Footnotes of Mad Men: Goodbye, All Our Pretty Horses @4:32 PM
Of all the metaphors this season, the strongest seemed to be the horse. That could seem old, pony-furred hat if we were not in the strong hands of the Mad Men writers room. The partner of the wayward man making his claim on the land; the embodiment of stubborn independence; since cigarette ads immemorial, a symbol of virile Americanism. Of course horses are also chattel, and we Americans will gladly take our spirit animals, chop them up and serve 'em to our pups if there is good business to be had, even if we have to lie about it. Also, horses can kill you! (RIP, Papa Whitman.) READ MORE 109
Footnotes of Mad Men: How You Get Your News @4:30 PM
Not to be contrary for the sake of it—because what can you say about November 22, 1963 that hasn't already been borrowed three times over?—but the Kennedy family has only limited emotional resonance for those of us born to the baby boomers. This is particularly true for those of us who grew up in the West, far beyond the sway of East coast political dynasties. Sure, we can identify the Kennedys as a cultural shift, as style icons, as political talking points. We can also relate to the transformational power of their tragedies—hypnotic television coverage, live carnage, and, last night, an unmoored Betty Draper unable to make sense out of any of it. But for us now, that afternoon Dallas is more illustrative of something else: the swift and unscrupulous pace of history. Particularly, recent American history and how it is so phenomenally compressed. In just one generation, the psychic trauma of RFK and JFK has been largely erased. So maybe Don Draper's aloof attitude is enlightened rather than repressive: "Everything's going to be OK. We'll have a new president. And everyone is going to be sad for a little bit." READ MORE 63
Footnotes of Mad Men: A Rage For Order, or, The Problematic Episode @1:01 PM
In the intentionally dull world of academic writing, the descriptive word of choice for a thorny issue about race or sexuality is 'problematic.' As in: "Sal only serving as a gay prop this season is problematic." And it was, though not for any kind of politically correct reasons—how eye-rollingly boring would that critique be—but because it makes for crappy drama. Sal's tragic situation and Carla's steely silence during the Birmingham news report was a clumsy plot gimmick. It felt as though the writers were grabbing hold of us by the shirt collars and screaming, "CAN'T YOU SEE? THESE PEOPLE ARE OPPRESSED?!" Well, perhaps we needed reminding. But in this instance, the writers of Mad Men sacrificed their usual elegant nuance for some ham-fisted 'social message.' Fortunately, though some elegance was found in other places—like Disneyland! Yay. READ MORE 42
Shock! 'Mad Men' Gets a Fourth Season @1:50 PM
No way! AMC just announced officially that it was renewing 'Mad Men' for a fourth season. How could this be? We'd quote from the press release but, really, c'mon. 1













