
Each television show will inevitably teach you something, but together they've all taught me one thing—that is, a television show will always teach you how to watch it. The education starts early: "Barney" or "Sesame Street," where learning to count is the same thing as learning how to learn to count. You might not realize it when you're eight and miming the clean-up dance on "Big Comfy Couch," but then the education continues. "Mad Men," that excellent serial drama, directs us to observe details, little gestures, big paintings—all meaningful subtext. Even shows fairly awful at teaching you how to watch them, like "Homeland" or "Smash," manage to convey something (don't [...]
20. "Millions of dollars were pouring in, but in the middle of 1995 the girls shocked their fans by filing for Chapter 11 Bankruptcy."
19. "But although she agreed work on the new album, Lisa continued to look beyond music for her own personal salvation."
18. "Consumed by turmoil, trials and tragedy, was the music. Not a single new note was heard from TLC for nearly 5 years."
17. "On the way to the studio, Lisa saw a rainbow. It was a vision that inspired her to add a deeply personal touch to the song, 'Waterfalls.'"
This list is part of a series about our favorite [...]
"Welcome to the O.C., bitch." —Luke, "The O.C.," Season 1, Episode 1
Sometimes disorder introduces itself into long-standing order. Such is the plot of almost everything compelling: "Downton Abbey," the evolution of the norovirus, "The Nanny," bedbugs, "Jurassic Park," civil rights, the lineup changes of Foreigner, infidelity. So goes, also, the story of Ryan Atwood, who storms Newport's gated communities with little more than a hoodie, a wrist cuff, a pack of Marlboros and his trademark Chino flair in the pilot episode of "The O.C."
This essay is part of a series about our favorite TV shows past.
Previously: The Joys And Derangement Of [...]

The first in a series about our favorite TV shows past.
There are some things I know to be true that cannot be objectively or scientifically proven, what theologians call articles of faith. Corporate lawyers, for instance, are not simply bad people who made poor life choices. They actually work for demons, a kind of lesser god-monster from a parallel dimension porously paired with our own. Professional politics, a career nearly all attorneys aspire to, is itself a realm of slightly higher demons—higher in influence and power, not intellect or evolution. These professions, like those of talent agents and film producers and record-label executives and school principals, are natural [...]