"Girls & Boys camouflaged itself well: on the surface it was a gaudy tale of holidaymakers trading STDs in Kavos, recounted over trashy electro. But bubbling away underneath was the culmination of a plan that had hatched in Damon Albarn’s mind many months before: how to halt the pervading Americanisation of guitar music and reassert some belief into a British scene suffering from an identity crisis." —You know what's old now? Everything.
And Soon You'll Be Dead