
A series dedicated to explaining Britain's manufactured celebrities to an American audience.
To the index of woes humanity was blessedly spared last year—the Mayan apocalypse, a Romney-Ryan administration, the fiscal cliff, photos of Kate Winslet’s third wedding—we must add an event whose absence supplies a faint but joyous glimmer of hope in our brutal world. I refer, dear readers, to Her Royal Highness Princess Michael of Kent's fourth literary effort and debut novel, The Queen of Four Kingdoms. This reportedly completed tale of warring royals in 15th-century France, featuring "many colourful and also dangerous characters," has failed to appear despite a promised "release date" of 2012. Now, [...]
A series dedicated to explaining Britain's manufactured celebrities to an American audience.
If recent history has taught us anything (other than how seismically upsetting it is when nepotism mars the hitherto incorruptible profession of acting), it’s that achieving fame as a lovable British pop star typically entails a grueling journey through the glitzy Cowellian panopticon of the talent show circuit. Frankly, we should all mentally prepare for a future where every important public role, from political leader to evening news anchor to royal progenitor, is assigned via staged auditions and tear-jerking assurances that you really made that song your own. So it is genuinely inspiring—life-affirming, even—to witness a [...]
A series dedicated to explaining Britain's manufactured celebrities to an American audience.
Here’s a fun game to play—well, when I say “fun game to play” I suppose I really mean “grim illustration of late capitalism’s warped values that might fleetingly distract you from the pointless quagmire of your own existence.” Anyhoo, fingers on buzzers: of the following, which genre of news story has the longest shelf-life in our ADD-pandering global media landscape: missing white girl with pretty blonde hair; white girl imprisoned for grisly murder; or famous married man sexing women who aren’t his wife? The answer, as established by the indefatigable wonks at Princeton’s Department of Research Studies to [...]
A series dedicated to explaining Britain's manufactured celebrities to an American audience.
Accompany me, if you will, on a little thought experiment: let us imagine that a band of intrepid time travelers, or intelligent extra-terrestrials should that be more plausible in your Dawkinsian worldview, have happened upon contemporary Britain, and are puzzling out its customs.
The inhabitants of these cold, wet, verdant isles—they would report in their alienish (or distant-era) idiom—are in apparently helpless thrall to an orange-hued, dead-eyed, grotesquely-mammaried personage who, while outwardly conforming to a female gendered shape, does not seem fully human. We hazard a guess that this intimidating being is a robot [...]
A column dedicated to explaining Britain's manufactured celebrities to an American audience.
The people of Great Britain, as they valiantly try to heal from the manifold traumas this past season has wrought—the sudden death of Amy Winehouse, the devastating break-up of Alexa Chung and Alex Turner, Kate Winslet’s unfortunate survival of Richard Branson’s house fire, the merciless destruction of marauding mobs—are, quite understandably, seeking solace in time-honored fashion: by documenting, dissecting, and debating the riveting antics of one Kerry Jayne Elizabeth Katona, an author, TV personality and mother of four. The 31-year-old, who on Thursday won second place on cultural flagship "Celebrity Big Brother"—prompting optimistic speculation that she's "[...]