The bulk of this year’s action and sci-fi films did clever violence better than in previous years but generally failed to develop minority characters. I mean the frequently derided popcorn fare such as Fast & Furious 6, as opposed to the hallowed and equally problematic Chilean Sea Bass fare of films such as Captain Phillips: The Wrath of Khat. A great deal of my fascination with the former subset stems from a desire to see smart, setting-specific violence that draws upon the elements of cinema as much as it does its surroundings. More often than not, this is something beyond the bullet and therefore historically unspecific to the white male [...]
The Best Man Holiday is a success. That is not particularly a "surprise." It did not "over-perform," nor did it soar for a "race-themed film," as USA Today originally wrote. To speak of it in these terms reduces The Best Man Holiday to thousands of frames of low expectations. It existed and won. As a film, it was 50% an above-average comedy and 50% an abysmal drama. But financially—the only metric that matters to studios—it was a knockout. Set in the present. Not filmed by Tyler Perry. Of which you can expect to see more.
Malcolm D. Lee's movies, in fact, have nearly all been significant [...]