Difficult Listening Hour, with Seth Colter Walls: I Let You Touch Me Every Now And Then: Last Chance for Isabelle Huppert in 'Quartett' at BAM; First Chance for Annie's 'My Love is Better' @3:15 PM
Coming up as a cinema snob in adolescence, your average hetero boy's sexual desire—the hyper-wattage of which tends to outstrip FCC broadcast regulations, thereby causing a lot of, um, fritz on the signal—is thankfully managed by a chronological succession of fantastic Parisian lips. Anna Karina (in early Godard), Deneuve (in everything), and then: bam. The modern era. It belongs to Isabelle Huppert. Forget Courtney Cox's insulting Cougartown weaksauce. It's enough to make you believe in a God, the way Huppert gets more dangerous—and more unbearably desirable—with every passing year. You thought she was peaking as a labial cutter in Michel Haneke's film adaptation of Jelenik's The Piano Teacher back in 2001? That was dumb of you. Naturally, Huppert upped the erotic ante by signing on for a film adaptation of a Georges Bataille incest tale, Ma Mere. READ MORE 7












