The New Old Music
16

When Did The Remix Become A Requirement?

Consider this: according to Discogs.com, about 800 remixes were released in 1983. In 1990, more than 4,000; in 2000, almost 15,000. And in 2010, there were 22,750 remixes released, an increase of more than 450% in twenty years. Not surprisingly, as that number has leapt up, remixes also have come to represent a much larger share of what's being released: in 1983, they accounted for 2% of all releases; 7% in 1990; 17% in 2000; until, by 2010, a staggering 20% of all releases were remixes.

How did we get to the point where a one-hit-wonder band from the '90s like Marcy Playground can release an entire [...]

8

A Q. & A. With Bootsy Collins, American Hero

Bootsy Collins has one of the most impressive resumes in popular music, beginning his career as a bassist with the one-two punch of James Brown and Parliament Funkadelic. More than 40 years after being plucked from obscurity to back up the Godfather of Soul, his new album, The Funk Capitol of the World, seeks to put his life and funk in a historical perspective. Among other things, the death of his brother Phelps "Catfish" Collins compelled him to craft a “musical biography” that would preserve the memory of the people who were most influential to Bootsy: everyone from Catfish to Al Sharpton to Jimi Hendrix and, of course, George [...]

12

A Q&A With Jon Langford Of The Mekons

It’s likely that you either love the Mekons, or you haven’t heard of them at all. Formed as a punk band in Leeds in 1977, the sprawling lineup has remained more or less the same since the mid-'80s. Their sound spans multiple genres, among them American rock and roll and roots music. (They are, in fact, credited with producing the first alt-country album.) If you go to a Mekons show, expect to see some incredibly ardent fans, every music critic in town, and an energetic performance from all on stage.

I had the opportunity to interview Mekons cofounder and guitarist/vocalist Jon Langford while he was on a [...]

16

Going Home With Pulp

Last Sunday, the third day of the Wireless festival in Hyde Park, I wandered through a crowd of around 50,000 people, past a crowded Fish & Chips stand, and a much less crowded “BBQ Burger” stand, past red-faced men swearing and carrying four pints of beer, and groups of healthy-looking European student-types sitting on blankets, to wait for a group of seven people from Sheffield to play their first show in London since 2002.

Both of these cities had loomed so large in my imagination for so long; London was, of course, London, but Sheffield was “Sheffield: Sex City,” as ludicrous as that may sound on its face. I [...]