Calvin Cordozar Broadus, Jr. turns forty years old today—incredible, if you remember what it was like to first hear his dulcet, melodic voice bouncing over the spine-tingling beat Dr. Dre made for the titular song of the 1992 Laurence Fishburne/Jeff Goldblum vehicle Deep Cover. Snoop Doggy Dogg, as he was known back then, already seemed like an ageless entity. And he's stayed seeming that way. (Even after he dropped the "Doggy" in his name in the mid-90s.) If he is not the greatest or most important figure in the history of rap, he is probably the most famous and beloved worldwide. The way he reaches his arm around Barbara [...]
Fans of Dr. Dre or Erykah Badu will recognize the slinky guitar riff from the young Mississippian rapper Big Krit's latest (it's a sample from Soul Mann and the Brothers' cover of "Bumpy's Lament" from Isaac Hayes' soundtrack to Shaft.) But to me the coolest thing about this song is the perspective: Krit rhymes in the persona of a pot-smoking, X-box-playing, Cribs-watching loser. One who has dreams of glory and riches like we're used to, but one who, at the end of the song, is clearly not going anywhere good. And pretty harshly called out for it. There's a lot of Notorious B.I.G. here. In an impressive way.
Vibe: Dr. Dre said that the last beat that floored him was 'All About the Benjamins.' How does that make you feel? P. Diddy: "It's humbling. I was in the studio with Dre the other day. He started working on a record for me. Watching him as a producer is watching greatness. We had a lot of similar traits. It was like looking in the mirror. He would ask questions like, 'How you feel about this?' People don't really understand true producers want to know how you feel about things. We are some of the most observant people on the planet." -Sometimes humility doesn't last very long.