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Posts tagged as AMC

Dark AMC Now Booking Comedy and Reality Shows

"AMC, on the other hand, this year alone passed on 'Boss,' starring Kelsey Grammer with Gus Van Sant attached to direct the pilot (the project went to Starz). It turned down a J. J. Abrams pitch for a noir show one insider compares to Sin City. A high-profile pass Stillerman won’t name (it was Kevin Spacey’s 'House of Cards') 'was a very solid piece of material, needed a little work. But they wanted us to commit straight to series. And we were going to be deliberate developers. And a very good piece of talent walked out the door, because someone else was willing to order six or eight episodes right away.' That someone was, interestingly, Netflix." READ MORE

Footnotes of Mad Men: Full of Demands, Empty of Offerings

Don's right-about one thing, at least: teenagers are sentimental. The cynicism with which adults rebel comes from the nihilism of doing what you know is bad for you because you're old enough to understand that these things usually go unpunished. The kind of joyless self-indulgence that adults traffic in doesn't exist for teenagers. For the young, it's unfathomable that act of self-indulgence can bring anything but joy. In the twilight of childhood, you're not sure what's like to be an adult but you know what it feels like to not be a child. Every brush with adult behavior-anything from smoking, to sneaking out, to driving, to fucking-is wrapped in a gauzy, loving haze. (It's bittersweet though: as the twilight of childhood dims, there is within the heart of every teenager a dull throb that comes with the mourning of lost innocence.) What's alarming, then, is when grown-ups act like teenagers: denying themselves nothing, cherishing their transgressions like merit badges, constantly chasing the beginning of something, unable to parse the sensations of joys from despair. READ MORE

Footnotes of Mad Men: Calling All Trumpeter Swans

Who knew that the advertising industry housed so many men of integrity? The ad above is by Bill Bernbach, a founder of Doyle Dane Bernbach and the Great Father of modern advertising. It was Bernbach who popularized the technique of counter-intuitive advertising. "Now I'm not talking about tricking people," Bernbach said. "If you get attention by a trick, how can people like you for it? For instance, you are not right if, in your ad, you stand a man on his head just to get attention. But you are right to have him on his head to show how your product keeps things from falling out of his pockets." READ MORE

Footnotes of Mad Men: Charismatic Domination, or, When Daddy Is A Disaster

Don! Since the beginning of "Mad Men," all have been agog about Don Draper's magnetism. What is it? Why do women wilt and men follow? How does his staff endure his endless floggings? (Ahem.) And how does he turn the most banal products into objects of desire? Granddaddy sociologist Max Weber provides an answer: Don is a charismatic. Charismatics draw their power from the mystic and divine. For the early Christians, a charismatic was a human vessel through which a god revealed its power. Charismatics are theatrical, eloquent, and fervent. We first saw a glimpse of Don's supernatural power when he coolly walked around a conference table of skeptical clients and said, "Listen, I'm not here to tell you about Jesus. You already know about Jesus, either he lives in your heart or he doesn't." The domination of the charismatic resides in the emotional response he arouses in his followers-and, of course, in the cash that he dispenses at his whim: "The followers share in the use of those goods which the authoritarian leader receives as donation, booty or endowment." Oh yes. READ MORE

Footnotes of Mad Men: The Delinquent Hero on Hands and Knees

For drama, in the Greek sense, to resonate with the modern viewer it needs have three elements: Acknowledgement of the universe's benign indifference, recognition of the utter loneliness of human existence and a commitment to something or someone outside oneself even in the face of those two principles. READ MORE

Footnotes of Mad Men: Mrs. Draper, You've Got a Lovely Daughter

I don't need to tell you what going through puberty feels like, with all its urgency, eroticism, and ugliness. You went through it yourself. If you didn't go through it as a female, I can tell you that the desire to appear adult is consuming. Whenever there's role-playing to be done, the pubescent female will assume the role of Teacher in School, Doctor in the Hospital, Mother in House-and beware the girl who played student, patient, baby. For young girls, the thinking goes, if they exude an air of maturity, they'd be chosen to enter the world of adults. A young girl's desire to play cook is not only a demonstration of her ability to be an alchemist, converting raw globs of yoke and salt into something edible, but also to show that she can successfully manage adult responsibilities. This is to wriggle into the world of grown-ups. So there's no greater shame to be exposed as a fraud-when, despite a girl's best efforts, she finds herself reflected in the pitying leers of adults. There are few positions more shameful than face down on the hall floor of your father's office. READ MORE

Footnotes of Mad Men: The Promethean Woman, or, Our Dog in the Parthenon

• One myth that arose from some proponents of the women's liberation movement is that a terminated pregnancy doesn't change a person. The idea that it does was reasonably considered fodder for the other side-that this view enhanced the notion that not caring for a child conceived in your body is an abandonment of biological and moral responsibilities. In reaction then, a PR move has often been adopted into an unconvincing pro-choice ideology: a woman can go through a pregnancy without some lasting change to her psyche and system. The enlightened woman, the idea was, could go through terminating a pregnancy or putting a child up for adoption without the burden of sin or shame. This idea discounts that a pregnancy can, and often does, change everything. READ MORE

Footnotes of Mad Men: From Lubricated to Morose

Don Draper didn't know his father, so he examines figures of male authority that he dreads becoming. One is Roger Sterling. Unfortunately, Don's current trajectory points to a Sterling finish. Right now, he's an entitled lush who skips out on his family, cuts corners, sleeps with the secretaries and-worst of all-he settles for mediocre copy. One day you're taking a drunken self-congratulatory lap around a conference room of potential clients, the next day you're in a dusty corner office wistfully dictating your memoir to a bored secretary. READ MORE

Footnotes of Mad Men: A Century of Roger Sterling

I went to bed angry and I woke up angry over 1. what a horrible, nasty, vicious monster Betty Draper is and 2. that little contrivance in last night's "Mad Men" episode. Roger Sterling dropped a name, which was then echoed by Pete Campbell, all seemingly intended as a psychological experiment to see what would happen on the Internet as a result. I thought it was an irritating meta-joke about advertising and I, for one, am not having it. You can Google the name of the doctor referenced if you're curious. SPOILER: IT'S NOT ANYONE. I don't want to play their little viral reindeer games! (Someone please make me an animated gif of a viral foaming reindeer? Thanks!) Let's look instead at the passage of time. READ MORE

Footnotes of Mad Men: The Youth Machine and Godzilla Handjobs

The main ingredients of American counterculture formation all guest-starred in last night's "Mad Men" episode: abortion, Berkeley, Vietnam and, most ominously: young people. The ‘youthquake' is not just an explosive population boom, it's when, supposedly, teenagers and college students seized control of culture from adults. At the very least, they seized control of the consumer goods market. Beginning around the 1920s, a common theme in advertising was to offer a return to youth and vitality (and relevance in the towering industrial age) through consumer goods. Oatmeal, face creams, sodas all made mention of youth in their slogans. But that was selling youth to the aging. In the 60s, the symbolic role that youth played in American culture-honesty to self, renewal, rejection of ancient values-became a driving market force. This notion was really that becoming an adult meant participating in consumer culture. This is perhaps the most loathsome legacy of the Boomer's ascent to cultural dominance: the perpetual teenage mentality of rebellion through buying things. READ MORE