Does Paying Sources Even Work?
There's a segment of the journalism and media-product-making world that believes that paying sources for their exclusive version of events is a great business technique. It's competitive, it's efficient and it's not usually terribly expensive. (Unless you are talking about pictures of Angelina Jolie's babies, in which case it's very pricey-in 2008, People and Hello! together paid $14 million, to charity, for pictures of the Jolie-Pitt twins.) Over the weekend, Gawker paid an acquaintance of the insane balloon boy's family-I'm not even going to use their names, if that's okay?-to tell his story. It was pretty interesting, and damning, if not entirely conclusive.
The going price, reported elsewhere, is that the guy wanted between $5000 and $8000 to talk about his experience with that family and his theories about what they were up to now. Gawker said up front that they paid him, but didn't disclose the amount. The story went up at 5 p.m. on Saturday.
For their money, they got about 300,000 pageviews to that specific story over 24 hours-not bad at all for a weekend. Presumably a lot of that traffic came from a prominent link on the Drudge Report. By Monday at noon, it was up to 400,000 pageviews.
Gawker actually might not have paid a set amount! What the site wanted to do, as of a year ago, is make sources "authors" and pay them a rate based on the incoming traffic. That is smart-why pay speculatively, like People? Gawker used to pay $7.50 CPM (that means "per thousand" essentially!) to its own writers for their traffic; that rate steadily decreased to $5 CPM. So the site's own effective CPM was at least $15 CPM-if not more like $30. (You wouldn't pay your content creators more than half of your income, obviously.)
Say this source wasn't paid his ask, but instead was offered a $5 CPM for the post. At 400,000 pageviews, that's a mere $2000. A bargain, sort of. At $10 CPM, that's, obviously, $4000. (And at least that much again, presumably, for the site, in ad income.)
What else does $4000 to $6000 get you at a blog? Well, it'll get you base pay for a blogger for a month. Take Hamilton Nolan, who produced 204 posts on Gawker in the month of September, and who garnered almost exactly 2 million pageviews that month (not including any traffic to the front page itself, which, according to their stats, drew 7.8 million pageviews).

For Hamilton, that's just a bit over 9 posts per weekday, which would be an average of almost 10,000 pageviews a post. (That last is not actually a good number-his total pageviews also include all his own posts from previous months. For instance, Jessica Coen earned 66,000 pageviews last month, and she hasn't worked there in years.)
Still. Gawker paid some thousands of dollars for 400,000 pageviews-and lots of those were drive-by pageviews from Drudge readers. (Drive-by readers aren't all bad! In their visit, those readers gain familiarity with the site. Maybe they come back. Maybe they'll tell a friend about the site.)
So what's a good investment?
Jezebel did much the same thing previously, with a good rationale and for a good cause-to bribe people who ran the risk of being fired to deliver before- and after-Photoshop women's magazine covers. Jezebel's winner in that contest drew 1.3 million pageviews. That's a lot of traffic, but still, it's a small number compared to that site's monthly traffic-five of the women there each pull in more than a million pageviews a month. It was, though, a great way to introduce the then-new site to readers.
Let's return to People and Hello!-the real spenders. "An important exclusive sells an extra 300,000 to 500,000 copies-providing less than $1 million in added earnings," wrote Richard Perez-Pena in the Times after that sale. But that's just the newsstand. People supposedly doubled its web uniques for the month with those pictures. Still, at whatever millions of dollars they paid, it still couldn't have been worth it, unless you're counting "prestige" or "attention" as a currency-which it really isn't.
And on the micro-scale, in this latest example of a few paltry thousand dollars, it doesn't quite add up either. It certainly sounds efficient-one post, by a one-time writer, can garner the traffic of a week's worth of work by a staff writer. Yet you still end up with far less bang for your buck than what you actually get from your boring old employees. And then, even if the goods are good-and in this case, it did move the story along, in some way-the Times won't even cite your exclusive, because you paid for it. Though they'll certainly host an AP story that does credit it… though they won't even toss in an actual link. Harsh.









In 2009, "What Nick Denton Pays People" has become the go-to new media rant, easily replacing 2008's "What Nick Denton Pays People".
OMG. This topic. One must also mention (as Biz Insider pointed out) that part of the exclsive story deal was also 48 hours of silence from the seller. There is also the matter of reputation (which is hard to out a $ value on) for all those writers you mention whose own editorial reputation, with both sources and readers, takes a permanent hit thanks to that taken by the overall publication (i.e. Gawker on your resume now is closer to TMZ than the "Spy" it once was) which is all fine because it doesn't hurt employment opportunities but I bet it decreases your chances of ever getting on the cover of NYT Mag.
But (1) Denton is not concerned with his writers' chances of getting on the cover of the NYT mag (and rare is the owner who would be), and (2) how much longer is that small point going to matter anyway?
Where this becomes interesting is looking at it as the next version of the whole “‘real’ journalists vs. bloggers†thing. If the Internet has taken information movement out of the hands of the old-media news institutions, why should new-media institutions expect things to go differently for them? It may not also be financially sensible, but why shouldn't a source expect to get paid for providing news, the same way a blogger or a newspaper reporter gets paid for providing news? The demarcations start to break down here, too.
"May not always be financially sensible."
No. He's not (primarily anyway). But I think that will lead to diminishing returns when it comes to cultivating and keeping real talent. Without good, creative writers (who are/were themselves part journalists) what does Gawker offer than any site cannot replicate? Gawker likes to run pieces on how bullshit branding is. And a lot of it is. But it's not totally bullshit and Gawker's brand is suffering.
Is it? I mean, they're back to paying freelance contributors, and aren't pageviews back up? Writers and a minority of readers tend to complain about content quality, but owners instinctively understand that it's much less relevant than we producers of it would like to believe.
I can only speak for myself, but I don't think any of the writers at Gawker are concerned with getting on the cover of any magazine, unless we can get airbrushed. Heavily. I'm pretty sure they know exactly where they're going with whatever reputation they're cultivating, and it's always going to have aspersions cast on it by media folk who think it owes them something because they were once loyal to it (this was the case three years ago, too). It's like the band that starts playing gigs at the bar, and then they move onto the club, and so on. Who's the brand suffering to? Its old audience? Traffic's fine. Then again, I don't see concerts at the Garden for a reason.
All that said, as a contributing mathematician to this site, a good number to put in perspective on all of this: Lindsay Lohan's Bodega BlackBerry Brouhaha. A day-old gossip item turned into a gallery with a ridiculous name. 84,711 hits right now. Cost nothing. Took thirty minutes.
http://gawker.com/5343385/lindsay-lohans-little-italy-blackberry-bodega-brouhaha/gallery/
Thrifty!
Ringing endorsement! I spent a week on my last thing and it probably didn't get hat many pageviews. Guess I'm a sucker.
You can take comfort knowing that as Lindsay Lohan went down in flames, you didn't help fan them.
Ah..pageviews. The gift that keeps on giving.
No one's checkin' out LL in a dusty Aug. issue of US Weekly.
To be fair, more than half of Belonski's pageviews were from commenters complaining about his poor spelling and grammar.
Hard to beat the excellent deal Vanity Fair got on its Deep Throat exclusive. $10k is pretty much a bargain for something like that.
http://www.time.com/time/magazine/article/0,9171,1069062-2,00.html
Very true. But I bet Mr. Throat wouldn't have sold to US Weekly for $90,000. Vanity Fair got him for $10K because it maintained a rep. as a place a person of his (story's) stature would want to see said story.
As a bystander to the industry's system (or lack thereof, it is facinating to see a paradigm unfold.
Add parenthesis.
The MSM reported unpaid sources telling lies. Gawker reported a paid source telling the truth.
As a reader, I don't care whether the source is paid for his time and trouble. I just care whether he is telling the truth.
Yes but, what about the hypothetical source with newsy info who will not disclose because no one will meet a minimum price? Compensation and veracity are not intrinsically arm's-length.
What about the source that is paid to never disclose at all; exclusivity bought, as one might say, in perpetuity?
The internet is ultimately responsible for the decline in journalistic integrity. Also, heterosexual marriages fail increasingly due to gays.
I thought it was the other way around, re marriage…
This is really basic, but I'm an old. How do page views turn into actual $$$ for the website or advertisers? Are pageviews akin to ratings? And you base your ad rates on your pageviews? Or, is there some way to quantify that a certain number of page views, equals a certain number of dollars being spent at American Apparel?
And how is any of this different than me, years ago, meeting a junkie source at a fast food joint, buying him a burger and coffee and getting a story?
Yes, my understanding is that pageviews are akin to ratings or circulation numbers.
What I don't know anything about, and am curious about, is how click-throughs affect rates. Do sites that host ads promise a certain number of click-throughs? And how many people do click through ads?
CPM = Cost Per 10,000 page views. so a $10 CPM…
Also, usually click throughs are not part of the deal any more than paying based on a neilson rating guarantees somebody will go out and buy anything. So, simply, the more page view the more $$$$. THOUGH, if you produce zero click throughs an advertiser might be loathe to advertise with you again, so….
Generally CTR is just an indicator of campaign performance. Thus, the editorial would have no bearing on the total revenue. Like none. What's more, if the Ad team didn't/doesn't have a significant campaign up and running for the duration of those 400k page views (and they didn't!), then everyone loses.
Also, why is Pareene still at Gawker? Shouldn't he be at The Awl, back at Wonkette or somewhere else?
I am pointlessly posting hours later here, but for the record, the most recent version of the NY Times story on this sordid event did in fact cite the Gawker report, though they put it thus: "In another twist to the case, the gossip site Gawker paid a 25-year-old Denver man, Robert Thomas, to write about his experience working with Mr. Heene…" In other words, they managed to frame it as if Heene were a writer, rather than a source, which is, I guess, Gawker's preferred framing as well.