to drink. It’s like Steve McQueen being in the cooler without the baseball. The smugness factor alone of drinking cranberry juice on a Saturday night out ensures that we can survive behind enemy lines.

Here’s where I’ll share my Drynuary’s Little Helper. I enjoy bubble water on a regular basis, and I’m one of those jerks who orders “sparkling" while the rest of the table wants “New York tap." I like burping! So much so that we now make our own seltzer at home. I’m always ready for a slapstick Three Stooges scene, so it has made Drynuary just a bit more tolerable. There’s enough citrus in my fridge to keep the British Navy scurvy-free, so I’ve always got a glass of custom club soda with a wedge of lemon/lime/orange within reach. My trusty sidekick. I call him Bubbles.

Oh, and it’s very environmentally friendly since we don’t buy plastic bottles of the stuff, ensuring that we don’t get kicked out of Brooklyn for exceeding the strict Neighborhood Carbon Footprint and Condescension Act of 2008. Drynuary: For A Greener Tomorrow(™).

Jolie: I love soda water in a wholly unnatural way. Like, to the point where about five years ago I had to cold turkey it on the seltzer front for about 6 months to kick the habit before I burped myself into a bone density problem. But yes, mocktails are crucial to surviving Drynuary. Jill mentioned that she’s been experimenting to great effect with pineapple, grapefruit, cranberry, etc. juices mixed with seltzer; I shared with her my “mix OJ and soda water, serve in a flute, close your eyes and pretend it’s a mimosa" trick, which also works well with peach juice for a mock Bellini. And now, if you’ll excuse me I’m going to go apologize to the Italian side of my family for using the words “mock Bellini" because dear God who am I???

And! While we’re on the topic of mocktails, I had a personal victory this Drynuary that I would like to share with the class: last year I said that I couldn’t imagine going to a bar and not drinking, but this go-round I made it happen. Cranberry and seltzer, bellied right up to the bar with my laptop while I worked on the cleaning column. It wasn’t even a thing really.

But I fear we’re making this sound too easy, so let me ask you this: have you come close to breaking? If so, what was the trigger?

John: I think the trigger was waking up on January 2nd. Or Alex Balk constantly posting studies on how booze is good for you.

Honestly, the biggest temptation has been my traditional post-hockey beers. A bottle of Canada Dry doesn’t seem to do the trick after a game, even if it’s geographically relevant. It’s called beer league hockey for a reason. (Mostly because we suck.)

Other than that, I miss having a nice glass of wine with a good meal. And a martini before a steak. And a Rusty Nail afterwards. I solve that by eating more cereal for dinner.

I was really diligent—and by diligent, I mean in the context of my final evening under the demon spell of likker—about stowing the Bloody Mary Bar after New Year’s Day so that I wouldn’t have to face it in the cold, cruel light of day right out of the gate. There are a couple of beers and bottles of wine in the fridge that mock me, but it’s a balancing act between being cavalier in the face of a PBR tallboy behind the yogurt and licking your lips lasciviously eying the open bottle of rye inexplicably sitting on the coffee table. Temptation is temptation, but there’s no point in drawing blood.

Shall we go to the leaderboard?

Week Two

Alcohol Consumed (units)
Jolie: 0
John: 0

Days Without Booze
Jolie: 12
John:11 (start January 2nd every year)

Disposition
Jolie: Cheery!
John: Determined, steely-eyed

Irritability (scale of 0-10)
Jolie: 2
John: 3

Outlook
Jolie: Waiting for the mood to set in.
John: Suspicious. Something funny is happening with time.

Shakes
Jolie: Do you think we should swap this out for something else since we’re past the detox stage? Are we past the detox stage? Where am I? Who are you? Why am I so thirsty?
John: Yeah, let’s swap this one out. Something relating to how healthy we feel? Is grinding your teeth healthy?

Smugness (scale of 0-10)
Jolie: 3, inching up
John: 4, “Oh, I don’t own a television."

Sounder Sleeping
Jolie: Not as much as Week 1; I had an anxiety dream that involved drinking a glass of red wine at brunch with Paula Deen, which I had about ⅔ of before realizing that it was Drynuary and I was in big trouble. Which is crazy because God red wine at brunch?? Perish the thought.
John: Definitely going to bed earlier. Dreams are more vivid, weirder.

Substitute Activities
Jolie: Cooking. Writing. Twirling. Sexing.
John: Teaching my daughter how to say “Cheers!" with her sippy cup. And MY sippy cup.



John: The Smugmeter is inching up!

Jolie: A little bit, yes! But sobriety is apparently making me as soft as a grape (sniffle, miss u every day grape juice, old friend) because I didn’t take on so much as a disapproving tone when Jack told me that he’s interpreted Drynuary to mean “Sober Weekdays (But With Lots Of Pot) And Moderate Drinking On The Weekends January." I’m slipping.

John: That’s a Drynuary Fail! He’s out, confiscate his name tag, let the shunning begin. By the way, let’s check in with the ultimate arbiter of taste and trends—Twitter—to see how our movement is doing “out there":

John: [sound of gears grinding] Well, duh! You say “Bon Iver." (Hums “still alive for you, love" to self.) #PeopleUnclearOnTheConcept

Jolie: She should shut up and have a drink.

So! How are we doing, gang? “Tell us in the etc.!"

Jolie Kerr is sugar high.
John Oreis high and dry.

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"How We Do Not Kill Each Other": Two Business Partners Explain http://www.theawl.com/2011/12/how-we-do-not-kill-each-other-business-partners-explain http://www.theawl.com/2011/12/how-we-do-not-kill-each-other-business-partners-explain#comments Mon, 12 Dec 2011 17:00:23 +0000 Emily Gould http://www.theawl.com/2011/12/how-we-do-not-kill-each-other-business-partners-explain
The first in a short series about sharing, caring and not going it alone. Up first: Ruth Curry and Emily Gould learn how to turn a friendship into a business partnership.

Emily: Hey, remember back in the day when I came to you with the idea of a store that would sell ebook versions of our very favorite books of all time, like an independent bookstore but online, one that would give people an alternative to buying ebooks from megacorporations?

Ruth: Oh, yes, like it was a few months ago!

Emily: I'm just reminiscing about that time!

Ruth: Neither of us I think have been people who 'always wanted to' start our own company. That was like literally last on my list of Dream Occupations.

Emily: Really? I always sort of knew I would eventually have to.

Ruth: Yeah, no.

Emily: I was, like, dreading it.

Ruth: Well this is why we are a good partnership I think. You are more of a risktaker, and you have a lot of ideas, and you also are quick to move on if something isn't working. Whereas I am more cautious, tend to overthink, tend to want to wait and see. Left to my own devices I would still be banging my head against doors that will not open.

Emily: So alone you wouldn't have done it. And alone, I would have done it in a rushed and thoughtless way.

Ruth: (That's a mixed metaphor I guess, about the doors.)

Emily: (Not if you open doors with your head normally?) When I first told you about the idea, were you into it immediately?

Ruth: Oh yeah.

Emily: That was a cool moment, actually, I remember it like it was six months ago

Ruth: I had been thinking about similar things, like, how is it possible for an indie bookstore to sell ebooks. And I had come up with "a kiosk" and also never in a million years would have thought of doing it myself. But when you were like, "I want to do this and I want you to be my COO" I was like oh, duh, of course!

Emily: Ok, so, we've been working on having our ebook store/subscription/club for half a year and we've been open since October, so it's silly to talk about this like we're hoary old veterans of working together. But it feels like we are because we have worked together, and that's how we met. And the stuff we're doing for the store is the same stuff we talk about all the time anyway, except formalized.

Ruth: Yes. Another reason why this felt so NBD, I think, is that we've already been coworkers. I know what you're like in an office and what your work ethic is like and all that stuff. And we've also lived together. So we've sort of seen it all, from each other, good and bad.

Emily: Like, nothing's changed in our friendship except we spend slightly even more time together and we have to schedule "fun" interactions now to make sure they happen. Um, like a married couple with a toddler. And the toddler is our business.

Ruth: OMG yes. We totally have to have date nights. And ignore the "kid."

Emily: Make a rule of not talking about the "kid." Gross, but i think it's really important to both our friendship and the business, cause it reminds us that the ideas we have in our fun conversations are the point of our business. I mean, the best part of doing this has been watching you handle difficult stuff and feeling very proud of you. I remember we had a meeting and a few minutes in it wasn't going well and you turned it around and just blew everyone's socks off, and I realized I couldn't do this without you. I mean not that I'd really had any illusions on that score. But you know, i'm strongwilled and bossy and have a hard time delegating and I tend to feel like "oh, I'll just do it myself." And it was a moment when I knew that wasn't going to be an option anymore.

Ruth: The best parts for me have been like, whenever I feel mired in day-to-day stuff and worried that stuff just sucks. Those tend to be the days when you are like, 'I think we should do THIS' and it's like a gamechanger. And everything is exciting again. Or when i'm like "Wah! How to fix this!" and you are like, "That's not even a problem, moving on!' We are both good at handholding with each other, which is obviously important. Especially at the beginning, when things really seemed impossible.... there was never a day when BOTH of us were like, we can't do this.

Emily: Yeah, it's important that we never both want to give up simultaneously.

Ruth: I mean both of us in general are people who stubbornly cannot give up. Which is good and bad but in this case mostly good.

Emily: So yay, everything is perfect! Except obviously there are still some tiny minor hurdles we have to overcome.

Ruth: Of course, hurdles.

Emily: The only downside of being in business with your best friend is that you can't go to your best friend and complain about work.

Ruth: That is true. There really is no getting around that.

Emily: I am too exhausted even to complain right now! Not to whine, but we have been working really hard. And there is no end in sight

Ruth: We are our own terrible bosses now. Which is better by far than having a terrible boss. (LOL thinking about Lonely Island song, "Like a BOSS.")

Emily: That song really takes a turn.

Ruth: Yeah, things get dark.

Emily: I want to make a playlist about being a boss.

Ruth: So many good songs.

Emily: Primarily "I'm Bossy." Any Bruce Springsteen song also qualifies. Well I am really excited by the prospect of being a boss. Being totally freelance is cool in some ways. I realized about myself (and maybe you did too?! I don't know, this must be the one thing we've never talked about) that I don't want to just sit at a desk by myself and write novels, like, that is not my idea of Dream Job either. I think for some people that would really be the ultimate. I mean I want to do it SOMETIMES but doing it all the time exclusively would make me really The Shining really fast. My favorite part of our project is brainstorming stuff, figuring out solutions with you that I wouldn't be able to figure out myself. And I even sort of like having meetings. I had missed meetings. I know that's kind of pathetic.

Ruth: I am laughing at you.

Emily: Staff meetings at the yoga studio don't sate my meetings cravings.

Ruth: I mean, I feel like I'm making this sound like LOLZ FUN ALL THE TIME.

Emily: Well, obviously it's not fun to like kill yourself with no concrete hope of a payday anywhere in sight.

Ruth: But I love that our job legitimately is talking about books we love enough to sell. Those are fun conversations.

Emily: Right but explaining what our business is over and over was only fun the first 500 or so times. Now it's beginning to pall and we still have to do it every day, a lot, for the forseeable future.

Ruth: Yes.

Emily: Oh and we always procrastinate about writing about our books? But that is supposedly "the fun part"? I guess it's hard because we love these books so much and want to do them justice.

Ruth: Yeah, and it's not fun realizing that the reason people aren't selling books you love is that they're legitimately ridiculously hard to sell.

Emily: Ha! Well and also realizing that books, e- or not, are a tough business. I mean, it would be different if we were both REALLY PASSIONATE about sparkle werewolf holocaust-survivor baseball 9/11 novels.

Ruth: Yeah, it's that thing where you know something intellectually but it takes real experiential first hand knowledge for it to really make sense. I've worked in publishing for my entire adult life and you've published two books and that realization is still hard and painful.

Emily: I'm sure indie booksellers find us adorable and maddening and are like "told ya."

Ruth: Yeah. It's not that we didn't "know?" But now we *know.*

Emily: Ha! well, we haven't really even begun, though. I still think we are in the like very very beginning um of our story. Like we are not even to the half title. We are still on the copyright page.

Ruth: Are you gonna keep this metaphor going?

Emily: Till the last endpaper, you bet.

Ruth: We are still in the acknowledgments, unless you are one of those writers who put them at the end.

Emily: Why would anyone put them at the beginning? Also you know what, I think they're gross and I'm never having them again. I'm having a dedication and that's it.

Ruth: Some people do? I dunno. But what if you get a MACARTHUR FELLOWSHIP. It would be RUDE not to thank them.

Emily: Acknowledgments are one of those things that people think have been around forever but are actually a modern and bad invention. I think if you get some fellowships they make you sign something that you'll mention them in your acks. Maybe they even mandate the phrasing. "The Corporation of Yaddo."

Ruth: Horrifying.

Emily: I am going to keep maintaining that all that jazz is for wusses. Until I get one.

Ruth: Well, of course, that's the way.

Ruth: I would like to 'implicitly' answer the question of how we do not kill each other.

Emily: Ha!

Ruth: I think it was great that we opened our store the same month we made a deal to do yoga every day! It probably really helped.

Emily: This is awkward but you know when I was at your house drinking tea and talking about books yesterday?

Ruth: Yup.

Emily: I actually released a slow-working poison bomb so you should die in like 10...9...8... Goodbye sweet Ruth. Anyway, yoga for sure has helped. It also helped us have a thing we did together that wasn't this.

Ruth: We are such hippies. "Drinking tea" was just mentioned three lines ago. IT WAS HERBAL.

Emily: It was herba—whoa.

Ruth: Okay. This is one of the benefits of doing a project with a friend.

Emily: If you ever misplace your brain they could just replace it with mine and no one would know the diff.

Ruth: Something like that.

Emily: (We do have like huge major fundamental differences in taste and cultural background and personality, I hasten to say.)

Ruth: But people would be like, 'why can't you figure out the tip anymore?"

Emily: Exactly.

Ruth: (Sorry to out you as a non-math person.)

Emily: I don't think that's a secret. I have problems saying some numbers aloud. Like, anything over 1,000, I get confused about how to say it. I don't know how open we should be about this.

Ruth: Don't say anything more, you will lose crediblity as a Business Woman.

Emily: I have gotten SLIGHTLY better at keeping numbers in my brain. Actually reading contracts, that kind of thing. I don't just think "Ruth will take care of it." I think "I should baseline know what Ruth is doing so I can explain it if need be."

Ruth: I mean this is obvious but so much of making a success of anything is communication and we have had years and years to work on that together already. (HIPPIES.)

Emily: But being in business has really put it to the test. It's been hard for me. I have had to really check myself. You're probably like "that was you checking yourself?!"

Ruth: I know you are trying. I can see you trying.

Emily: Thank you for acknowledging my struggle. But yeah, oh, you know, another thing that comes to mind is that we have both experienced what it's like to have an amazing boss. And we have also both experienced having less-amazing bosses.

Ruth: Right! We've both had some really good mentors.

Emily: Gay dudes primarily. I definitely have "what would X do" in mind when I make decisions.

Ruth: I think more like "how would X act." Carry himself, etc.

Emily: I hope when we have employees, cause we will, I will be like a gay dude dream boss to them
"How would X respond to this email."

Ruth: "How would X work this room."

Emily: "How would X end this conversation gracefully."

Ruth: "How would I respond to this email on X's behalf."

Emily: "How would X weasel out of this pointless obligation"; "How would X defuse this potential fight."

Ruth: "How would X imply that someone is being incredibly stupid without actually using the words 'incredibly stupid.'"

Emily: EXACTLY.

Ruth: I remember at the beginning being really obsessed with getting our agreement with each other done... and that was because of X. And i'm glad I did, because now if we have a big fight, we have rules in place that were made when we were feeling fair towards one another.

Emily: To be really earnest for a sec, I want to be in a position someday where I am a mentor like that. That is super important to me. And I know I have to curb my natural tendencies towards impatience and also, paradoxically, over-niceness to get there. That girl thing of "Oh no, it's fine, really" when actually it's not and you just sit on it and seethe and eventually it blows up.

Ruth: Right.

Emily: Um, is one the loneliest number?

Ruth: I have never worked 'alone' really. I have always worked in really super loud, peopled, heavily-social environments! But I also write and that is very lonely. This is a nice middle ground. Once we have an intern it will be like our family is perfect! But the intern would probably feel left out of our mind-reading/long-running inside jokes.

Emily: We should get two. Like cats, so they can keep each other company.

Ruth: Then they could make fun of us to each other. "Look at them going to yoga AGAIN."

Emily: They can't have a twitter though. We will draw the line there.

Ruth: "Her kombucha SMELLS."

Emily: I mean, it's kombucha, what did they expect?

As of this writing, Emily and Ruth are still in business. In other news, sponsored posts are purely editorial content that we are pleased to have presented by a participating sponsor; advertisers do not produce the content. This post is brought to you by Serve by American Express. Sign up now and receive $10 credit towards your first use.

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The first in a short series about sharing, caring and not going it alone. Up first: Ruth Curry and Emily Gould learn how to turn a friendship into a business partnership.

Emily: Hey, remember back in the day when I came to you with the idea of a store that would sell ebook versions of our very favorite books of all time, like an independent bookstore but online, one that would give people an alternative to buying ebooks from megacorporations?

Ruth: Oh, yes, like it was a few months ago!

Emily: I'm just reminiscing about that time!

Ruth: Neither of us I think have been people who 'always wanted to' start our own company. That was like literally last on my list of Dream Occupations.

Emily: Really? I always sort of knew I would eventually have to.

Ruth: Yeah, no.

Emily: I was, like, dreading it.

Ruth: Well this is why we are a good partnership I think. You are more of a risktaker, and you have a lot of ideas, and you also are quick to move on if something isn't working. Whereas I am more cautious, tend to overthink, tend to want to wait and see. Left to my own devices I would still be banging my head against doors that will not open.

Emily: So alone you wouldn't have done it. And alone, I would have done it in a rushed and thoughtless way.

Ruth: (That's a mixed metaphor I guess, about the doors.)

Emily: (Not if you open doors with your head normally?) When I first told you about the idea, were you into it immediately?

Ruth: Oh yeah.

Emily: That was a cool moment, actually, I remember it like it was six months ago

Ruth: I had been thinking about similar things, like, how is it possible for an indie bookstore to sell ebooks. And I had come up with "a kiosk" and also never in a million years would have thought of doing it myself. But when you were like, "I want to do this and I want you to be my COO" I was like oh, duh, of course!

Emily: Ok, so, we've been working on having our ebook store/subscription/club for half a year and we've been open since October, so it's silly to talk about this like we're hoary old veterans of working together. But it feels like we are because we have worked together, and that's how we met. And the stuff we're doing for the store is the same stuff we talk about all the time anyway, except formalized.

Ruth: Yes. Another reason why this felt so NBD, I think, is that we've already been coworkers. I know what you're like in an office and what your work ethic is like and all that stuff. And we've also lived together. So we've sort of seen it all, from each other, good and bad.

Emily: Like, nothing's changed in our friendship except we spend slightly even more time together and we have to schedule "fun" interactions now to make sure they happen. Um, like a married couple with a toddler. And the toddler is our business.

Ruth: OMG yes. We totally have to have date nights. And ignore the "kid."

Emily: Make a rule of not talking about the "kid." Gross, but i think it's really important to both our friendship and the business, cause it reminds us that the ideas we have in our fun conversations are the point of our business. I mean, the best part of doing this has been watching you handle difficult stuff and feeling very proud of you. I remember we had a meeting and a few minutes in it wasn't going well and you turned it around and just blew everyone's socks off, and I realized I couldn't do this without you. I mean not that I'd really had any illusions on that score. But you know, i'm strongwilled and bossy and have a hard time delegating and I tend to feel like "oh, I'll just do it myself." And it was a moment when I knew that wasn't going to be an option anymore.

Ruth: The best parts for me have been like, whenever I feel mired in day-to-day stuff and worried that stuff just sucks. Those tend to be the days when you are like, 'I think we should do THIS' and it's like a gamechanger. And everything is exciting again. Or when i'm like "Wah! How to fix this!" and you are like, "That's not even a problem, moving on!' We are both good at handholding with each other, which is obviously important. Especially at the beginning, when things really seemed impossible.... there was never a day when BOTH of us were like, we can't do this.

Emily: Yeah, it's important that we never both want to give up simultaneously.

Ruth: I mean both of us in general are people who stubbornly cannot give up. Which is good and bad but in this case mostly good.

Emily: So yay, everything is perfect! Except obviously there are still some tiny minor hurdles we have to overcome.

Ruth: Of course, hurdles.

Emily: The only downside of being in business with your best friend is that you can't go to your best friend and complain about work.

Ruth: That is true. There really is no getting around that.

Emily: I am too exhausted even to complain right now! Not to whine, but we have been working really hard. And there is no end in sight

Ruth: We are our own terrible bosses now. Which is better by far than having a terrible boss. (LOL thinking about Lonely Island song, "Like a BOSS.")

Emily: That song really takes a turn.

Ruth: Yeah, things get dark.

Emily: I want to make a playlist about being a boss.

Ruth: So many good songs.

Emily: Primarily "I'm Bossy." Any Bruce Springsteen song also qualifies. Well I am really excited by the prospect of being a boss. Being totally freelance is cool in some ways. I realized about myself (and maybe you did too?! I don't know, this must be the one thing we've never talked about) that I don't want to just sit at a desk by myself and write novels, like, that is not my idea of Dream Job either. I think for some people that would really be the ultimate. I mean I want to do it SOMETIMES but doing it all the time exclusively would make me really The Shining really fast. My favorite part of our project is brainstorming stuff, figuring out solutions with you that I wouldn't be able to figure out myself. And I even sort of like having meetings. I had missed meetings. I know that's kind of pathetic.

Ruth: I am laughing at you.

Emily: Staff meetings at the yoga studio don't sate my meetings cravings.

Ruth: I mean, I feel like I'm making this sound like LOLZ FUN ALL THE TIME.

Emily: Well, obviously it's not fun to like kill yourself with no concrete hope of a payday anywhere in sight.

Ruth: But I love that our job legitimately is talking about books we love enough to sell. Those are fun conversations.

Emily: Right but explaining what our business is over and over was only fun the first 500 or so times. Now it's beginning to pall and we still have to do it every day, a lot, for the forseeable future.

Ruth: Yes.

Emily: Oh and we always procrastinate about writing about our books? But that is supposedly "the fun part"? I guess it's hard because we love these books so much and want to do them justice.

Ruth: Yeah, and it's not fun realizing that the reason people aren't selling books you love is that they're legitimately ridiculously hard to sell.

Emily: Ha! Well and also realizing that books, e- or not, are a tough business. I mean, it would be different if we were both REALLY PASSIONATE about sparkle werewolf holocaust-survivor baseball 9/11 novels.

Ruth: Yeah, it's that thing where you know something intellectually but it takes real experiential first hand knowledge for it to really make sense. I've worked in publishing for my entire adult life and you've published two books and that realization is still hard and painful.

Emily: I'm sure indie booksellers find us adorable and maddening and are like "told ya."

Ruth: Yeah. It's not that we didn't "know?" But now we *know.*

Emily: Ha! well, we haven't really even begun, though. I still think we are in the like very very beginning um of our story. Like we are not even to the half title. We are still on the copyright page.

Ruth: Are you gonna keep this metaphor going?

Emily: Till the last endpaper, you bet.

Ruth: We are still in the acknowledgments, unless you are one of those writers who put them at the end.

Emily: Why would anyone put them at the beginning? Also you know what, I think they're gross and I'm never having them again. I'm having a dedication and that's it.

Ruth: Some people do? I dunno. But what if you get a MACARTHUR FELLOWSHIP. It would be RUDE not to thank them.

Emily: Acknowledgments are one of those things that people think have been around forever but are actually a modern and bad invention. I think if you get some fellowships they make you sign something that you'll mention them in your acks. Maybe they even mandate the phrasing. "The Corporation of Yaddo."

Ruth: Horrifying.

Emily: I am going to keep maintaining that all that jazz is for wusses. Until I get one.

Ruth: Well, of course, that's the way.

Ruth: I would like to 'implicitly' answer the question of how we do not kill each other.

Emily: Ha!

Ruth: I think it was great that we opened our store the same month we made a deal to do yoga every day! It probably really helped.

Emily: This is awkward but you know when I was at your house drinking tea and talking about books yesterday?

Ruth: Yup.

Emily: I actually released a slow-working poison bomb so you should die in like 10...9...8... Goodbye sweet Ruth. Anyway, yoga for sure has helped. It also helped us have a thing we did together that wasn't this.

Ruth: We are such hippies. "Drinking tea" was just mentioned three lines ago. IT WAS HERBAL.

Emily: It was herba—whoa.

Ruth: Okay. This is one of the benefits of doing a project with a friend.

Emily: If you ever misplace your brain they could just replace it with mine and no one would know the diff.

Ruth: Something like that.

Emily: (We do have like huge major fundamental differences in taste and cultural background and personality, I hasten to say.)

Ruth: But people would be like, 'why can't you figure out the tip anymore?"

Emily: Exactly.

Ruth: (Sorry to out you as a non-math person.)

Emily: I don't think that's a secret. I have problems saying some numbers aloud. Like, anything over 1,000, I get confused about how to say it. I don't know how open we should be about this.

Ruth: Don't say anything more, you will lose crediblity as a Business Woman.

Emily: I have gotten SLIGHTLY better at keeping numbers in my brain. Actually reading contracts, that kind of thing. I don't just think "Ruth will take care of it." I think "I should baseline know what Ruth is doing so I can explain it if need be."

Ruth: I mean this is obvious but so much of making a success of anything is communication and we have had years and years to work on that together already. (HIPPIES.)

Emily: But being in business has really put it to the test. It's been hard for me. I have had to really check myself. You're probably like "that was you checking yourself?!"

Ruth: I know you are trying. I can see you trying.

Emily: Thank you for acknowledging my struggle. But yeah, oh, you know, another thing that comes to mind is that we have both experienced what it's like to have an amazing boss. And we have also both experienced having less-amazing bosses.

Ruth: Right! We've both had some really good mentors.

Emily: Gay dudes primarily. I definitely have "what would X do" in mind when I make decisions.

Ruth: I think more like "how would X act." Carry himself, etc.

Emily: I hope when we have employees, cause we will, I will be like a gay dude dream boss to them
"How would X respond to this email."

Ruth: "How would X work this room."

Emily: "How would X end this conversation gracefully."

Ruth: "How would I respond to this email on X's behalf."

Emily: "How would X weasel out of this pointless obligation"; "How would X defuse this potential fight."

Ruth: "How would X imply that someone is being incredibly stupid without actually using the words 'incredibly stupid.'"

Emily: EXACTLY.

Ruth: I remember at the beginning being really obsessed with getting our agreement with each other done... and that was because of X. And i'm glad I did, because now if we have a big fight, we have rules in place that were made when we were feeling fair towards one another.

Emily: To be really earnest for a sec, I want to be in a position someday where I am a mentor like that. That is super important to me. And I know I have to curb my natural tendencies towards impatience and also, paradoxically, over-niceness to get there. That girl thing of "Oh no, it's fine, really" when actually it's not and you just sit on it and seethe and eventually it blows up.

Ruth: Right.

Emily: Um, is one the loneliest number?

Ruth: I have never worked 'alone' really. I have always worked in really super loud, peopled, heavily-social environments! But I also write and that is very lonely. This is a nice middle ground. Once we have an intern it will be like our family is perfect! But the intern would probably feel left out of our mind-reading/long-running inside jokes.

Emily: We should get two. Like cats, so they can keep each other company.

Ruth: Then they could make fun of us to each other. "Look at them going to yoga AGAIN."

Emily: They can't have a twitter though. We will draw the line there.

Ruth: "Her kombucha SMELLS."

Emily: I mean, it's kombucha, what did they expect?

As of this writing, Emily and Ruth are still in business. In other news, sponsored posts are purely editorial content that we are pleased to have presented by a participating sponsor; advertisers do not produce the content. This post is brought to you by Serve by American Express. Sign up now and receive $10 credit towards your first use.

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'Breaking Dawn': The Dress, The Vampire, the Fetus and the Headboard http://www.theawl.com/2011/11/breaking-dawn-the-dress-the-vampire-the-fetus-and-the-headboard http://www.theawl.com/2011/11/breaking-dawn-the-dress-the-vampire-the-fetus-and-the-headboard#comments Mon, 21 Nov 2011 14:40:07 +0000 Natasha Vargas-Cooper and Mary HK Choi http://www.theawl.com/2011/11/breaking-dawn-the-dress-the-vampire-the-fetus-and-the-headboard Natasha: Did you love Breaking Dawn? Did you die during it? I DID.

Mary: I mean... CAN YOU EVEN? Because I maybe cannot. I went to a midnight showing on Court Street in Brooklyn with all of the Eighties babies. And we all DIED.

Natasha: !!!!!!!

Mary: We were STARING at each other like we weren't COMPLETE strangers.

Mary: Let's begin with the wedding as this movie does... QUE CELLO.

Natasha: This is the wedding every young girl pictures, right?

Mary: Yes. Outside. With all those plants I can't name.

Natasha: Let me just say, I SWOONED.

Mary: OH IDK what this swoonage refers to because ME TOO 360.

Natasha: The dress??

Mary: WELL. There are TWO dresses.

Natasha: Right. Important!

Mary: One was the nightmare monster shitshow fake-out dress.

Natasha: The Korean Karaoke video wedding dress.

Mary: It basically made her look like a naked virgin child bride.

Natasha: And all those rose petals a la American Beauty Horror Story.

Mary: And the enormo skirt.

Natasha: The wonky ass hair.

Mary: All that stiff-ass boning. With all those fucking duchess satin GATHERS. VOM.

Natasha: What about freakshow Edward?

Mary: A 100% white satin tux and tails? GARBAGE.

Natasha: I thought we had lost the whole movie when the rose petals showed up. Because the Cullens have taste, you know (minus Peter Facinelli’s wig)? You can tell by their bone chillingly austere hyper Modern Danish Pacific Northwest MANSION OF DEATH.

Mary: Uh huh. #nofuckingway #nuhuh #banjeeshit Of course it was a fakeout. Now, the REAL dress.

Natasha: THEEEEE DRESSSSS. You mean the one I have been sketching in my dreams since I could menstruate?

Mary: ME TOO and you know I can haz menses since from the way back machine.

Mary: Did your theater lose their goddamned minds?

Natasha: YES, OF COURSE. I never wanted it to end. Seriously it could have been 3 hours of 'FOUND FOOTAGE' of the Swan/Cullen wedding.

Mary: It was a super elegant dress. The lace panel in the back with hundreds of covered satin buttons.

Natasha: The lace panel almost down to her flat ass killed me! I want a back that long : (

Mary: It was coccyx cleavage.

Natasha: Soft shoulder.

Mary: FUCK a strong shoulder on a wedding dress. It's so cokey Wall Street eighties.

Natasha: She looked lovely.

Mary: I feel like even Bella haters can't even front.

Natasha: I have become a total Kristen Stewart partisan. Like, I support her.

Mary: Oh, go on.

Natasha: I think this bitch is trying her HARDDDDDESSST to give Bella Swan some depth, hesitation, anxiety. She's up there acting her 90-pound body up into something semi-substantial, So respect.

Mary: I've always loved her in interviews, even if they are a fair bit palsied at times.

Natasha: And I am not sexually threatened by her because her face is kind of lopsided? Because FUCK A SYMMETRICAL STATUE FACE.

Mary: Yes, golden ratios can go fist themselves.

Natasha: And so when she cries and sniffles, half of her face goes off to another movie screen in a theater across the street to another screening.

Mary: A theater with no stadium seating.

Natasha: You know who the hottest person at the wedding was though? CHARLIE SWAN.

Mary: SO HOT IN A TUX. OMG. With an old fashioned bowtie.

Natasha: WITH HIS MOOOOSTACHE AND COP HANDS!!!

Mary: Total cop hands: calloused, intuitive yet still warm.

Natasha: STOP IT, IM GOING TO BREAK THE BED.

Mary: You could light a match off of them jawns.

Natasha: We need to address how HYSTERICALLY pale they made Edward Sparkles McDead look for this installment.

Mary: He was POWDERED. He looked like funnel cake.

Natasha: Undead funnel cake.

Mary: BUT. He looked so happy. He was waiting a HUNDRED years to be with her!

Natasha: I cried?

Mary: I'm so glad you told me that because ME TOO! I was ALL by myself and I wept!

Natasha: This is Twilight at its best: no irony, pure girl fantasy. The wedding was pitch perfect.

Mary: There's so much wrong with it but pitch weren't it.

Natasha: NOW. THE HONEYMOON. BREAKING DAWN = BREAKING HYMEN.

Mary: BREAKING HEADBOARD.

Natasha: UNNFFFF.

Mary: BUSTING PILLOWS AND WOMBS INTO SMITHEREEEEEEENS.

Natasha: FINALLY.

Mary: The TERROR SEX.

Natasha: Can we talk about it FOREVER?

Mary: HAWT like Judy Blume Forever #teamralph.

Natasha: ALTHOUGH those bruises that Edward freaks out about giving Bella were pretty junior varsity! That's like any Wednesday, not a HONEYMOON.

Mary: HA! Remember when we just learned SO MUCH about you?

Natasha: It ain't love unless there’s traction.

Mary: Do you have a rolling pin and a scythe in your bedside table?

Natasha: No comment. I’m upset that I have been waiting five long years to see those alabaster abs flex on top of virgo Bella AND YET....

Mary: He was just wading into the ocean. It was just hella English.

Natasha: I found his whole “NEVER AGAIN" post first bonage PERPLEXING.

Mary: He’s a prude. If I was Bella I would have pitched an ill fit. Like COME ON. “GIVE IT."

Natasha: Side question: can you even menstruate around a vampire? Should she have brought a Hannibal Lecter mask with her Tampax?

Mary: I totally wondered when we cut to her Tampax Pearl if Edward even knew what tampons were, cause he’s Ol’ Timey.

Natasha: You know that bro collected menstrual belts all during the 19th Century.

Mary: Then Bella gets pregnant which NO. I am not on board. AT ALL.

Natasha: TELL ME WHY.

Mary: I mean, seriously, it's so punishment that she'd have a blood sucker in the baby cave after THOSE TWO TIMES and then Jesus motherfucking Christ that entire half of the movie where she's like Karen Carpenter's THINSPO? GTFOH.

Natasha: I’m usually down with WW2 iconography (see Harry Potter 6 review) in my young adult books to movie franchise BUT THIS WAS TOOOOOOOOOO.

Mary: SO TOOOO. It was SO goddamned gnarly. Drinking blood out of polystyrene cups like so much Orange Julius, Bella.

Natasha: TOO.

Natasha: OK, DON’T THINK ABOUT THIS TOO HARD but why do you think Bella wanted to keep the damn parasite?

Mary: Uh, because Stephenie Meyer is a nightmare? Because it has finger nails? IDK. The propaganda shit was a little out of control. I mean who the fuck knows why she was SO willing to die for the space alien?

Natasha: Is this where Twi-haters have a point about the weird conservatism? Absolute bio-determinism? The baby over fetus vibe Stephenie puts out?

Mary: FUCK YES. The pregnancy looked too costly for her to be down with. Personally, I have never been at that place where you're so over yourself that you're down with that but like, Bella, she didn’t never even skipped a beat and I think that's fucking irresponsible.

Natasha: Edward was not down with it though, even if it was for selfish reasons. His protests were ~*sEexXy*~*.

Mary: No doubt but still I wish some of the hesitation came from Bella.

Natasha: It’s at this point in the movie where we lose Edward and Jacob totes steals the show.

Mary: Holy shit, Bella keeps playing the threesome with Edward and Jacob like a maestro.

Natasha: The female fantasy thrives! You can stomp all over these bros and they will just be like I WILL DIE 4 U/LEAVE MY PACK 4 U/MOVE FROM HAWAII FOR U.

Mary: How can she act SO happy? And SO relieved when Jacob shows up? SO manipulative.

Natasha: Strongly agree.

Mary: It's UNPOSSIBLE. Seriously you're going to make your dudes in cahoots to make you happy. Holy fuck it's STILL the crazy G move. ODALISQUE.

Natasha: I think Tay-Tay Lautner’s acting lessons have paid off the most. “HERE TO KEEP U WARM, GUUUUUURL."

Mary: Bella was like “bbbbrrrr I’m cold” because she’s so rexi with her eight-inch circumference inner thigh! Tay was definitely toasty.

Natasha: So. THE BIRTHING OF 'RENESMEE.'

Mary: Portmanteau FAIL! Holy fucking Christ. I can’t EVEN. Not even by a spine shattering stretch.

Natasha: Can I just say.....well done?

Mary: Definitely, regardless of the motivation, BULLY. This is the first movie in the franchise where I felt it was a horror flick

Natasha: YES, EXACTLY, and motivation aside, I DO kinda dig the parasite, killing you from inside, leaving you looking like a spoon with your big ass head and nothing body, all bone and blood wasted on the table.

Mary: Oh absolutely. "Real talk."

Natasha: Cause this shit is like "Teen Mom" times six.

Natasha: Like, ok, well, I get there's concern about the conservative overtones but I loved that the pregnancy was portrayed as something terrifying that baffles you and the people around you and is a high stakes affair.

Mary: SOMETHING THAT COULD KILL YOU.

Natasha: EXACTLY.

Mary: That would just EAT your insides.

Natasha: THAT LITERALLY TAKES YOUR LIFE.

Mary: And BREAK you.

Natasha: Because after you have a kid and LIFE BELONGS TO SOMETHING ELSE.

Mary: Something that KEEPS trying to kill itself!

Natasha: You are no longer Bella Swan running a Thinspo blog about Fangbanging down by that reservation....

Mary: You're a husk of loose skin and lank hair.

Natasha: Yes.

Mary: Fetus vs. Baby.

Natasha: So I don’t know if it was meant to be meta4orical, or it was by accident (likely) but I did appreaysh the notion that LIFE AS YOU KNOW IT ENDS NOW (for better or for worse). So I dug the Cullen’s anti-life stance.

Natasha: I have a logistical question, though. Why did Edward have blood across his mouth after the vampire baby popped out?

Mary: Oh honey, really?

Natasha: :(

Mary: HE BIT THROUGH THE UMBILICAL CHORD.

Natasha: AHHH!! I LOVE THIS FRANCHISE SOOOOO MUCH.

Mary: And then bit her a big ass C section.

Natasha: WHAT A MAN!

Mary: A mighty good man. #YESHEIS

Natasha: How were you feeling after the birth of the Mini Pale One?

Mary: Panic. I was SO upset. He kept biting her like a feral animal trying to get some shit pumping and he was so freaked and he just kept gnawing at a bitch and cryin’.

Natasha: This was when we finally felt that full throttle Cullen love.

Mary: When Jacob flops outside and bawls in front of Seth and Leah? With ragged sobs and Edward CHOMPING on her shins?

Natasha: It was so sad and intense and amazing because THATS WHAT IT SHOULD ALWAYS FEEL LIKE RIGHT?

Mary: As much as I want the thre of them to bone. Watching Edward and Jacob think she was dying, I mean.... Isn’t that better than fucking?

Natasha: YESSSSSSSSSSSSSSSSS!!!!!!!!!!!!

Natasha: God, what are we going to do when this series ends?

Mary: Duh. #HUNGERGAMES.



Mary HK Choi and Natasha Vargas-Cooper will see you on November 16, 2012 for Part 2, but first also on March 23, 2012, when we find out how hungry the games really are.

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Natasha: Did you love Breaking Dawn? Did you die during it? I DID.

Mary: I mean... CAN YOU EVEN? Because I maybe cannot. I went to a midnight showing on Court Street in Brooklyn with all of the Eighties babies. And we all DIED.

Natasha: !!!!!!!

Mary: We were STARING at each other like we weren't COMPLETE strangers.

Mary: Let's begin with the wedding as this movie does... QUE CELLO.

Natasha: This is the wedding every young girl pictures, right?

Mary: Yes. Outside. With all those plants I can't name.

Natasha: Let me just say, I SWOONED.

Mary: OH IDK what this swoonage refers to because ME TOO 360.

Natasha: The dress??

Mary: WELL. There are TWO dresses.

Natasha: Right. Important!

Mary: One was the nightmare monster shitshow fake-out dress.

Natasha: The Korean Karaoke video wedding dress.

Mary: It basically made her look like a naked virgin child bride.

Natasha: And all those rose petals a la American Beauty Horror Story.

Mary: And the enormo skirt.

Natasha: The wonky ass hair.

Mary: All that stiff-ass boning. With all those fucking duchess satin GATHERS. VOM.

Natasha: What about freakshow Edward?

Mary: A 100% white satin tux and tails? GARBAGE.

Natasha: I thought we had lost the whole movie when the rose petals showed up. Because the Cullens have taste, you know (minus Peter Facinelli’s wig)? You can tell by their bone chillingly austere hyper Modern Danish Pacific Northwest MANSION OF DEATH.

Mary: Uh huh. #nofuckingway #nuhuh #banjeeshit Of course it was a fakeout. Now, the REAL dress.

Natasha: THEEEEE DRESSSSS. You mean the one I have been sketching in my dreams since I could menstruate?

Mary: ME TOO and you know I can haz menses since from the way back machine.

Mary: Did your theater lose their goddamned minds?

Natasha: YES, OF COURSE. I never wanted it to end. Seriously it could have been 3 hours of 'FOUND FOOTAGE' of the Swan/Cullen wedding.

Mary: It was a super elegant dress. The lace panel in the back with hundreds of covered satin buttons.

Natasha: The lace panel almost down to her flat ass killed me! I want a back that long : (

Mary: It was coccyx cleavage.

Natasha: Soft shoulder.

Mary: FUCK a strong shoulder on a wedding dress. It's so cokey Wall Street eighties.

Natasha: She looked lovely.

Mary: I feel like even Bella haters can't even front.

Natasha: I have become a total Kristen Stewart partisan. Like, I support her.

Mary: Oh, go on.

Natasha: I think this bitch is trying her HARDDDDDESSST to give Bella Swan some depth, hesitation, anxiety. She's up there acting her 90-pound body up into something semi-substantial, So respect.

Mary: I've always loved her in interviews, even if they are a fair bit palsied at times.

Natasha: And I am not sexually threatened by her because her face is kind of lopsided? Because FUCK A SYMMETRICAL STATUE FACE.

Mary: Yes, golden ratios can go fist themselves.

Natasha: And so when she cries and sniffles, half of her face goes off to another movie screen in a theater across the street to another screening.

Mary: A theater with no stadium seating.

Natasha: You know who the hottest person at the wedding was though? CHARLIE SWAN.

Mary: SO HOT IN A TUX. OMG. With an old fashioned bowtie.

Natasha: WITH HIS MOOOOSTACHE AND COP HANDS!!!

Mary: Total cop hands: calloused, intuitive yet still warm.

Natasha: STOP IT, IM GOING TO BREAK THE BED.

Mary: You could light a match off of them jawns.

Natasha: We need to address how HYSTERICALLY pale they made Edward Sparkles McDead look for this installment.

Mary: He was POWDERED. He looked like funnel cake.

Natasha: Undead funnel cake.

Mary: BUT. He looked so happy. He was waiting a HUNDRED years to be with her!

Natasha: I cried?

Mary: I'm so glad you told me that because ME TOO! I was ALL by myself and I wept!

Natasha: This is Twilight at its best: no irony, pure girl fantasy. The wedding was pitch perfect.

Mary: There's so much wrong with it but pitch weren't it.

Natasha: NOW. THE HONEYMOON. BREAKING DAWN = BREAKING HYMEN.

Mary: BREAKING HEADBOARD.

Natasha: UNNFFFF.

Mary: BUSTING PILLOWS AND WOMBS INTO SMITHEREEEEEEENS.

Natasha: FINALLY.

Mary: The TERROR SEX.

Natasha: Can we talk about it FOREVER?

Mary: HAWT like Judy Blume Forever #teamralph.

Natasha: ALTHOUGH those bruises that Edward freaks out about giving Bella were pretty junior varsity! That's like any Wednesday, not a HONEYMOON.

Mary: HA! Remember when we just learned SO MUCH about you?

Natasha: It ain't love unless there’s traction.

Mary: Do you have a rolling pin and a scythe in your bedside table?

Natasha: No comment. I’m upset that I have been waiting five long years to see those alabaster abs flex on top of virgo Bella AND YET....

Mary: He was just wading into the ocean. It was just hella English.

Natasha: I found his whole “NEVER AGAIN" post first bonage PERPLEXING.

Mary: He’s a prude. If I was Bella I would have pitched an ill fit. Like COME ON. “GIVE IT."

Natasha: Side question: can you even menstruate around a vampire? Should she have brought a Hannibal Lecter mask with her Tampax?

Mary: I totally wondered when we cut to her Tampax Pearl if Edward even knew what tampons were, cause he’s Ol’ Timey.

Natasha: You know that bro collected menstrual belts all during the 19th Century.

Mary: Then Bella gets pregnant which NO. I am not on board. AT ALL.

Natasha: TELL ME WHY.

Mary: I mean, seriously, it's so punishment that she'd have a blood sucker in the baby cave after THOSE TWO TIMES and then Jesus motherfucking Christ that entire half of the movie where she's like Karen Carpenter's THINSPO? GTFOH.

Natasha: I’m usually down with WW2 iconography (see Harry Potter 6 review) in my young adult books to movie franchise BUT THIS WAS TOOOOOOOOOO.

Mary: SO TOOOO. It was SO goddamned gnarly. Drinking blood out of polystyrene cups like so much Orange Julius, Bella.

Natasha: TOO.

Natasha: OK, DON’T THINK ABOUT THIS TOO HARD but why do you think Bella wanted to keep the damn parasite?

Mary: Uh, because Stephenie Meyer is a nightmare? Because it has finger nails? IDK. The propaganda shit was a little out of control. I mean who the fuck knows why she was SO willing to die for the space alien?

Natasha: Is this where Twi-haters have a point about the weird conservatism? Absolute bio-determinism? The baby over fetus vibe Stephenie puts out?

Mary: FUCK YES. The pregnancy looked too costly for her to be down with. Personally, I have never been at that place where you're so over yourself that you're down with that but like, Bella, she didn’t never even skipped a beat and I think that's fucking irresponsible.

Natasha: Edward was not down with it though, even if it was for selfish reasons. His protests were ~*sEexXy*~*.

Mary: No doubt but still I wish some of the hesitation came from Bella.

Natasha: It’s at this point in the movie where we lose Edward and Jacob totes steals the show.

Mary: Holy shit, Bella keeps playing the threesome with Edward and Jacob like a maestro.

Natasha: The female fantasy thrives! You can stomp all over these bros and they will just be like I WILL DIE 4 U/LEAVE MY PACK 4 U/MOVE FROM HAWAII FOR U.

Mary: How can she act SO happy? And SO relieved when Jacob shows up? SO manipulative.

Natasha: Strongly agree.

Mary: It's UNPOSSIBLE. Seriously you're going to make your dudes in cahoots to make you happy. Holy fuck it's STILL the crazy G move. ODALISQUE.

Natasha: I think Tay-Tay Lautner’s acting lessons have paid off the most. “HERE TO KEEP U WARM, GUUUUUURL."

Mary: Bella was like “bbbbrrrr I’m cold” because she’s so rexi with her eight-inch circumference inner thigh! Tay was definitely toasty.

Natasha: So. THE BIRTHING OF 'RENESMEE.'

Mary: Portmanteau FAIL! Holy fucking Christ. I can’t EVEN. Not even by a spine shattering stretch.

Natasha: Can I just say.....well done?

Mary: Definitely, regardless of the motivation, BULLY. This is the first movie in the franchise where I felt it was a horror flick

Natasha: YES, EXACTLY, and motivation aside, I DO kinda dig the parasite, killing you from inside, leaving you looking like a spoon with your big ass head and nothing body, all bone and blood wasted on the table.

Mary: Oh absolutely. "Real talk."

Natasha: Cause this shit is like "Teen Mom" times six.

Natasha: Like, ok, well, I get there's concern about the conservative overtones but I loved that the pregnancy was portrayed as something terrifying that baffles you and the people around you and is a high stakes affair.

Mary: SOMETHING THAT COULD KILL YOU.

Natasha: EXACTLY.

Mary: That would just EAT your insides.

Natasha: THAT LITERALLY TAKES YOUR LIFE.

Mary: And BREAK you.

Natasha: Because after you have a kid and LIFE BELONGS TO SOMETHING ELSE.

Mary: Something that KEEPS trying to kill itself!

Natasha: You are no longer Bella Swan running a Thinspo blog about Fangbanging down by that reservation....

Mary: You're a husk of loose skin and lank hair.

Natasha: Yes.

Mary: Fetus vs. Baby.

Natasha: So I don’t know if it was meant to be meta4orical, or it was by accident (likely) but I did appreaysh the notion that LIFE AS YOU KNOW IT ENDS NOW (for better or for worse). So I dug the Cullen’s anti-life stance.

Natasha: I have a logistical question, though. Why did Edward have blood across his mouth after the vampire baby popped out?

Mary: Oh honey, really?

Natasha: :(

Mary: HE BIT THROUGH THE UMBILICAL CHORD.

Natasha: AHHH!! I LOVE THIS FRANCHISE SOOOOO MUCH.

Mary: And then bit her a big ass C section.

Natasha: WHAT A MAN!

Mary: A mighty good man. #YESHEIS

Natasha: How were you feeling after the birth of the Mini Pale One?

Mary: Panic. I was SO upset. He kept biting her like a feral animal trying to get some shit pumping and he was so freaked and he just kept gnawing at a bitch and cryin’.

Natasha: This was when we finally felt that full throttle Cullen love.

Mary: When Jacob flops outside and bawls in front of Seth and Leah? With ragged sobs and Edward CHOMPING on her shins?

Natasha: It was so sad and intense and amazing because THATS WHAT IT SHOULD ALWAYS FEEL LIKE RIGHT?

Mary: As much as I want the thre of them to bone. Watching Edward and Jacob think she was dying, I mean.... Isn’t that better than fucking?

Natasha: YESSSSSSSSSSSSSSSSS!!!!!!!!!!!!

Natasha: God, what are we going to do when this series ends?

Mary: Duh. #HUNGERGAMES.



Mary HK Choi and Natasha Vargas-Cooper will see you on November 16, 2012 for Part 2, but first also on March 23, 2012, when we find out how hungry the games really are.

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A Short Conversation About Mel Gibson's "Jewish Hero" Film http://www.theawl.com/2011/09/a-short-conversation-about-mel-gibsons-jewish-hero-film http://www.theawl.com/2011/09/a-short-conversation-about-mel-gibsons-jewish-hero-film#comments Fri, 09 Sep 2011 15:00:20 +0000 Choire Sicha http://www.theawl.com/2011/09/a-short-conversation-about-mel-gibsons-jewish-hero-film Eric Spiegelman: SHOCKER! Mel Gibson And Joe Eszterhas To Collaborate On Film Telling Jewish Hero Judah Maccabee Story For Warner Bros.

Choire Sicha: oh COME ON.

Eric Spiegelman: jksdhfklasdjhfas.

Choire Sicha: "He has long wanted to make this film about heroic Jews"

Eric Spiegelman: ... to lure us into the theater so he can burn it.

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Eric Spiegelman: SHOCKER! Mel Gibson And Joe Eszterhas To Collaborate On Film Telling Jewish Hero Judah Maccabee Story For Warner Bros.

Choire Sicha: oh COME ON.

Eric Spiegelman: jksdhfklasdjhfas.

Choire Sicha: "He has long wanted to make this film about heroic Jews"

Eric Spiegelman: ... to lure us into the theater so he can burn it.

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What Can China Teach London About a "Harmonious Society"? http://www.theawl.com/2011/08/what-can-china-teach-london-about-a-harmonious-society http://www.theawl.com/2011/08/what-can-china-teach-london-about-a-harmonious-society#comments Tue, 09 Aug 2011 14:20:33 +0000 Choire Sicha http://www.theawl.com/2011/08/what-can-china-teach-london-about-a-harmonious-society Tonight, at PowerHouse Arena, it is the Brooklyn Launch Party for Tom Scocca's Beijing Welcomes You, a nonfiction chronicle of what Beijing has so recently become. As China is now (well, as usual) so much in the news, we asked him some questions!

Choire Sicha: Tom Scocca, as you have written a book called Beijing Welcomes You: Unveiling the Capital City of the Future, which is brand new and good and also a book I have read, you are the only expert on China.* (*That I personally know.) Is this a great week for China or what?

Tom Scocca: If you set aside the fact that all the American debt China owns is turning into junk bonds, then, yes, it's a happy time for the People's Republic. London, which did not have the foresight to strangle Twitter and Facebook, is being torn apart by riots, only a year before it is supposed to host the Olympics. The 50 Cent Army of China's government-backed Internet commenters is apparently having a parade to celebrate.

Choire: Today the "Wen Wei Paper" (sort of "News of the World" but with extra party cronyism) seems to be loudly saying that the U.S. owes every Chinese citizen 5700 yuan. (That would be $886.) Is this true? Do we???

Tom: Seems plausible. I've still got a few hundred yuan kicking around my desk drawer. That may turn out to be my most prudent investment holding.

Choire: You're an entry-level currency trader! Right, so not only is China making fun of our "downgrade," they are also making fun of the current "lawlessness" of London. Now, obviously, you were there in Beijing before the last Olympics. Were there chavs looting all the time?

Tom: There most emphatically were not. There was one person who stabbed an American to death at the Drum Tower, an event that was ascribed to insanity and quickly buried in the press, thanks to a total lack of information. And there was some sort of protester or streaker at the closing ceremony, likewise crazy, according to the best (only) available information. And the Free Tibet people climbed a flagpole early on. But beyond that, it was Harmonious Society 24/7. What's more: after the stabbing, they outlawed the sale of all kitchen knives throughout the city. We went to the newly opened upscale-kitchen-implements store, where they had like all the All-Clad equivalent cookware and silicone basting brushes a First World cook could hope to see, to get poultry shears to cut up food for the growing child, and the sharp-objects section had been swept clean.

Choire: That's the kind of harmony that countries like England and the U.S. have a hard time making happen. For instance, mandating alternate driving days with even and odd license plate numbers, as China did. But it seems to me that there is a very China-specific relationship to law and order. Let me quote from your book!

My first trip to the inner sanctum was for a press conference on forestry. On the way, we hit a traffic jam on the Second Ring. The left lane had closed to regular traffic, as one of the reserved Olympics lanes, and through some sort of traffic-engineering algebra, half as many private cars driving in two-thirds as many lanes worked out to much worse traffic than usual. When he saw me looking at my watch, the cabbie began fighting his way around the traffic, tapping his horn with his thumb. To keep demonstrating his concern, he continued tooting along the Third Ring when we got there, even though there was no Olympic lane and the traffic was fine.

"The Olympic things are only convenient for the Olympics," I said, in a flash of Mandarin competence. "For everyone else, they're annoying." The driver clapped a hand over his mouth and held it there theatrically. Then he put it back on the steering wheel. "Understand?" he said.

Choire: In America and in London, we'd just be loudly and grandly beefing about such things.

Tom: Would we really, though?

Choire: Hmm! Well we do not make jokes in airports, true.

Tom: Four years before those Olympics, you and I had the pleasure of seeing the Republican National Convention in New York, did we not?

Choire: I recall it well! Okay, I recall it hazily.

Tom: It might have been more memorable if the mayor had not locked up a few hundred would-be protesters before the whole event began.

Choire: Yes, the preemptive and illegal incarceration! That was not very "American." In which 1800 people were arrested, almost all of whom had charges dropped. (And charges of "resisting arrest" were fabricated.) Lawsuits, etc. Much, much more.

Tom: So these major made-for-TV events share a certain logic, all around the world.

Choire: And I can't imagine that London will be any less "vigilant," given that it is a near-total surveillance society, and that the 7/7 bombings were only six years ago.

Tom: Yes. The West sold China a lot of facial-recognition and crowd-behavior-processing surveillance software to help guarantee a peaceful Olympics.

Choire: That's nice of us! And in fact, you write, China also had designated protest zones: "During the games, an official announced, there would be official protest zones in three city parks. Reporters huddled up afterward to figure out where the third of the parks, World Park, which nobody had heard of, was located–halfway out to Hebei Province, it seemed. But the other two, Purple Bamboo Park and the Altar of the Sun Park, weren't bad."

Tom: Yes. And then the people who applied to use them were arrested.

Choire: Well that does have a certain logic.

Tom: It does. It is tidy. Ultimately, the I.O.C. endorsed that logic.

Choire: The IOC takes the Olympics max seriously. As a "China Expert," you have been doing things like TV and radio all over the fine United States of America. What sort of questions do you get asked? Are they… dumb?

Tom: Not at all.

Choire: I am shocked.

Tom: Many of the questions exist in a realm beyond "smart" or "dumb"; they are simply the questions that are out there being asked: "Is China really going to surpass the United States?"

Choire: Is China going to surpass the United States?

Tom: In what? Total surface area? We're tied, basically, depending on some tricky issues about how to count bodies of water.

Choire: Haha.

Tom: Population? China is already far ahead. Money? We're still ahead, there. There were, in fact, echoes of this in the Olympic medal count.

Choire: Oh right. There was much to-do.

Tom: China won! Also the United States won. China won 51 gold medals to the United States' 36. The United States won 110 medals to China's 100.

Choire: That's a lot of medals. And everyone gets to go home happy!

Tom: Yes. The Olympics doesn't specify how many "points" a medal is worth. If gold-silver-bronze gets scored 3-2-1, the United States gets more Medal Points and is the Olympic Winner.

Choire: USA! USA!

Tom: If it gets scored 5-3-1, China gets more Medal Points. 中国, 加油!

Choire: One of my favorite parts in the book is the press honcho lady for the Beijing Olympics talking about China's place in the world. Sort of viewing China as like, the world's younger adopted sibling, complete with the usual resentments and hurt feelings, and then getting all this attention. She said:

"The world is like a village and there are some rich residents, for example the United States, the UK, Germany, and China is... a poor villager, a poor villager in that village. And the Olympic Games is like a party, and many rich residents hosted these nice parties for the whole village, but China had never had a chance to do so, because China is not developed so well and has so many children, so many people to feed. And later China grew and the economy is better, and finally the rich residents said, 'OK, now we can ask China to host this party for us,' and China is very happy to have this opportunity, and we ask all the neighbors and all these relatives to come to help. We built a bigger house and we planted all the grasses and some people say, 'You are using chopsticks, and we are not used to it,' so we bought knives and forks, and we have also learned these languages, foreign languages, that our neighbors use... and we prepared many nice food and we welcome, we sincerely welcome all these villagers to come, but when they come they ignore all the nice things, the nice food that we put out, put on the table. They go to the... restroom, they go to the garbage bins, and they ignore all these nice preparations that we had put up...."

Tom: Yes. Why are we so negative all the time? So it's always diverting when China gets to flip the script, as it has this week, and deplore the Americans' reckless and incompetent government and the Britons' seething unhappiness and societal instability.

Choire: I have to say this is a great time for me to be rereading this book because America really is tearing itself apart in silly ways, like a teenager at its first therapy session, and North London is pretty much actually tearing itself apart. And China is like "mmm hmmmm."

Tom: China is like a very un-fuzzy therapist. It has absolutely no sympathy for our good intentions. "We are glad to see that you, too, appreciate the value of indefinite detention and torture in preserving your national security." "Surely you won't begrudge us the chance to use the same tools you do, to promote our own national interests."

Choire: Boris Johnson and Mike Bloomberg share this one world one dream!

Tom: Exactly. That was one of the central themes of this book, the more I watched the New Beijing present itself to the world. This belief that the spread of prosperity brings liberalization with it — well, does it? The notion that staging an Olympics makes you a member of the community of Good Nations is one small facet of this larger Pollyanna-internationalist ideology (or religion).

Choire: Right. SEE YOU IN LONDON!

Tom: Quite so. The Security State — now that's a value that all sorts of different governments can get behind.

Choire: And finally, on more meta questions: have you, now that you're an Author, found any way to deal with the problem of public readings?

Tom: Which... aspect of the problem?

Choire: Well, for the reader himself, maybe.

Tom: Standing up and reading the book in public is maybe less frightening than the prospect of other people reading the book in private.

Choire: Oh, I'd never thought of that! Great, new phobias for all.

Tom: At least you can hear the people chuckling or see them sneaking out the door.

Choire: Oof. But you can't see them throwing the book across the room at home.

Tom: Or reading it over and over and laughing out loud. You just do not know.

Choire: Not that your book is anything but engrossing and thrilling! "A VERY GOOD BOOK," says the Washington Post! Could a review be more concrete? Is the book good? Yes. How good? VERY.

Tom: And the Post shared lots of quotes, which is nice. If you enjoyed the text in this review, you can buy 100,000 more words of it!

Choire: Gosh that's a lot of words.

Tom: Beijing is a big city! But an endlessly diverting one. So maybe I was trying to be mimetic. I'll ask my publisher to add a scratch-and-sniff smog sample to the next printing. So everybody please hurry up and buy out this printing!

Choire: That would be incredibly… tasty?

Tom: But it is a very good book even without any interactive olfactory element. One odd thing about being an Author is that I find myself being less self-deprecatory than usual.

Choire: Oh! That's interesting. I always thought publishing a book would send a reasonable person into a deep shame spiral.

Tom: The shame spiral is maybe a bit of a luxury. I mean, we'd all love to be the early Jesus and Mary Chain, turning our backs on the audience, making 20 minutes of terrorizing feedback, and then skulking away. Or maybe the first-person plural is inaccurate there.

Choire: Ha! Well many of us would like to be that.

Tom: "Whatever! I wrote this. Like it, don't, fine with me, fuck you." But while a book is NOT AT ALL LIKE A BABY — I know this — one does feel responsible toward it, and protective.

Choire: Right. Babies are more expensive.

Tom: I did spend years working on this thing. And a publishing house got behind it, and many talented and rigorous editors and proofreaders went over the text, and the designer made a really great cover.

Choire: A REALLY GREAT COVER.

Tom: So being like, "Oh gosh, so awkward, no big deal, it's just some stuff I typed" — that feels a little cheap and bogus. I'd be kind of a jackass if I'd taken the money and spent this amount of time and I decided to be too shy or self-protective or whatever to say that I think it's good and I want people to buy it. I'm a writer, not a salesperson, but there isn't any more writing to be done on the book. And there is selling.

Tom: So, dear readers of The Awl, if you have gone this far through this dialogue, please do buy and read my book: BEIJING WELCOMES YOU: UNVEILING THE CAPITAL CITY OF THE FUTURE.

Choire: Well-played. Yes, as we said: the book tour goes to Brooklyn tonight! At 7 p.m. at the PowerHouse Arena, 37 Main Street, in Dumbo. Then tomorrow, August 10, at Politics & Prose, the party goes to Washington D.C., also at 7 p.m.

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Tonight, at PowerHouse Arena, it is the Brooklyn Launch Party for Tom Scocca's Beijing Welcomes You, a nonfiction chronicle of what Beijing has so recently become. As China is now (well, as usual) so much in the news, we asked him some questions!

Choire Sicha: Tom Scocca, as you have written a book called Beijing Welcomes You: Unveiling the Capital City of the Future, which is brand new and good and also a book I have read, you are the only expert on China.* (*That I personally know.) Is this a great week for China or what?

Tom Scocca: If you set aside the fact that all the American debt China owns is turning into junk bonds, then, yes, it's a happy time for the People's Republic. London, which did not have the foresight to strangle Twitter and Facebook, is being torn apart by riots, only a year before it is supposed to host the Olympics. The 50 Cent Army of China's government-backed Internet commenters is apparently having a parade to celebrate.

Choire: Today the "Wen Wei Paper" (sort of "News of the World" but with extra party cronyism) seems to be loudly saying that the U.S. owes every Chinese citizen 5700 yuan. (That would be $886.) Is this true? Do we???

Tom: Seems plausible. I've still got a few hundred yuan kicking around my desk drawer. That may turn out to be my most prudent investment holding.

Choire: You're an entry-level currency trader! Right, so not only is China making fun of our "downgrade," they are also making fun of the current "lawlessness" of London. Now, obviously, you were there in Beijing before the last Olympics. Were there chavs looting all the time?

Tom: There most emphatically were not. There was one person who stabbed an American to death at the Drum Tower, an event that was ascribed to insanity and quickly buried in the press, thanks to a total lack of information. And there was some sort of protester or streaker at the closing ceremony, likewise crazy, according to the best (only) available information. And the Free Tibet people climbed a flagpole early on. But beyond that, it was Harmonious Society 24/7. What's more: after the stabbing, they outlawed the sale of all kitchen knives throughout the city. We went to the newly opened upscale-kitchen-implements store, where they had like all the All-Clad equivalent cookware and silicone basting brushes a First World cook could hope to see, to get poultry shears to cut up food for the growing child, and the sharp-objects section had been swept clean.

Choire: That's the kind of harmony that countries like England and the U.S. have a hard time making happen. For instance, mandating alternate driving days with even and odd license plate numbers, as China did. But it seems to me that there is a very China-specific relationship to law and order. Let me quote from your book!

My first trip to the inner sanctum was for a press conference on forestry. On the way, we hit a traffic jam on the Second Ring. The left lane had closed to regular traffic, as one of the reserved Olympics lanes, and through some sort of traffic-engineering algebra, half as many private cars driving in two-thirds as many lanes worked out to much worse traffic than usual. When he saw me looking at my watch, the cabbie began fighting his way around the traffic, tapping his horn with his thumb. To keep demonstrating his concern, he continued tooting along the Third Ring when we got there, even though there was no Olympic lane and the traffic was fine.

"The Olympic things are only convenient for the Olympics," I said, in a flash of Mandarin competence. "For everyone else, they're annoying." The driver clapped a hand over his mouth and held it there theatrically. Then he put it back on the steering wheel. "Understand?" he said.

Choire: In America and in London, we'd just be loudly and grandly beefing about such things.

Tom: Would we really, though?

Choire: Hmm! Well we do not make jokes in airports, true.

Tom: Four years before those Olympics, you and I had the pleasure of seeing the Republican National Convention in New York, did we not?

Choire: I recall it well! Okay, I recall it hazily.

Tom: It might have been more memorable if the mayor had not locked up a few hundred would-be protesters before the whole event began.

Choire: Yes, the preemptive and illegal incarceration! That was not very "American." In which 1800 people were arrested, almost all of whom had charges dropped. (And charges of "resisting arrest" were fabricated.) Lawsuits, etc. Much, much more.

Tom: So these major made-for-TV events share a certain logic, all around the world.

Choire: And I can't imagine that London will be any less "vigilant," given that it is a near-total surveillance society, and that the 7/7 bombings were only six years ago.

Tom: Yes. The West sold China a lot of facial-recognition and crowd-behavior-processing surveillance software to help guarantee a peaceful Olympics.

Choire: That's nice of us! And in fact, you write, China also had designated protest zones: "During the games, an official announced, there would be official protest zones in three city parks. Reporters huddled up afterward to figure out where the third of the parks, World Park, which nobody had heard of, was located–halfway out to Hebei Province, it seemed. But the other two, Purple Bamboo Park and the Altar of the Sun Park, weren't bad."

Tom: Yes. And then the people who applied to use them were arrested.

Choire: Well that does have a certain logic.

Tom: It does. It is tidy. Ultimately, the I.O.C. endorsed that logic.

Choire: The IOC takes the Olympics max seriously. As a "China Expert," you have been doing things like TV and radio all over the fine United States of America. What sort of questions do you get asked? Are they… dumb?

Tom: Not at all.

Choire: I am shocked.

Tom: Many of the questions exist in a realm beyond "smart" or "dumb"; they are simply the questions that are out there being asked: "Is China really going to surpass the United States?"

Choire: Is China going to surpass the United States?

Tom: In what? Total surface area? We're tied, basically, depending on some tricky issues about how to count bodies of water.

Choire: Haha.

Tom: Population? China is already far ahead. Money? We're still ahead, there. There were, in fact, echoes of this in the Olympic medal count.

Choire: Oh right. There was much to-do.

Tom: China won! Also the United States won. China won 51 gold medals to the United States' 36. The United States won 110 medals to China's 100.

Choire: That's a lot of medals. And everyone gets to go home happy!

Tom: Yes. The Olympics doesn't specify how many "points" a medal is worth. If gold-silver-bronze gets scored 3-2-1, the United States gets more Medal Points and is the Olympic Winner.

Choire: USA! USA!

Tom: If it gets scored 5-3-1, China gets more Medal Points. 中国, 加油!

Choire: One of my favorite parts in the book is the press honcho lady for the Beijing Olympics talking about China's place in the world. Sort of viewing China as like, the world's younger adopted sibling, complete with the usual resentments and hurt feelings, and then getting all this attention. She said:

"The world is like a village and there are some rich residents, for example the United States, the UK, Germany, and China is... a poor villager, a poor villager in that village. And the Olympic Games is like a party, and many rich residents hosted these nice parties for the whole village, but China had never had a chance to do so, because China is not developed so well and has so many children, so many people to feed. And later China grew and the economy is better, and finally the rich residents said, 'OK, now we can ask China to host this party for us,' and China is very happy to have this opportunity, and we ask all the neighbors and all these relatives to come to help. We built a bigger house and we planted all the grasses and some people say, 'You are using chopsticks, and we are not used to it,' so we bought knives and forks, and we have also learned these languages, foreign languages, that our neighbors use... and we prepared many nice food and we welcome, we sincerely welcome all these villagers to come, but when they come they ignore all the nice things, the nice food that we put out, put on the table. They go to the... restroom, they go to the garbage bins, and they ignore all these nice preparations that we had put up...."

Tom: Yes. Why are we so negative all the time? So it's always diverting when China gets to flip the script, as it has this week, and deplore the Americans' reckless and incompetent government and the Britons' seething unhappiness and societal instability.

Choire: I have to say this is a great time for me to be rereading this book because America really is tearing itself apart in silly ways, like a teenager at its first therapy session, and North London is pretty much actually tearing itself apart. And China is like "mmm hmmmm."

Tom: China is like a very un-fuzzy therapist. It has absolutely no sympathy for our good intentions. "We are glad to see that you, too, appreciate the value of indefinite detention and torture in preserving your national security." "Surely you won't begrudge us the chance to use the same tools you do, to promote our own national interests."

Choire: Boris Johnson and Mike Bloomberg share this one world one dream!

Tom: Exactly. That was one of the central themes of this book, the more I watched the New Beijing present itself to the world. This belief that the spread of prosperity brings liberalization with it — well, does it? The notion that staging an Olympics makes you a member of the community of Good Nations is one small facet of this larger Pollyanna-internationalist ideology (or religion).

Choire: Right. SEE YOU IN LONDON!

Tom: Quite so. The Security State — now that's a value that all sorts of different governments can get behind.

Choire: And finally, on more meta questions: have you, now that you're an Author, found any way to deal with the problem of public readings?

Tom: Which... aspect of the problem?

Choire: Well, for the reader himself, maybe.

Tom: Standing up and reading the book in public is maybe less frightening than the prospect of other people reading the book in private.

Choire: Oh, I'd never thought of that! Great, new phobias for all.

Tom: At least you can hear the people chuckling or see them sneaking out the door.

Choire: Oof. But you can't see them throwing the book across the room at home.

Tom: Or reading it over and over and laughing out loud. You just do not know.

Choire: Not that your book is anything but engrossing and thrilling! "A VERY GOOD BOOK," says the Washington Post! Could a review be more concrete? Is the book good? Yes. How good? VERY.

Tom: And the Post shared lots of quotes, which is nice. If you enjoyed the text in this review, you can buy 100,000 more words of it!

Choire: Gosh that's a lot of words.

Tom: Beijing is a big city! But an endlessly diverting one. So maybe I was trying to be mimetic. I'll ask my publisher to add a scratch-and-sniff smog sample to the next printing. So everybody please hurry up and buy out this printing!

Choire: That would be incredibly… tasty?

Tom: But it is a very good book even without any interactive olfactory element. One odd thing about being an Author is that I find myself being less self-deprecatory than usual.

Choire: Oh! That's interesting. I always thought publishing a book would send a reasonable person into a deep shame spiral.

Tom: The shame spiral is maybe a bit of a luxury. I mean, we'd all love to be the early Jesus and Mary Chain, turning our backs on the audience, making 20 minutes of terrorizing feedback, and then skulking away. Or maybe the first-person plural is inaccurate there.

Choire: Ha! Well many of us would like to be that.

Tom: "Whatever! I wrote this. Like it, don't, fine with me, fuck you." But while a book is NOT AT ALL LIKE A BABY — I know this — one does feel responsible toward it, and protective.

Choire: Right. Babies are more expensive.

Tom: I did spend years working on this thing. And a publishing house got behind it, and many talented and rigorous editors and proofreaders went over the text, and the designer made a really great cover.

Choire: A REALLY GREAT COVER.

Tom: So being like, "Oh gosh, so awkward, no big deal, it's just some stuff I typed" — that feels a little cheap and bogus. I'd be kind of a jackass if I'd taken the money and spent this amount of time and I decided to be too shy or self-protective or whatever to say that I think it's good and I want people to buy it. I'm a writer, not a salesperson, but there isn't any more writing to be done on the book. And there is selling.

Tom: So, dear readers of The Awl, if you have gone this far through this dialogue, please do buy and read my book: BEIJING WELCOMES YOU: UNVEILING THE CAPITAL CITY OF THE FUTURE.

Choire: Well-played. Yes, as we said: the book tour goes to Brooklyn tonight! At 7 p.m. at the PowerHouse Arena, 37 Main Street, in Dumbo. Then tomorrow, August 10, at Politics & Prose, the party goes to Washington D.C., also at 7 p.m.

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