
Eyes either narrow or widen, depending, and voices come up a tense octave. There's a certain palpable raising of the drawbridge from the man responding: the question or statement is contemptible, and it is very clearly being held in contempt, and this discussion is going to end just as soon as it can be ended. The reason it doesn't end right then, right after the word gets said, is that these are professionals, professional football players and smooth spokesmen both. And so the proper responses—"no, not at all"; "that's most definitely not how we see ourselves"—make their way out and into the microphones and notebooks and early-week assessment pieces. [...]

Before it became America's most wholesome and family-oriented violence-delivery medium and a decade or so after it ceased to be a simple sport, the NFL was, briefly, war. This wasn't so very long ago—then as now, the United States was intimately-unto-inextricably involved in two wars of the actual-going-on-thing variety. And of course the NFL wasn't so much war as it was a violent professional sport on television, but it's easy to see how the NFL's marketing people—who cut together a series of TV promos featuring Edwin Starr's "War (What Is It Good For?)" that left in the funky-dramatic music but removed every lyric except for the word "war"—could get [...]

It was obvious that Greg Gumbel was not happy. There was a palpable lowering of his voice, a brief decline into the robotic we-are-being-treated-well tones of a hostage video. With everything he had, The Humble Gumbel was signifying that this particular "60 Minutes" promo was being read under protest. "It says here," he sighed, "that Jerry Jones has got an ego the size of Texas," before continuing to plug that night's profile of the Cowboys owner. The CBS cameras cut to Jones, who had left his luxury box and was on the sidelines, his face that familiar taut botox rictus and his arms pumping out oilman handshakes to his [...]
Thursday night? I have a standing date with my friends to watch football tonight on a network that spends four or five programming hours per day running reruns of Pros Vs. Joes and Matt Millen's cooking show. It's called "Batter In My Mustache," and in it Millen makes sugar cookies every week, and he makes them very angrily. I'm pretty sure they shoot it in his actual kitchen, because there's meat everywhere and the sink is horrifying. Anyway but once a week, this network—it's the NFL Network, and you don't get it on your cable system—interrupts all that and runs a football game. That's why Thursday nights are my [...]

There's never really a moment in which this particular bit of behavior could be in context, obviously, but the robot mascot of Fox's NFL broadcasts plays guitar sometimes. Really works out on it, in fact—Steve Vai-style runs up the fretboard, dropping to its steely knees so as to enhance the rocking out, the whole deal. Is the robot playing along with the edgeless guitar-rock gallop of the Fox NFL theme song? I don't think so, if only because the robot—which once was restricted to participating in animated football-related activities—now just kind of does whatever. Whatever being, among other things, an awkward, dancingbaby.gif-quality rendition of Ray Lewis's pre-game berserker choreography, [...]

It is saying something, and not something good, that the best programming on VH1 generally features the poreless, marzipan-faced vanity doctor Dr. Drew Pinsky. Pinsky's creepy self-assurance is unpleasant everywhere it appears, but there's a rawness and bleak exhaustion to VH1's Pinskyfied televised celebrity rehab franchise that's occasionally bracing. I write this knowing that the words "televised celebrity rehab franchise" are about as unpleasant as the language gets, and in the understanding that some people's reaction to watching a scabby, furtive Tom Sizemore sweat out the shoulder of a decade-long meth high might be less generous than mine.

In the almost unbearable breadth of its offerings on the subjects of napping puppies, curious baby sloths and farting iguanas, YouTube is something more than a miracle—the vast triviality of all those acres of lush, stunning webshit is too wicked, too beautiful to have originated upstairs. There's a kind of freaky groupthink to the YouTube-memes that boil up, tornado-like, from YouTube's flat and desolate interior, but there's something great about those, too, and compromises are to be expected when you're talking about something that functions as an illustrated psychic septic system for the entire Internet. The comments section—home to the most dead-certain and dread-inducing almost-humans ever [...]